本文選題：儺 + 儺舞��； 參考：《江西師范大學》2005年碩士論文

【摘要】：“儺”(Nuo)的出現(xiàn)在中國已有四千多年的歷史,是中國歷史上一個重要的文化現(xiàn)象。它被認為具有神奇的超自然威力——一種神秘的征服自然,完善人類生存環(huán)境的力量,與中國古代的雩祭、臘祭并列成為三大祭祀儀式,是祭祀活動中歷史最久、影響最大的一種,經過幾千年的發(fā)展、變異,至今仍在貴州、江西、湖南、四川、安徽、云南、廣西等省市的一些鄉(xiāng)村流傳。近幾十年來,中國儺走出國門,走向世界,許多地區(qū)儺班分赴各國表演,儺越來越多地被國外的研究者所關注,吸引了一大批以韓國、日本等漢文化圈國家為代表的專家和學者前來我國考察、進行學術交流,成果顯著。 萬載縣儺舞是江西省儺舞原始生態(tài)保留較完整、較具獨特性和代表性的一地方儺,有著四百多年的歷史,其本體藝術特征和所蘊含的文化內涵構成了萬載儺舞自身獨特的精神取向、表現(xiàn)形式并有著深遠的價值意義,深受民眾喜愛流傳至今。在已有的對萬載儺舞研究的文獻資料中,人們較多地是對儺舞活動的源流始末、發(fā)展軌跡、舞蹈動作等方面進行研究,而較少對作為儺舞最主要也是最重要的伴奏音樂進行細致、系統(tǒng)的研究。事實上,我們無法忽視跳儺中那原始拙樸的唱腔、粗獷有力的樂器伴奏、熱烈歡快的曲調等音樂表現(xiàn),正是這些形成了其獨特的藝術表現(xiàn)力,烘托出跳儺的特殊氣氛并配合儺舞表演把人們帶入一個儺的世界。本課題基于筆者2004、2005年春節(jié)期間赴萬載多個農村進行實地考察,對儺藝人的表演進行現(xiàn)場拍攝和錄音的基礎上,依照觀察法、調查法、總結法、比較法、文獻法、內容分析法、歸納法等科學研究方法,對萬載儺舞音樂進行收集、挖掘和整理,細致地分析其伴奏樂器、唱詞、唱腔、節(jié)奏、曲式結構等音樂特征,并力求通過這些音樂特征的分析探索其蘊含的審美寓意和文化沉積;最后,筆者就儺舞音樂的價值、萬載儺舞在當代的傳承與發(fā)展等問題淡談自身的認識與思考。
[Abstract]:Nuo (Nuo) is an important cultural phenomenon in Chinese history. It is considered to have magical supernatural power-a mysterious power to conquer nature and perfect the living environment of human beings. It has become one of the three major sacrificial ceremonies in ancient China, along with the Rain sacrifice and the wax sacrifice. It is the longest history of the sacrificial activities. One of the most influential species, after thousands of years of development and variation, is still circulating in some villages in Guizhou, Jiangxi, Hunan, Sichuan, Anhui, Yunnan, Guangxi and other provinces and cities. In recent decades, Chinese Nuo has gone abroad to the world. Many regional Nuo classes have gone to various countries to perform. Nuo has been paid more and more attention to by foreign researchers, attracting a large number of South Korea. Experts and scholars from Japan and other Han culture countries came to China to conduct academic exchanges, with remarkable results. Nuo dance in Wanzai County is a place of Nuo dance in Jiangxi Province, which has a history of more than 400 years and is relatively complete, unique and representative. Its Noumenon artistic characteristics and cultural connotation constitute the unique spiritual orientation of Nuo Dance of Wancai, and its form of expression has far-reaching value meaning, which is deeply loved by the public and has been handed down to this day. In the literature on the study of Nuo dance in Wanzai, people mostly study the origin, development track, dance movement and so on of Nuo dance activities. Less detailed and systematic research on the most important accompaniment music as Nuo dance. As a matter of fact, we cannot ignore the primitive and unsophisticated singing of Nuo, the rugged musical instrument accompaniment, the enthusiastic and cheerful tunes, and so on. It is these that form its unique artistic expression. Setting off the special atmosphere of exorcism and carrying people into a world of exorcism. This topic is based on the author's 2004, 2005 Spring Festival period to carry on the field inspection in many rural areas, to the exorcism artist's performance spot photography and the recording foundation, according to the observation method, the investigation method, the summary method, the comparison method, the literature method, the content analysis method, Induction and other scientific research methods, collect, excavate and sort out the music of Nuo dance, and carefully analyze its musical characteristics, such as accompaniment, lyrics, singing, rhythm, musical structure, etc. And through the analysis of the characteristics of these music to explore its aesthetic implication and cultural deposition; finally, the author on the value of Nuo dance music, the inheritance and development of Nuo dance in the contemporary issues of their own understanding and thinking.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J607

【引證文獻】

相關期刊論文 前1條

1 張勇華;張慶勇;;關于贛儺文化研究視野的綜述[J];景德鎮(zhèn)高專學報;2010年01期

相關碩士學位論文 前1條

1 饒箐;南豐儺舞音樂變遷的探究[D];廈門大學;2008年

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本文編號：1894779