本文選題：中國 + 當代　； 參考：《南京藝術學院》2007年碩士論文

【摘要】： 中國當代實驗影像始于20世紀80年代，90年代得以迅速發(fā)展。隨著當代藝術觀念和影像技術的日臻成熟，影像藝術家們利用數(shù)字媒介的優(yōu)勢，表現(xiàn)自身對于實驗影像的理解，從而產(chǎn)生出大量不同類型、具有個人意象的實驗影像作品。 實驗影像的夢幻性是影像的幻想性和實驗性因素，這些因素體現(xiàn)在作品主題、拍攝手法、制作手段和展示方式等各個方面，使影像更具實驗性而區(qū)別于一般的敘事常規(guī)。夢幻性將實驗影像融入到數(shù)字影像技術的氛圍中，并以獨特的表達方式傳遞出實驗影像的獨特藝術性。 本文從電影第二符號學中的精神分析角度入手，通過對實驗影像的系統(tǒng)研究和其中所包含的實驗電影、錄像藝術中夢幻性特征的比較研究，解析出夢幻性是中國當代實驗影像發(fā)展的顯著特征；并且通過對中國當代諸多代表性實驗電影和錄像藝術中夢幻性特征在各個制作環(huán)節(jié)中的表現(xiàn)的分析，深入研究了在“中國”、“當代”，這個特定的地域和時代背景下，，夢幻性在實驗影像作品中所呈現(xiàn)出的審美價值與文化價值；挖掘出夢幻性在中國當代實驗影像創(chuàng)作中的現(xiàn)實指導意義。
[Abstract]:The contemporary experimental images of China began to develop rapidly in the 1980s and 1990s. With the maturation of contemporary art concept and image technology, image artists make use of the advantages of digital media to express their understanding of experimental images, thus producing a large number of experimental images of different types with individual images. The dreaminess of experimental images is the fantasy and experimental factors of the images. These factors are embodied in the theme of the works, shooting techniques, means of production and presentation, etc., which make the images more experimental and different from the general narrative convention. Fantasy integrates experimental images into the atmosphere of digital image technology and conveys the unique artistry of experimental images in a unique way. From the perspective of psychoanalysis in the second semiotics, this paper makes a systematic study of experimental images and a comparative study of the dreamy features of experimental films and video art. It is analyzed that dreaminess is a significant feature of the development of contemporary experimental images in China, and through the analysis of the performance of dreamy features in various production links in many representative experimental films and video art of contemporary China, This paper deeply studies the aesthetic value and cultural value of fantasy in experimental video works under the specific region and background of "China", "Contemporary" and "Contemporary". Excavate the realistic guiding significance of fantasy in Chinese contemporary experimental image creation.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J41

【引證文獻】

相關碩士學位論文 前3條

1 宋爽;中國實驗電影研究[D];河北大學;2010年

2 陶蕾O;影像與現(xiàn)代音樂傳播的互動性研究[D];南京藝術學院;2010年

3 殷瑛;歐美實驗MV研究[D];南京藝術學院;2012年

本文編號：1864465