本文選題：二胡 + 二胡藝術(shù)　； 參考：《湖南師范大學(xué)》2006年碩士論文

【摘要】：二胡作為我國最具民族特色的弓弦樂器,深受人們的喜愛和歡迎,然而在當(dāng)今東西方音樂文化激烈碰撞的大環(huán)境下,其表演和創(chuàng)作都不同程度的出現(xiàn)了“洋”化的傾向。本文的研究目的就是通過梳理二胡的源流、自身特點以及二胡藝術(shù)的特征來說明和闡發(fā)二胡與二胡藝術(shù)的民族性特征。并在此基礎(chǔ)上對當(dāng)代二胡創(chuàng)作和表演的一些現(xiàn)象做一番考察,提出一定的建議。 本文研究的理論意義在于通過對二胡與二胡藝術(shù)民族性特征的探討,為二胡教學(xué)、二胡演奏以及二胡音樂的創(chuàng)作都提供了一個基本的理論依據(jù)。研究的現(xiàn)實意義在于:為二胡曲目創(chuàng)作者和演奏者更好的創(chuàng)新和表現(xiàn)提供一個理論指導(dǎo)。 本文主要通過歷史性檢索,順著二胡的歷史發(fā)展源流,勾勒出二胡的民族傳承軌跡;共時性考察,以典型分析的方法,概括出二胡的民族審美特征;對比研究,把二胡與西洋樂器、音樂作為對比,理清其民族性特征。并認為,二胡和二胡藝術(shù)的民族性特征是我國民族的語言特點、審美觀念及民族民間音樂等多方面因素綜合影響下的產(chǎn)物,具有其獨特性、傳承性與融合性,具體表現(xiàn)在:二胡的產(chǎn)生及其自身的特點;二胡音樂作品的音樂語言;二胡的演奏手法三方面。而當(dāng)代二胡創(chuàng)作和表演中出現(xiàn)的西洋化趨勢在某種程度上就是忽視了其自身民族性特征的表現(xiàn)。
[Abstract]:Erhu, as the most national characteristic instrument of our country, is deeply loved and welcomed by people. However, under the environment of the violent collision of music culture between East and West, the performance and creation of erhu have appeared the tendency of "Westernization" in different degrees. The purpose of this paper is to explain and elucidate the national characteristics of erhu and erhu art by combing their origins, their own characteristics and the characteristics of erhu art. On the basis of this, some phenomena of contemporary erhu creation and performance are investigated, and some suggestions are put forward. The theoretical significance of this study is to provide a basic theoretical basis for erhu teaching, erhu performance and the creation of erhu music through the discussion of the national characteristics of erhu and erhu art. The practical significance of the study is to provide a theoretical guide for the creators and performers of erhu songs to innovate and perform better. This article mainly through the historical retrieval, along with the historical development of erhu, outlines the national heritage track of erhu; synchronic investigation, with the method of typical analysis, summed up the national aesthetic characteristics of erhu; comparative study, Erhu and Western musical instruments, music as a comparison, to clarify its national characteristics. It is considered that the national characteristics of erhu and erhu art are the product of the comprehensive influence of many factors, such as the language characteristics, aesthetic concepts and folk music of our nation, and have their uniqueness, inheritance and integration. It is embodied in the following three aspects: the emergence of erhu and its own characteristics, the musical language of erhu music works and the performance techniques of erhu. To some extent, the Westernization trend of contemporary erhu's creation and performance neglects its own national characteristics.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J632.21

【引證文獻】

相關(guān)碩士學(xué)位論文 前5條

1 王萍萍;福建南音二弦與中國二胡之比較研究[D];福建師范大學(xué);2008年

2 王峗婷;郭燮敏二胡曲集《山寨風(fēng)情》的作品分析與演奏探討[D];上海師范大學(xué);2010年

3 劉君;傳統(tǒng)藝術(shù)的交融[D];湖南師范大學(xué);2010年

4 王琳;《草原新牧民》和《塞外情思》之分析[D];中央音樂學(xué)院;2010年

5 范婕;“秦派二胡”的發(fā)展及教學(xué)思考[D];西安音樂學(xué)院;2011年

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本文編號：1853688