【摘要】： 本文以唐山地區(qū)皮影戲及其音樂(lè)為探討對(duì)象,通過(guò)對(duì)唐山民間皮影團(tuán)及當(dāng)?shù)仄び八嚾说奶镆翱疾旌蛯?shí)地采訪,力圖將研究視野放置于此種民間藝術(shù)形式的承載者——皮影藝人身上,通過(guò)對(duì)皮影藝人及其皮影戲藝術(shù)在不同社會(huì)人文環(huán)境中的生存狀態(tài)的探討,來(lái)揭示這一藝術(shù)形式生存、發(fā)展的歷史狀況;通過(guò)對(duì)皮影藝術(shù)之腔詞關(guān)系的探討,努力揭示民間音樂(lè)藝術(shù)“依字行腔”的形態(tài)特征以及通過(guò)對(duì)伴奏與唱腔在表演當(dāng)中的互動(dòng)關(guān)系的探討,來(lái)說(shuō)明皮影藝人的音樂(lè)建構(gòu)的方式;通過(guò)對(duì)民間皮影團(tuán)的構(gòu)成與生存方式的探討,盡可能完整地呈現(xiàn)此種民間音樂(lè)形式的構(gòu)成規(guī)則以及草根社會(huì)中的生存特征及其在當(dāng)代政治、經(jīng)濟(jì)、文化環(huán)境中的命運(yùn)。 全文由引言、正文和結(jié)語(yǔ)三個(gè)部分構(gòu)成,正文又分為三章: 第一章主要探討了唐山皮影戲的起源,分階段介紹了唐山皮影戲及皮影藝人從宋代到當(dāng)前的歷史過(guò)程。 第二章是從音樂(lè)形態(tài)學(xué)、語(yǔ)言學(xué)的雙重視角,論述唐山皮影戲“依字行腔”的唱腔特點(diǎn),通過(guò)腔詞之間關(guān)系問(wèn)題的探討,觀照“依字行腔”的特點(diǎn)在唱腔中的體現(xiàn),進(jìn)而探討了表演中伴奏與唱腔的兩種不同的結(jié)合方式。 第三章通過(guò)田野資料,對(duì)唐山玉田縣皮影團(tuán)進(jìn)行個(gè)案研究,描述了民間皮影劇團(tuán)的組織構(gòu)成及其在當(dāng)代社會(huì)文化環(huán)境中的生存狀態(tài)。
[Abstract]:This article takes the shadow play and its music in Tangshan area as the research object, through the field investigation and the field interview to the Tangshan folk shadow group and the local shadow artist. Try to put the research field of vision on the bearer of this folk art form, the shadow artist, through the discussion of the shadow artist and its shadow art in different social and human environment, to reveal the survival of this art form. The historical situation of development, through the discussion of the relationship between the Phantom Art and the Song ci, the paper tries to reveal the morphological characteristics of folk music art "according to the word line" and the interactive relationship between accompaniment and singing in the performance. To illustrate the way of music construction of shadow artists, through the discussion of the composition and the way of existence of the folk shadow groups, to present as completely as possible the composing rules of this form of folk music, as well as the characteristics of existence in the grassroots society and its contemporary politics. Fate in the economic and cultural environment The text is composed of three parts: introduction, text and conclusion. The text is divided into three chapters: the first chapter mainly discusses the origin of Tangshan shadow play. It introduces the historical process of Tangshan shadow play and shadow artists from Song Dynasty to present stage. The second chapter discusses the singing characteristics of Tangshan shadow play from the perspective of music morphology and linguistics. Through the discussion of the relationship between the colloquial words, the characteristics of "according to the word line" are reflected in the singing. Then it discusses two different ways of combining accompaniment and singing. The third chapter through the field material, carries on the case study to the Tangshan Yutian County shadow film troupe, described the folk shadow drama troupe organization constitution and the survival condition in the contemporary social culture environment.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：J827;J617.5

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