本文選題：梁思成 + 古建筑攝影�。� 參考：《中國(guó)藝術(shù)研究院》2010年碩士論文

【摘要】： 與一般的攝影家相比,梁思成建筑學(xué)家的身份,決定了他在攝影時(shí)不是“被動(dòng)的旁觀者”,而是努力潛入其中,“深入到它的內(nèi)核”,從而更好地傳達(dá)出古建筑的精髓,并最終找到了解讀中國(guó)古建筑奧秘的鑰匙。 梁思成為研究古建筑而拍下的大量建筑遺存,開(kāi)創(chuàng)了我國(guó)建筑考古攝影的先河。梁思成的古建筑攝影具有的多層面、多角度的意義,值得我們深入挖掘,本文的創(chuàng)新點(diǎn)在于從攝影的角度,從類(lèi)型學(xué)的角度,從文化學(xué)的角度,對(duì)梁思成作品的重新解讀。 梁思成的古建筑攝影已經(jīng)超出普通紀(jì)實(shí)攝影的深度和視域,呈現(xiàn)出類(lèi)型學(xué)的端倪。攝影類(lèi)型學(xué)是指對(duì)有著共同特性的類(lèi)群,進(jìn)行有系統(tǒng)地分類(lèi)拍攝。因?yàn)閱为?dú)看一張圖片,其力度是不足道的,但把同一類(lèi)型的照片連綴起來(lái),組合在-起,強(qiáng)化一種觀感,共同表達(dá)一個(gè)主題。如果我們把這些同一類(lèi)型的照片按照年代順序排列,就會(huì)發(fā)現(xiàn)這是一部完整的中國(guó)古代建筑史,并且能夠從中發(fā)現(xiàn)不同時(shí)代建筑的結(jié)構(gòu)、型制、尺度等特點(diǎn)——這些圖片的集合,具有了說(shuō)明歷史的震撼! 梁思成的古建筑攝影是最早的歷史文化遺產(chǎn)保護(hù)的成功案例。文化遺產(chǎn)保護(hù)不是一個(gè)空泛的概念,更不是口號(hào),需要有一個(gè)載體才有現(xiàn)實(shí)的意義。梁思成的這一行動(dòng)本身就是文化遺產(chǎn)保護(hù)的成功案例,可以說(shuō)梁思成是最早的文化遺產(chǎn)保護(hù)的實(shí)踐者。當(dāng)我們意識(shí)到文化遺產(chǎn)保護(hù)的重要性時(shí),梁思成當(dāng)年鏡頭下的古建筑,很多已不復(fù)存在。如今我們身在其中,親自體驗(yàn)梁思成用攝影記錄過(guò)的城市的變化,才真切感受到他的意義。
[Abstract]:In contrast to ordinary photographers, Liang Sicheng's identity as an architect determines that he is not a passive bystander in photography, but works hard to infiltrate it and "penetrate into its core," thus better communicating the essence of ancient architecture. And finally found the key to unscramble the mystery of ancient Chinese architecture. Liang Sicheng took a large number of architectural relics to study ancient buildings, and started the archeological photography of architecture in our country. The significance of Liang Sicheng's ancient architectural photography is multi-level and multi-angle. The innovation of this paper lies in the reinterpretation of Liang Sicheng's works from the perspective of photography, typology and culturology. Liang Sicheng's ancient architectural photography has gone beyond the depth and horizon of ordinary documentary photography, showing the clue of typology. Photography typology refers to the systematic classification of groups with common characteristics. Because it is not enough to look at a picture alone, but the same type of photos are linked together, combined together, to strengthen a sense of perception, a common expression of a theme. If we arrange these pictures of the same type in chronological order, we will find that this is a complete history of ancient Chinese architecture, and we can find the structure, type system of architecture in different times. Scale and other characteristics-the collection of these pictures, with an explanation of the history of shock! Liang Sicheng's ancient architectural photography is the earliest successful case of historical and cultural heritage protection. Cultural heritage protection is not an empty concept, not a slogan, need a carrier to have practical significance. Liang Sicheng's action itself is a successful case of cultural heritage protection, it can be said Liang Sicheng is the earliest cultural heritage protection practitioners. When we realized the importance of cultural heritage conservation, Liang Sicheng's lens of the ancient buildings, many no longer exist. Now we are in it, personally experiencing the changes in the city that Liang Sicheng has recorded in photography to truly feel his meaning.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J405

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 胡志剛;梁思成與中國(guó)營(yíng)造學(xué)社[J];天津城市建設(shè)學(xué)院學(xué)報(bào);2004年04期

2 顧錚;;在現(xiàn)實(shí)、記憶與想象之間──1990年代以來(lái)的中國(guó)紀(jì)實(shí)攝影[J];新聞大學(xué);2008年04期

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本文編號(hào)：1843240