【摘要】：永儒布是蒙古族著名的作曲家,他所創(chuàng)作的音樂作品能把蒙古族最優(yōu)秀的旋律與西方現(xiàn)代的作曲技法相結(jié)合,他還能把具有民族特色的樂器與交響樂結(jié)合在一起。這些都是先生作品中最具特色的一面。本文一是通過對(duì)永儒布音樂作品的大量分析,揭示他對(duì)傳統(tǒng)多聲部技法的創(chuàng)新,如非三度疊置的和弦、各種平行進(jìn)行、多調(diào)性等技法的運(yùn)用；二是通過與西方音樂風(fēng)格作對(duì)比,揭示出永儒布作品中所表現(xiàn)的風(fēng)格特征與文化內(nèi)涵。 本文以永儒布音樂作品多聲部技法為主要研究對(duì)象,主體分為五個(gè)部分：第一部分是永儒布的藝術(shù)生涯與藝術(shù)成就簡(jiǎn)介；第二部分是永儒布多聲部音樂中的縱向結(jié)構(gòu)特征；第三部分是永儒布多聲部音樂中橫向結(jié)構(gòu)特點(diǎn)；第四部分是永儒布多聲部音樂創(chuàng)作中的調(diào)性變化思維；第五部分是永儒布多聲部音樂觀念特征及表現(xiàn)意義。
[Abstract]:Yongjubu is a famous Mongolian composer. His music works can combine the best melody of Mongolian nationality with modern western composing techniques, and he can also combine musical instruments with national characteristics with symphonies. These are the most distinctive aspects of his work. First, through the analysis of Yongjubu's musical works, it reveals his innovation in traditional multi-part techniques, such as non-triple superimposed chords, various parallel processes, polytonicity and other techniques. Second, by comparing with the western musical style, it reveals the style characteristics and cultural connotation of Yongjubu's works. The main body of this thesis is divided into five parts: the first part is a brief introduction of Yongjubu's artistic career and artistic achievement, the second part is the vertical structural characteristics of Yongzhouduo's vocal part music, the first part is a brief introduction of Yongzhoubo's artistic career and artistic achievement, the second part is the vertical structure of Yongzhouduo's music. The third part is the characteristics of the horizontal structure in Yongjubuduo's voice music; the fourth part is the tonal changing thinking in Yongzhouduo's music creation; the fifth part is the characteristics of Yongzhouduo's musical concept and its expressive significance.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J614

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本文編號(hào)：2375164