【摘要】：本文是把近些年來(lái)在中國(guó)當(dāng)代攝影領(lǐng)域中出現(xiàn)的景觀攝影，帶入到世界攝影史的坐標(biāo)系中進(jìn)行全面的歷史性考察，也是圍繞景觀攝影的本質(zhì)屬性在理論上的梳理與總結(jié)。 本文首先從景觀攝影的歷史演進(jìn)入手，概括出不同歷史時(shí)期，景觀圖像中所承載的社會(huì)文化內(nèi)涵，并揭示當(dāng)代社會(huì)“景觀”的本質(zhì)。其次重點(diǎn)分析景觀攝影從記錄到觀念的美學(xué)發(fā)展過(guò)程，，同時(shí)兩者在當(dāng)代攝影中顯現(xiàn)融合的趨勢(shì)并出現(xiàn)新的美學(xué)轉(zhuǎn)向。之后是本論文的重點(diǎn)部分，對(duì)景觀攝影的視覺(jué)修辭進(jìn)行系統(tǒng)分析，并提出紀(jì)實(shí)與觀念的互涉和政治與美學(xué)的互混是景觀攝影的重要語(yǔ)境系統(tǒng)。最后對(duì)景觀攝影進(jìn)行本土性考察，著重分析景觀攝影在中國(guó)紀(jì)實(shí)攝影和觀念攝影中所扮演的雙重身份，以及景觀攝影外部的觀念呈現(xiàn)與內(nèi)部的精神所指。 本文認(rèn)為：景觀攝影秉承了后現(xiàn)代藝術(shù)的批判理念，改變了傳統(tǒng)風(fēng)景意向而轉(zhuǎn)向社會(huì)景觀，同時(shí)在冷漠的無(wú)表情外觀下包含著作者主體意識(shí)的覺(jué)醒，也掀起了利用影像對(duì)抗現(xiàn)實(shí)的序幕，并在當(dāng)代藝術(shù)中扮演著重要的角色。
[Abstract]:In this paper, landscape photography, which has appeared in the field of contemporary Chinese photography in recent years, is brought into the coordinate system of the world photography history for a comprehensive historical investigation, but also around the nature of landscape photography in the theoretical review and summary. This paper begins with the historical evolution of landscape photography, summarizes the social and cultural connotation of landscape images in different historical periods, and reveals the essence of "landscape" in contemporary society. Secondly, it analyzes the aesthetic development process of landscape photography from record to concept, and at the same time, shows the trend of fusion and new aesthetic turn in contemporary photography. Then it is the key part of this paper, which systematically analyzes the visual rhetoric of landscape photography, and points out that the interrelation between documentary and concept and the mixing of politics and aesthetics is the important context system of landscape photography. Finally, this paper makes a local investigation on landscape photography, focusing on the analysis of the dual identity played by landscape photography in Chinese documentary photography and conceptual photography, as well as the external concept of landscape photography and the inner spirit of landscape photography. This paper holds that landscape photography inherits the critical idea of post-modern art, changes the traditional landscape intention and turns to social landscape, and at the same time it contains the awakening of the author's subjective consciousness under the indifferent and expressionless appearance. It also raises the prelude of using images against reality and plays an important role in contemporary art.
【學(xué)位授予單位】：浙江農(nóng)林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J405

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