本文選題：胡笳十八拍 + 古琴��； 參考：《陜西師范大學》2013年碩士論文

【摘要】：《胡笳十八拍》是琴歌中的經(jīng)典作品,在內(nèi)容上,講述了主人公蔡文姬一生坎坷的命運和當時悲慘社會的真實寫照,感情抒發(fā)的細膩、深刻。在音樂創(chuàng)作上,體現(xiàn)了中國古代音樂的特色,采用六聲調(diào)式,將這部作品的風格特征展現(xiàn)給大家。在歌曲結(jié)構(gòu)上,《胡笳十八拍》是中國古代音樂史上較早的一部聲樂套曲,整部作品曲曲相扣,深刻的體現(xiàn)了主人公的內(nèi)心世界,對中國聲樂作品發(fā)展有著重要的意義。《胡笳十八拍》的琴譜版本眾多,其體裁主要分為琴曲和琴歌兩大類別,本文將主要對琴歌《胡笳十八拍》進行品析論述。本文主要從兩個方面進行分析：第一,要讓大家了解《胡笳十八拍》的歷史背景和創(chuàng)作風格；第二,了解這部作品的音樂形式和歌詞內(nèi)涵,分別用古琴伴奏版和鋼琴伴奏版兩個不同的伴奏版本分析這部作品中琴與歌是如何相互融合和分析它所需要的情感表達。希望通過對此作品的學習與分析,讓更多的人了解這部傳世之作,也能將古代琴歌藝術(shù)發(fā)揚光大。
[Abstract]:Hu Jia Eighteen pics is a classic piece of harp song. In the content, it tells the story of the protagonist Cai Wenji's bumpy fate in his life and the true portrayal of the tragic society at that time, with a delicate and profound expression of his feelings. In music creation, it embodies the characteristics of ancient Chinese music, using six tones to show the style of this work to everyone. In terms of the structure of the song, Hu Jia's Eighteenth pat is an early vocal music ensemble in the history of ancient Chinese music. The whole piece of music is linked to each other, deeply embodying the inner world of the protagonist. It is of great significance to the development of Chinese vocal music works. There are many versions of Hu Jia Eighteen Pictures, whose genres are mainly divided into two categories: piano music and piano song. This article mainly carries on the analysis from two aspects: first, wants everybody to understand "Hu Jia 18 pics" historical background and the creation style; second, understands this work music form and the lyric connotation, Two different accompaniment versions, Guqin accompaniment version and Piano accompaniment Edition, are used to analyze how the piano and song merge and analyze the emotional expression it needs. I hope that through the study and analysis of this work, more people will understand this work, and can carry forward the ancient art of piano and song.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J605

【參考文獻】

相關(guān)期刊論文 前7條

1 王小盾;;《胡笳十八拍》和琴歌[J];古典文學知識;1995年05期

2 王震亞;琴歌《胡笳十八拍》淺釋[J];音樂研究;1983年03期

3 周暢;琴歌《胡笳十八拍》[J];人民音樂;1982年02期

4 劉明瀾;中國古代琴歌的藝術(shù)特征[J];音樂藝術(shù);1989年02期

5 劉明瀾;琴歌《胡笳十八拍》的悲音美[J];音樂藝術(shù)(上海音樂學院學報);1997年01期

6 董婉華;琴曲《胡笳十八拍》演唱淺談[J];中國音樂;1981年03期

7 查阜西;琴歌的傳統(tǒng)和演唱[J];中央音樂學院學報;1995年04期

，

本文編號：1957157