本文選題：音樂愛好者 + 音樂編輯學��； 參考：《武漢音樂學院》2006年碩士論文

【摘要】： 論文以上海文藝出版總社主辦、上海文藝出版社出版的綜合性音樂雜志——《音樂愛好者》(1980—2004,共160期)作為研究對象,以音樂編輯學學科基本理論為依據,運用調查研究法及文獻研究法,對雜志本體(雜志的發(fā)展軌跡及欄目設置)、雜志的編輯者及文化生態(tài)對雜志的影響等方面進行初步的研究分析,試圖為非學術性音樂雜志的研究做些初步的探索。文章認為,音樂雜志的存在與發(fā)展并不是孤立的,它受多種因素影響并決定其編輯理念和辦刊風格。 論文旨在讓學術界更關注音樂類雜志的研究,促進音樂理論教學發(fā)展和新的應用型人才培養(yǎng),更好地指導音樂編輯實踐。
[Abstract]:The thesis takes the comprehensive music magazine "Music enthusiasts" (1980-2004, 160 issues) sponsored by Shanghai Literature and Art Publishing House and published by Shanghai Literature and Art Publishing House, as the research object, and based on the basic theory of music editing. By means of investigation and literature research, this paper makes a preliminary research and analysis on the magazine itself (the development track and column setting of the magazine, the editor of the magazine and the influence of the cultural ecology on the magazine, etc.) This paper attempts to make some preliminary exploration for the study of non-academic music magazines. The article holds that the existence and development of music magazine is not isolated, it is influenced by many factors and determines its editorial idea and style. The purpose of this paper is to make the academic circles pay more attention to the research of music magazines, to promote the development of music theory teaching and the cultivation of new applied talents, and to better guide the practice of music editing.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.2

【引證文獻】

相關碩士學位論文 前1條

1 馬一飛;《音樂研究》五十年辦刊特色研究[D];河南大學;2009年

，

本文編號：1917898