發(fā)布時(shí)間：2018-06-01 22:26

  本文選題：海頓 + 弦樂(lè)四重奏�。� 參考：《武漢音樂(lè)學(xué)院》2006年碩士論文

【摘要】： 本文以海頓的弦樂(lè)四重奏為研究對(duì)象,以作品的結(jié)構(gòu)和織體為切入點(diǎn),將海頓的弦樂(lè)四重奏放在西方音樂(lè)從復(fù)調(diào)到主調(diào)轉(zhuǎn)變的歷史背景中進(jìn)行研究,根據(jù)結(jié)構(gòu)和織體的特點(diǎn)對(duì)海頓弦樂(lè)四重奏的發(fā)展過(guò)程進(jìn)行階段劃分,歸納各個(gè)階段的特征。在此基礎(chǔ)上,結(jié)合社會(huì)背景,音樂(lè)風(fēng)格轉(zhuǎn)變等因素,對(duì)海頓弦樂(lè)四重奏不同階段特征的成因進(jìn)行分析和總結(jié),并對(duì)海頓為解決重奏體裁的內(nèi)在要求與音樂(lè)發(fā)展的時(shí)代潮流之間的矛盾以及海頓為確立弦樂(lè)四重奏的古典典范所做出的貢獻(xiàn)進(jìn)行評(píng)價(jià)。 正文分三個(gè)部分,第一章介紹弦樂(lè)四重奏的早期發(fā)展及海頓音樂(lè)創(chuàng)作的情況,涉及三重奏鳴曲到弦樂(lè)四重奏的發(fā)展過(guò)程和海頓的音樂(lè)創(chuàng)作分期;第二章對(duì)海頓的弦樂(lè)四重奏進(jìn)行形態(tài)分析,從結(jié)構(gòu)和織體方面對(duì)海頓弦樂(lè)四重奏四個(gè)時(shí)期的特征進(jìn)行歸納總結(jié);第三章討論海頓弦樂(lè)四重奏的歷史成因。在結(jié)語(yǔ)中對(duì)其歷史作用進(jìn)行總結(jié),肯定了海頓為確立弦樂(lè)四重奏古典典范所做出的貢獻(xiàn)。
[Abstract]:Taking Haydn's string quartet as the research object and the structure and texture of his works as the starting point, this paper puts Haydn's string quartet in the historical background of the transition from polyphony to main tone in western music. According to the characteristics of structure and texture, the development process of Haydn string quartet is divided into stages and the characteristics of each stage are summarized. On this basis, combined with social background, music style change and other factors, this paper analyzes and summarizes the causes of the different stage characteristics of Haydn string quartet. The paper also evaluates Haydn's contribution to the establishment of classical string quartet, as well as the contradiction between the inherent requirements of the ensemble genre and the trend of music development. The text is divided into three parts. The first chapter introduces the early development of string quartet and Haydn's music creation, including the development process from triplet sonata to string quartet and Haydn's musical creation stages. The second chapter analyzes Haydn's string quartet, summarizes the characteristics of Haydn string quartet in terms of structure and texture, and discusses the historical causes of Haydn string quartet. The conclusion summarizes its historical role and affirms Haydn's contribution to the establishment of classical string quartet.
【學(xué)位授予單位】：武漢音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：J627

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 高莉莉;論弦樂(lè)四重奏在歐洲古典主義時(shí)期的發(fā)展[D];東北師范大學(xué);2008年

2 杜雅琴;論海頓《D大調(diào)鋼琴協(xié)奏曲》的藝術(shù)特色[D];湖南師范大學(xué);2010年

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本文編號(hào)：1965937