本文選題：影像 + 社交網(wǎng)絡(luò)��； 參考：《魯迅美術(shù)學(xué)院》2017年碩士論文

【摘要】：傳統(tǒng)的社交方式受到網(wǎng)絡(luò)沖擊導(dǎo)致出現(xiàn)新型的社交方式即網(wǎng)絡(luò)社交。在這種社交方式中影響了影像的生產(chǎn)關(guān)系。本文研究的正是社交網(wǎng)絡(luò)時(shí)代下影像生產(chǎn)關(guān)系。本文大致分為三部分:第一章闡述了影像生產(chǎn)在不同時(shí)期與社交的關(guān)系。追溯到手工繪畫時(shí)期影像生產(chǎn)關(guān)系,原始社會人類把圖像和符號作為與神進(jìn)行溝通交流的一種方式,早期的“影像”是作為描繪自然景物和現(xiàn)實(shí)生活的圖像。到了文藝復(fù)興時(shí)期透視法發(fā)明以來,像畫家凡戴克、卡拉瓦喬、倫勃朗等更注重寫實(shí)寫照,是受人文主義思想和科學(xué)技術(shù)為核心的影響。伴隨著膠片問世數(shù)碼相機(jī)的出現(xiàn),會使用、擁有相機(jī)的人越來越多,“影像”壟斷被打破。電視、電影工業(yè)的發(fā)展同時(shí)也為平面靜態(tài)、動(dòng)態(tài)影像增添色彩。人的觀看方式、社交方式也出現(xiàn)了多樣化。數(shù)字技術(shù)促使網(wǎng)絡(luò)社交的出現(xiàn),像Google、Facebook、instagram,各大網(wǎng)站為人們提供一個(gè)很好的交流平臺,人們可以進(jìn)入貼吧留言發(fā)帖子。第二大章主要研究社交網(wǎng)絡(luò)時(shí)代下影像生產(chǎn)出什么類型的影像。社交網(wǎng)絡(luò)時(shí)代進(jìn)入一個(gè)全新的數(shù)字媒體時(shí)代,影像生產(chǎn)更是大規(guī)模快速的走進(jìn)我們的生活,其中出現(xiàn)了“網(wǎng)紅”藝術(shù)家,職業(yè)社交攝影藝術(shù)家,影像生產(chǎn)在這個(gè)時(shí)代被顛覆,影像多元化的生產(chǎn)更符合這個(gè)時(shí)代的發(fā)展需求。第三章社交網(wǎng)絡(luò)時(shí)代影像民主化,社交媒體的出現(xiàn)使影像傳播與交流更加方便,影像的生產(chǎn)者更加自由,影像創(chuàng)作更加民主化,人人可以利用社交網(wǎng)絡(luò)平臺中的“影像”做藝術(shù)。總之,在社交網(wǎng)絡(luò)時(shí)代下,影像的生產(chǎn)關(guān)系多元化、人人都可以成為藝術(shù)家。影像已經(jīng)成為人們自由表達(dá)的工具。
[Abstract]:The traditional social way is affected by the network, resulting in the emergence of a new type of social mode, that is, social networking. In this way of social interaction, the image of the relations of production. This paper studies the relationship of image production in the era of social network. This paper is divided into three parts: the first chapter describes the relationship between video production and social interaction in different periods. Tracing back to the relations of image production in the period of manual painting, people in primitive society regarded images and symbols as a way to communicate with gods, and the early "images" were images depicting natural scenery and real life. Since the invention of perspective in the Renaissance, painters such as Van Dyke, Caravaggio and Rembrandt paid more attention to realistic portrayal, which was influenced by humanism and science and technology. With the advent of film, digital cameras will be used, more and more people have cameras, the "image" monopoly has been broken. The development of TV and film industry also adds color to plane static and dynamic images. People's way of viewing, social ways have also appeared a variety. Digital technology has led to the emergence of social networks such as Google Facebook and instagram. websites provide a great platform for people to communicate, and people can enter post bars to post and post. The second chapter focuses on what types of images are produced in the era of social networks. The era of social network has entered a new era of digital media, and image production has come into our lives on a large scale and quickly. Among them, "internet celebrities" and professional social photography artists have emerged, and the production of images has been subverted in this era. Image diversification of production more in line with the needs of the development of this era. Chapter three: the democratization of images in the era of social network, the appearance of social media makes image dissemination and communication more convenient, the producers of images freer, and the creation of images more democratic. Everyone can make use of the "image" in the social network platform for art. In short, in the social network era, the production of the image is diversified, everyone can become an artist. Images have become a tool for people to express freely.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J405

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本文編號：1856445