【摘要】：基督教儀式音樂(lè)是西方基督教在云南怒江瀘水地區(qū)傳播的重要媒介之一，它的教義、儀軌、音樂(lè)等都深深地影響了該地區(qū)的民眾。經(jīng)過(guò)百年的歷史發(fā)展與沉淀，基督教成為怒江瀘水六庫(kù)鎮(zhèn)傈僳族社群生活中的重要組成部分。隨著社會(huì)現(xiàn)代化進(jìn)程的加快和互聯(lián)網(wǎng)的高速發(fā)展,傈僳族基督教音樂(lè)文化也相繼發(fā)生一系列的變化。本論文以生活于云南怒江大峽谷中的傈僳族為研究主體，在前人研究的基礎(chǔ)上，以云南怒江瀘水六庫(kù)鎮(zhèn)傈僳族基督教的日常重要禮拜儀式與節(jié)日儀式作為考察研究對(duì)象。從族性認(rèn)同和文化變遷這兩個(gè)視角，擬對(duì)20世紀(jì)90年代末至今的瀘水六庫(kù)鎮(zhèn)傈僳族基督教音樂(lè)文化進(jìn)行實(shí)地調(diào)查與研究。 在緒論中，首先梳理與闡述云南傈僳族基督教音樂(lè)文化研究的國(guó)內(nèi)外研究動(dòng)態(tài)，然后分述本論文的研究目的及意義，最后介紹本論文所采用的理論與研究方法。 特定區(qū)域的自然環(huán)境和人文環(huán)境制約著這一區(qū)域的社會(huì)經(jīng)濟(jì)、文化教育、宗教信仰、音樂(lè)藝術(shù)等方面的發(fā)展，同時(shí)也決定了這一區(qū)域人們不同的生產(chǎn)生活方式和由此形成的本族文化認(rèn)同。為了能在一個(gè)全面的社會(huì)背景和文化“語(yǔ)境”中呈現(xiàn)傈僳族基督教儀式音樂(lè)，筆者在第一章中，依據(jù)所搜集整理的相關(guān)文獻(xiàn)資料和實(shí)地調(diào)查，將本論文研究的自然地理環(huán)境、人文生態(tài)環(huán)境與傈僳族基督教音樂(lè)文化的傳播發(fā)展情況進(jìn)行梳理，意為下面章節(jié)的寫(xiě)作提供一個(gè)研究背景。 第二章從怒江瀘水六庫(kù)鎮(zhèn)傈僳族基督教特有的儀式音樂(lè)出發(fā)，一方面客觀地“深描”傈僳族基督教的“主日禮拜”、“圣誕節(jié)”、“復(fù)活節(jié)”的儀式音樂(lè)活動(dòng)，另一方面以基督教儀式中重要的內(nèi)容——贊美詩(shī)為論域，對(duì)其主要的贊美詩(shī)做音樂(lè)本體上的描述與分析，為下文第三章、第四章的研究奠定研究的基礎(chǔ)。 第三章與第四章為本論文的核心部分。第三章借鑒文化人類(lèi)學(xué)關(guān)于族性認(rèn)同的理論，對(duì)六庫(kù)鎮(zhèn)傈僳族基督教的音樂(lè)文化與族性認(rèn)同之間的關(guān)系進(jìn)行了研究。第四章從瀘水六庫(kù)鎮(zhèn)傈僳族的外部社會(huì)文化環(huán)境的變遷和內(nèi)部基督教音樂(lè)文化的變更兩個(gè)方面，，通過(guò)實(shí)地考察與學(xué)理分析，擬探討傈僳族基督教音樂(lè)文化在變遷中發(fā)生演變的動(dòng)因。最后在前四章的基礎(chǔ)上，對(duì)本論文所涉及的內(nèi)容進(jìn)行總結(jié)梳理，進(jìn)一步提升本研究的觀點(diǎn)和學(xué)術(shù)意識(shí)。
[Abstract]:Christian ritual music is one of the important media of western Christianity spreading in Lushui area of Nujiang River Yunnan Province. Its doctrine ritual music and so on have deeply influenced the people in this area. After a hundred years of historical development and precipitation, Christianity has become an important part of Lisu community life in Lushui Liuku Town, Nujiang River. With the acceleration of social modernization and the rapid development of the Internet, a series of changes have taken place in Lisu Christian music culture. In this paper, the Lisu nationality living in the Grand Canyon of the Nujiang River in Yunnan Province is taken as the main body of study. On the basis of the previous studies, the daily important liturgy and festival ceremony of Lisu people in Lushui Liuku Town, Nu River, Yunnan Province are taken as the objects of study. From the perspectives of clan identity and cultural change, this paper makes a field investigation and research on the Lisu Christian music culture in Lushui Luku town from the end of 1990s to the present. In the introduction, the research trends at home and abroad of the study on the Christian music culture of Lisu nationality in Yunnan Province are first summarized and expounded, then the purpose and significance of this paper are described, and the theory and research methods adopted in this paper are introduced. The natural environment and humanistic environment of a specific region restrict the development of social economy, culture and education, religious belief, music and art in this region. At the same time, it also determines the different ways of production and life and the cultural identity of the people in this region. In order to present the Lisu Christian ritual music in a comprehensive social background and cultural "context", the author, in the first chapter, according to the collected and collated relevant literature and field investigation, will study the natural geographical environment of this paper. The humanistic ecological environment and the dissemination and development of Lisu Christian music culture provide a research background for the writing of the following chapters. The second chapter starts from the ritual music characteristic of Lisu Christianity in Lushui Liuku Town, Nujiang River. On the one hand, it objectively "describes" the ritual music activities of Lisu Christian "Sunday worship", "Christmas" and "Easter". On the other hand, taking the important content of Christian ritual-hymn as the discussion field, the paper describes and analyzes its main hymn on the music ontology, which lays the foundation for the research of chapter three and chapter four below. The third and fourth chapters are the core of this paper. The third chapter studies the relationship between music culture and ethnic identity of Lisu nationality in Liuku Town by using the theory of cultural anthropology for reference. The fourth chapter from the Lushui Liuku town Lisu external social and cultural environment changes and the internal changes of Christian music culture, through field visits and theoretical analysis, This paper discusses the causes of the evolution of Lisu's Christian music culture in the vicissitude. Finally, on the basis of the first four chapters, the content of this paper is summarized and combed to further enhance the point of view and academic awareness of this study.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J608

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