本文選題：景觀攝影 + 紀(jì)實(shí)性　； 參考：《工業(yè)設(shè)計(jì)》2016年04期

【摘要】：景觀攝影成為最近攝影藝術(shù)創(chuàng)作的主流形式,越來(lái)越多的攝影家選擇用景觀完成自己的創(chuàng)作,在紀(jì)實(shí)性的紀(jì)錄世界的影像,也在做著非紀(jì)實(shí)性的的主觀傳達(dá),有的攝影家用巨幅的照片尺寸震撼人心,有的攝影家采用劇照式的顏色表達(dá),他們的影像都是有針對(duì)性的,都是自己對(duì)這世界的態(tài)度。
[Abstract]:Landscape photography has become the mainstream form of recent photographic art creation. More and more photographers choose to use landscape to complete their own creations. In the documentary recording of the world's images, they are also doing non-documentary subjective communication. Some photographers use huge photo size to shock people, some photographers use still-style color expression, their images are targeted, are their own attitude to the world.
【作者單位】： 沈陽(yáng)工學(xué)院藝術(shù)與傳媒學(xué)院;
【分類(lèi)號(hào)】：J405
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本文編號(hào)：1933278