嗩吶話語(yǔ)——米脂樂班三重奏
發(fā)布時(shí)間:2018-10-21 11:53
【摘要】:民族音樂學(xué)越來(lái)越傾向描述日常生活以及知識(shí)精英以外的群體和個(gè)人,如果能夠遇到從其個(gè)體生命窺見群體精神的典型故事,借此闡發(fā)自下而上推動(dòng)歷史的方式,既可避免將草根變?yōu)榱硪环N精英的敘述模式,也能揭示將草根變?yōu)榫⒌臍v史環(huán)境。
[Abstract]:Ethomusicology increasingly tends to describe groups and individuals other than everyday life and intellectual elites, if they encounter typical stories of group spirit that can be seen from their individual lives, in order to elucidate the way in which history is driven from the bottom up. It can not only avoid turning grass root into another elite narrative mode, but also reveal the historical environment of turning grass root into elite.
【作者單位】: 中國(guó)藝術(shù)研究院音樂研究所;
【分類號(hào)】:J607
,
本文編號(hào):2285015
[Abstract]:Ethomusicology increasingly tends to describe groups and individuals other than everyday life and intellectual elites, if they encounter typical stories of group spirit that can be seen from their individual lives, in order to elucidate the way in which history is driven from the bottom up. It can not only avoid turning grass root into another elite narrative mode, but also reveal the historical environment of turning grass root into elite.
【作者單位】: 中國(guó)藝術(shù)研究院音樂研究所;
【分類號(hào)】:J607
,
本文編號(hào):2285015
本文鏈接:http://www.sikaile.net/wenyilunwen/qiyueyz/2285015.html
最近更新
教材專著