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新媒介環(huán)境中流媒體對大眾影像消費的認同

發(fā)布時間:2018-03-15 11:08

  本文選題:流式多媒體影像 切入點:新媒體 出處:《哈爾濱師范大學》2013年碩士論文 論文類型:學位論文


【摘要】:本文將視角定為網(wǎng)絡(luò)信息化高速發(fā)展的今天,信息受眾們獲取信息的途徑和模式正在悄然地發(fā)生變化,因此信息載體的轉(zhuǎn)型或演變就成為必然。報道攝影作為新聞傳播的一種傳統(tǒng)的語言,在此語境下與新技術(shù)的結(jié)合為其演變豐富帶了更多的可能性。本文就是在這種背景下,作為一種嶄新的報道攝影語言的流媒體技術(shù),,如何運用自身獨具的能力,成為報道攝影的本體語言,并改變和豐富其語言形式的多樣性,以適應新的觀看方式的一種可能;蛘哒f,本文更加關(guān)心的是成為本體語言的這個過程,加以研究闡釋,力求從多種的角度,包括歷史觀、傳播領(lǐng)域等等,來佐證流媒體技術(shù)成為甚至改變傳統(tǒng)報道攝影本體語言的可能性。 流媒體本身只是一種介于網(wǎng)絡(luò)而存在的傳輸技術(shù),應用的領(lǐng)域相對比較廣泛,涉及到大量專業(yè)的數(shù)字計算機技術(shù),而報道攝影則是新聞傳播領(lǐng)域中的一種播報形式,與影像傳播和專業(yè)的攝影知識息息相關(guān)。從技術(shù)的角度來說,這兩個領(lǐng)域并不存在直接的聯(lián)系。但是,網(wǎng)絡(luò)時代重新整合了他們之間的關(guān)系。由于報道攝影面臨著從平面媒體轉(zhuǎn)向數(shù)字媒體、網(wǎng)絡(luò)媒體的轉(zhuǎn)型,那么報道攝影這種傳統(tǒng)的信息傳遞形式,可能會面臨著相應的變化——開始尋找一種可以適應目前環(huán)境的新形式,而這便給予了新的媒體技術(shù)發(fā)展的空間。流媒體技術(shù)和報道攝影的結(jié)合在很多年前就開始成為一種新的播報形式,并且伴隨著網(wǎng)絡(luò)等通訊平臺的成熟和健全,這種新形式呈現(xiàn)出一種特有的活力,并且受到學術(shù)界和媒體人的關(guān)注。 本文力圖從歷史觀的角度來探尋、從傳播學領(lǐng)域來探尋、從媒體的視角來探尋等,從多角度地、不求全面但求立場新穎的宗旨進行分析和探討。希望通過這種方式,來尋找流媒體和報道攝影結(jié)合的全新的、有機的結(jié)合方式,成為報道攝影的特點所在,并加深其傳播功效。
[Abstract]:With the rapid development of network information, the way and mode of obtaining information for the information audience are changing quietly. Therefore, the transformation or evolution of information carrier is inevitable. As a traditional language of news dissemination, the combination of news photography and new technology in this context brings more possibilities for its evolution. As a brand-new streaming media technology, how to make use of its own unique ability to become the ontology language of reporting photography, and to change and enrich the diversity of its language forms, In order to adapt to a new way of viewing, or, in other words, this article is more concerned with the process of becoming an ontology language, to study and explain it, and to strive for a variety of perspectives, including the historical view, the field of communication, and so on. To prove the possibility of streaming media technology becoming or even changing the traditional reporting photography ontology language. Streaming media itself is only a transmission technology that exists between the network, and the application field is relatively extensive, involving a large number of professional digital computer technology, while the report photography is a kind of broadcast form in the field of news communication. It is closely related to image dissemination and professional photographic knowledge. From a technical point of view, there is no direct connection between the two fields. However, The network age has reintegrated their relationship. Because reporting photography is facing the transition from print media to digital media and network media, then the traditional form of information transmission is reporting photography. May be faced with a corresponding change-- to start looking for a new form that can adapt to the current environment, And this gives space for new media technologies to develop. The combination of streaming media technology and reporting photography began to become a new form of broadcasting many years ago, and accompanied by the maturity and soundness of communication platforms such as the Internet. This new form presents a unique vitality and attracts the attention of academia and media. This paper tries to explore from the perspective of historical view, from the field of communication, from the perspective of the media, from a multi-angle, not to seek a comprehensive but innovative position of the purpose of analysis and discussion. Hope that through this way, To find a new, organic combination of streaming media and photocoverage, become the characteristics of photography, and deepen its dissemination.
【學位授予單位】:哈爾濱師范大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J419.1

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