【摘要】：眾所周知，中國(guó)被稱擅長(zhǎng)歌舞表演的具有五十六個(gè)民族的多民族國(guó)家，他們彼此間都保留著自己民族特色和優(yōu)秀文化繼承的音樂(lè)佳作。正是因?yàn)椴煌褡宓陌l(fā)源地、文化淵源各不相同，因此在此基礎(chǔ)上造就了獨(dú)樹(shù)一幟的多形式的民族音樂(lè)。由此數(shù)量龐大的音樂(lè)曲目多在少數(shù)民族地域中呈現(xiàn)。所以中國(guó)輝煌流傳的少數(shù)民族的音樂(lè)就形成了龐大數(shù)量歌曲、各種各樣的樂(lè)曲種類、傳統(tǒng)戲曲的特色形式，同時(shí)也樹(shù)立了顯赫的民族文化名譽(yù)。在數(shù)千年的不斷傳承、創(chuàng)造立新、與演變過(guò)程中不同的少數(shù)民族音樂(lè)鑄就了我們民族音樂(lè)的神話。借助濃厚的民族氣息、完美優(yōu)雅的節(jié)奏及各種各樣的表現(xiàn)形態(tài)為核心的少數(shù)民族文化以其形成的專門的特點(diǎn)，被認(rèn)為全世界絕頂音樂(lè)的不可缺少的一部分并受到世界各地的青睞。 在眾多少數(shù)民族聚居，傳播音樂(lè)泛濫的地方便是鄂溫克族自治的管轄領(lǐng)域了，其所在地方具有最為濃厚的地方性音樂(lè)文化，也構(gòu)成了比重最大不可或缺的群眾文化生活。隨著競(jìng)爭(zhēng)激烈的經(jīng)濟(jì)全球化和迅速演變的城市現(xiàn)代化變遷，少數(shù)民族文化也不斷進(jìn)化著。為了避免外界文化對(duì)本民族文化的繼承的惡劣影響，少數(shù)民族另辟新路重新勾畫(huà)了獨(dú)具特色的文化音樂(lè)場(chǎng)景。瑟賓節(jié)作為鄂溫克族的一個(gè)重要節(jié)日，受到高度重視。每年這個(gè)節(jié)日，鄂溫克族人們都載歌載舞舉行盛大的紀(jì)念活動(dòng)，本論文將訥河市興旺鄂溫克族鄉(xiāng)瑟賓節(jié)中的音樂(lè)文化作為切入點(diǎn)進(jìn)行研究。 本論文在寫(xiě)作的過(guò)程中，充分利用學(xué)校圖書(shū)館、市圖書(shū)館、省圖書(shū)館等庫(kù)存資源，在大量收集、閱讀、整理、分析國(guó)內(nèi)外相關(guān)書(shū)籍資料，并對(duì)電子文獻(xiàn)進(jìn)行檢索的基礎(chǔ)上，通過(guò)訪談法、歸納總結(jié)法等研究方法對(duì)鄂溫克族的起源、瑟賓節(jié)的起源進(jìn)行介紹，并對(duì)訥河市興旺鄂溫克族鄉(xiāng)瑟賓節(jié)中的音樂(lè)進(jìn)行分析和研究，，最后對(duì)瑟賓節(jié)未來(lái)的展望。
[Abstract]:As we all know, China is known as a multi-ethnic country with 56 nationalities, which is known to be good at singing and dancing. They each retain their own national characteristics and excellent musical works inherited from each other. It is precisely because of the origin of different nationalities and different cultural origins that different forms of folk music are created on this basis. Therefore, a large number of music repertoire are presented in minority regions. Therefore, the music of ethnic minorities in China has formed a large number of songs, various kinds of music, the characteristic form of traditional opera, and has also established a prominent national cultural reputation. In thousands of years of continuous inheritance, create new, and the evolution of the process of different minority music cast our national music myth. With the help of the strong national flavor, the perfect and elegant rhythm and various forms of expression, the ethnic minority culture, which is the core of its formation, is characterized by its special characteristics. It is regarded as an indispensable part of the world's top music and is popular all over the world. In many minority communities, the spread of music in the region is the Ewenki autonomous jurisdiction, its place has the strongest local music culture, but also constitutes the largest proportion of the indispensable mass cultural life. With the fierce competition of economic globalization and the rapid evolution of urban modernization, minority culture is evolving. In order to avoid the bad influence of the external culture on the inheritance of the national culture, the ethnic minorities created a new way to redraw the unique cultural music scene. As an important festival of the Ewenki people, Serbin Festival is highly valued. Every year this festival, Ewenki people are singing and dancing to hold a grand memorial activities, this paper will be prosperous Ewenki town of Nehe music culture as a breakthrough point of research. In the process of writing, this paper makes full use of the inventory resources of school library, city library, provincial library and so on, on the basis of collecting, reading, arranging, analyzing domestic and foreign relevant books, and searching electronic literature. This paper introduces the origin of the Ewenki nationality and the origin of the Saibin festival through the methods of interview and summary, and analyzes and studies the music in the Subin festival of the prosperous Ewenki nationality in Nehe city. Finally, it looks forward to the future of the Serbin festival.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607

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