【摘要】：本課題的研究對象是分布于湖南省常德市灌溪鎮(zhèn)中的民間樂班。這是一種在民間喪葬儀式中從事音樂活動、以血緣、地緣關(guān)系為基礎(chǔ)的民間社會組織。本文是以該地區(qū)的民間喪葬儀式音樂及其樂社為考察重點(diǎn)、圍繞其進(jìn)行定向的微型實(shí)地考察報告,并引發(fā)相關(guān)理論的闡述。論文由常德灌溪鎮(zhèn)民間喪葬儀式音樂本體分析、儀式記錄以及由此引發(fā)的丈化人類學(xué)追問三部分組成。 第一部分,根據(jù)田野調(diào)查得來的第一手資料,對樂班的樂隊(duì)編制、演奏行為、樂器定調(diào)分類敘述,著力于在喪俗中使用率最高的曲目,進(jìn)行音樂本體的具體分析,如曲式結(jié)構(gòu)、曲調(diào)來源、旋法規(guī)律等。 第二部分,根據(jù)民族音樂學(xué)和文化人類學(xué)的理論,對該地區(qū)的民間喪儀以及音樂進(jìn)行必要的學(xué)理界定。選擇一個典型樂班在民間喪儀中的具體活動,記錄其儀式程序,并采用人類學(xué)“雙窗口”的書寫模式和“局內(nèi)人、局外人”的研究視角,進(jìn)行對照互映。 第三部分,對喪儀樂班的現(xiàn)狀進(jìn)行學(xué)理追問,以文化人類學(xué)的理論,對其進(jìn)行深度描述,闡釋這一組織在該地區(qū)的社會習(xí)俗中發(fā)揮的社會功能,以及民間音樂在社區(qū)凝聚力和作為一個地方的文化身份認(rèn)同標(biāo)志方面具有的特殊意義。
[Abstract]:The research object of this subject is folk music class distributed in Guanxi Town, Changde City, Hunan Province. This is a civil society organization engaged in musical activities in folk funeral ceremonies, based on blood and geographical relations. This paper focuses on the folk funeral ceremony music and its music society in this area, carries on the micro-field investigation report around it, and causes the related theory elaboration. The thesis is composed of three parts: folk funeral ceremony music Noumenon analysis, ritual record and anthropology inquiry. The first part, according to the firsthand data obtained from field investigation, classifies and narrates the band composition, performance behavior and musical instrument setting of the music class, and focuses on the music Noumenon specific analysis, such as the musical structure, which has the highest utilization rate in the funeral customs. The origin of tunes, the law of rotation, etc. The second part, according to the theory of ethnomusicology and cultural anthropology, defines the folk funeral rites and music in this area. This paper selects a typical music class's specific activity in the folk funeral ceremony, records its ritual procedure, and uses the writing mode of anthropological "double window" and the research angle of "insiders and outsiders" to compare and reflect each other. In the third part, the author makes a theoretical inquiry into the present situation of funeral class, describes it in depth with the theory of cultural anthropology, and explains the social function of the organization in the social customs of the region. And folk music has special significance in community cohesion and as a local cultural identity symbol.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J607;K892.2

【引證文獻(xiàn)】

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1 王傳歷;羅山皮影戲家庭愿戲的調(diào)查研究[D];福建師范大學(xué);2011年

2 萬還升;上黨八音會索忠秀樂班調(diào)查與研究[D];山西大學(xué);2010年

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本文編號：2373511