明代南京青樓音樂文化初探
發(fā)布時間：2019-06-05 18:10
【摘要】：“青樓”是中國歷史的特殊文化現象。青樓文化在滋生骯臟與罪惡的同時，為這一特殊的文化土壤培養(yǎng)了大量技藝超群的名妓，她們作為有別于宮廷、職業(yè)樂班中的音樂表演者，成為傳播音樂文化的中堅力量。明代是城市俗樂的繁盛時期，昆曲、時調小曲、傳奇劇等多種音樂體裁都是以青樓藝人為引領，步入巔峰狀態(tài)的。 本文選取明代南京青樓音樂文化作為研究對象，從歷史學、音樂學、社會學和傳播學的視角對這一歷史現象進行描述和研究，，旨在通過研讀明代文史資料、地方志、戲曲資料等的基礎上，全方位展現明代南京青樓音樂文化的面貌，闡明青樓女藝人在明代音樂歷史的重要作用。明代青樓女藝人作為一個演繹音樂的重要群體，她們具有音樂受益者與傳播者的雙重身份，對明代音樂發(fā)展作出了巨大貢獻。本文從人文關懷的角度出發(fā)，以明代青樓女子對中國音樂文化的貢獻說明學界應該所重視青樓音樂文化的研究。
[Abstract]:Qinglou is a special cultural phenomenon in Chinese history. Qinglou culture not only breeds filth and sin, but also trains a large number of skilled and famous prostitutes for this special cultural soil. As music performers who are different from the court and professional music class, they have become the backbone of the dissemination of music culture. Ming Dynasty is the prosperous period of urban folk music, Kunqu Opera, tune Xiaoqu, legendary drama and other music genres are led by Qinglou artists and entered the peak state. This paper selects the music culture of Nanjing Qinglou in Ming Dynasty as the research object, describes and studies this historical phenomenon from the perspective of history, musicology, sociology and communication, in order to study the literary and historical materials and local chronicles of Ming Dynasty. On the basis of opera materials, this paper shows the appearance of Nanjing Qinglou music culture in Ming Dynasty in an all-round way, and expounds the important role of Qinglou female artists in the music history of Ming Dynasty. As an important group of performing music, female artists in Qinglou in Ming Dynasty have the dual status of music beneficiaries and communicators, and have made great contributions to the development of music in Ming Dynasty. From the point of view of humanistic care, this paper explains that scholars should attach importance to the study of Qinglou music culture with the contribution of Qinglou women to Chinese music culture in Ming Dynasty.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.2
本文編號：2493728
[Abstract]:Qinglou is a special cultural phenomenon in Chinese history. Qinglou culture not only breeds filth and sin, but also trains a large number of skilled and famous prostitutes for this special cultural soil. As music performers who are different from the court and professional music class, they have become the backbone of the dissemination of music culture. Ming Dynasty is the prosperous period of urban folk music, Kunqu Opera, tune Xiaoqu, legendary drama and other music genres are led by Qinglou artists and entered the peak state. This paper selects the music culture of Nanjing Qinglou in Ming Dynasty as the research object, describes and studies this historical phenomenon from the perspective of history, musicology, sociology and communication, in order to study the literary and historical materials and local chronicles of Ming Dynasty. On the basis of opera materials, this paper shows the appearance of Nanjing Qinglou music culture in Ming Dynasty in an all-round way, and expounds the important role of Qinglou female artists in the music history of Ming Dynasty. As an important group of performing music, female artists in Qinglou in Ming Dynasty have the dual status of music beneficiaries and communicators, and have made great contributions to the development of music in Ming Dynasty. From the point of view of humanistic care, this paper explains that scholars should attach importance to the study of Qinglou music culture with the contribution of Qinglou women to Chinese music culture in Ming Dynasty.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.2
【引證文獻】
相關博士學位論文 前2條
1 張英;明代南京劇壇研究[D];南京師范大學;2008年
2 板俊榮;民族音樂學多位網視野下的海州五大宮調[D];南京藝術學院;2012年
相關碩士學位論文 前2條
1 陳仕國;元代青樓戲劇研究[D];福建師范大學;2012年
2 陳曉雪;論明代歌妓與民歌傳承的關系[D];華中師范大學;2013年
本文編號：2493728
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