【摘要】：明清中樂(lè)西傳歐洲是這一時(shí)期中西音樂(lè)交流史中一個(gè)重要組成部分。在五百四十三年的明清社會(huì)中，中樂(lè)西傳歐洲經(jīng)歷了明末時(shí)期的初曙，清代前、中期的繁盛，清代后期的持續(xù)發(fā)展三個(gè)歷史時(shí)期，由于時(shí)代背景等因素，鴉片戰(zhàn)爭(zhēng)之前中樂(lè)西傳歐洲是在相對(duì)平等的中西關(guān)系中進(jìn)行的，鴉片戰(zhàn)爭(zhēng)之后，中西關(guān)系發(fā)生了變化，中樂(lè)西傳歐洲在不平等的中西關(guān)系中呈現(xiàn)又一發(fā)展?fàn)顟B(tài)，因此，在整個(gè)明清中樂(lè)西傳歐洲的過(guò)程中，三個(gè)歷史時(shí)期呈現(xiàn)出各自不同的鮮明特征。明清中樂(lè)西傳歐洲的成果豐碩，內(nèi)容豐富。歌曲、器樂(lè)、戲曲、舞蹈等在歐洲都得到不同程度的傳播，有些還結(jié)合歐洲當(dāng)?shù)氐乃囆g(shù)人文形成了適合他們口味的音樂(lè)形式，，充實(shí)了這一時(shí)期中樂(lè)西傳歐洲的內(nèi)容。明清中國(guó)音樂(lè)在歐洲的傳播，給這一時(shí)期的歐洲音樂(lè)注入了新的活力，同時(shí)也受到歐洲音樂(lè)潛移默化的影響，中國(guó)音樂(lè)和歐洲音樂(lè)在這一時(shí)期都出現(xiàn)了中西音樂(lè)結(jié)合的新的音樂(lè)形式。它們是中西音樂(lè)交流中的產(chǎn)物，是中西音樂(lè)相互影響的歷史見(jiàn)證。本文主要以明清歐人對(duì)中國(guó)音樂(lè)的記錄為資料，對(duì)中國(guó)音樂(lè)在歐洲的傳播發(fā)展情況進(jìn)行研究，呈現(xiàn)其傳播的真實(shí)面貌，挖掘其發(fā)生傳播的文化、社會(huì)、歷史等全方面的根源。
[Abstract]:In the Ming and Qing dynasties, Chinese music spread to the west was an important part of the history of Chinese and Western music communication during this period. In the Ming and Qing society of 543, China and the West spread Europe through three historical periods, namely, the beginning of the Ming Dynasty, the prosperity of the pre-Qing Dynasty and the middle period, and the sustained development of the late Qing Dynasty, due to the background of the times, and so on. Before the Opium War, Sino-Western transmission of Europe was carried out in a relatively equal relationship between China and the West. After the Opium War, Sino-Western relations changed, and Sino-Lee-West transmission Europe took on another state of development in the unequal relationship between China and the West. In the whole Ming and Qing dynasties, the three historical periods showed their distinct characteristics in the process of spreading music to the west. In Ming and Qing dynasties, the spread of music to the west of Europe was fruitful and rich in content. Songs, instrumental music, operas, dances and so on have been spread in Europe to varying degrees, and some have combined with the local art and humanities in Europe to form music forms suitable for their taste, enriching the content of Chinese music spreading to the west in this period. The spread of Chinese music in Europe in the Ming and Qing dynasties injected new vitality into the European music of this period, and was also influenced by the subtle influence of European music. In this period, Chinese music and European music both appeared new forms of music combining Chinese and western music. They are the products of Chinese and Western music exchange and the historical witness of the mutual influence of Chinese and western music. Based on the records of Chinese music from European people in Ming and Qing dynasties, this paper studies the communication and development of Chinese music in Europe, presents the true appearance of Chinese music communication, and excavates the root of the culture, society, history and so on.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J609.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 叱培虹;中西方古代哲學(xué)思維的差異及對(duì)音樂(lè)的影響[J];青海民族學(xué)院學(xué)報(bào);2003年03期

2 馬敏;《<萬(wàn)國(guó)公報(bào)>與晚清中西文化交流》序[J];書屋;2002年11期

3 小山;;中國(guó)戲劇在莫斯科——蘇聯(lián)通信[J];世界知識(shí);1935年05期

4 房仲甫;我國(guó)銅鼓之海外傳播[J];思想戰(zhàn)線;1984年04期

5 譚樹林;早期來(lái)華基督教傳教士與近代中外文期刊[J];世界宗教研究;2002年02期

6 周發(fā)祥;;《詩(shī)經(jīng)》在西方的傳播與研究[J];文學(xué)評(píng)論;1993年06期

7 湯開(kāi)建;16世紀(jì)中葉至19世紀(jì)中葉西洋音樂(lè)在澳門的傳播與發(fā)展[J];學(xué)術(shù)研究;2002年06期

8 徐晉如;論中西戲劇觀的對(duì)立[J];中國(guó)京劇;1997年03期

9 林矣之;國(guó)際交響樂(lè)隊(duì)中用的中國(guó)鑼[J];中國(guó)音樂(lè);1981年01期

10 孟文濤;中國(guó)的笙與西洋的簧樂(lè)器[J];中國(guó)音樂(lè);1983年01期

本文編號(hào)：2415877