本文選題：多尼采蒂 + 美聲唱法��； 參考：《內(nèi)蒙古師范大學(xué)》2006年碩士論文

【摘要】： 十九世紀(jì)是是大歌劇和喜歌劇在歐洲興起的時代。在這一時期,涌現(xiàn)了大批的優(yōu)秀歌劇作家和優(yōu)秀作品。同時,美聲唱法這種在很大程度上依托歌劇創(chuàng)作而得以發(fā)展的歌唱方法也得到了很大的發(fā)展,出現(xiàn)了繼由閹人歌手開創(chuàng)的“美聲唱法黃金時期”之后的又一繁榮時期。尤其是男高音,在這一時期作為歌劇中的主要角色扮演者真正的發(fā)展了起來。在這中間,意大利的歌劇作家多尼采蒂以其大量的優(yōu)秀作品對美聲唱法的發(fā)展作出了突出貢獻(xiàn)。 但是,目前學(xué)界的研究目光大都聚焦在威爾弟、普契尼、瓦格納等現(xiàn)實(shí)主義歌劇作者身上,對多尼采蒂的歌劇創(chuàng)作一般只給予普通音樂史學(xué)上的關(guān)注。這在很大程度上忽視了多尼采蒂歌劇創(chuàng)作對美聲唱法尤其是男高音聲部的發(fā)展所作出的貢獻(xiàn)。 本文從多尼采蒂歌劇創(chuàng)作中的男高音角色入手,通過對多尼采蒂歌劇創(chuàng)作中男高音唱段的創(chuàng)作風(fēng)格、演唱技巧要求進(jìn)行分析,進(jìn)而總結(jié)出多尼采蒂歌劇創(chuàng)作對美聲唱法男高音發(fā)展所作的貢獻(xiàn)。 全文共分為三個部分,第一部分主要結(jié)合十九世紀(jì)意大利的政治、文化形式,介紹多尼采蒂生平及其創(chuàng)作概況。第二部分,通過對多尼采蒂歌劇創(chuàng)作中的男高音角色及其代表唱段的介紹和分析,總結(jié)出多尼采蒂歌劇創(chuàng)作的藝術(shù)風(fēng)格、特點(diǎn)。第三部分,從技術(shù)層面上分析多尼采蒂歌劇男高音唱段的演唱技術(shù)要求從而總結(jié)多尼采蒂歌劇創(chuàng)作對美聲唱法的貢獻(xiàn)。 通過本文的介紹和分析,筆者希望能夠以尚現(xiàn)膚淺的筆觸,為和筆者一樣的男高音學(xué)習(xí)者們提示一種威爾弟、普契尼以外的,自然的、淳樸的、更接近美聲唱法最純粹技術(shù)要求的演唱風(fēng)格。同時也希望學(xué)界能夠給予多尼采蒂及其同時期的歌劇創(chuàng)作以更多的注意,進(jìn)一步完善和發(fā)展我們對美聲唱法的理解和運(yùn)用。
[Abstract]:The nineteenth century was the rise of grand opera and happy opera in Europe. In this period, a large number of excellent opera writers and works emerged. At the same time, the singing method of Bel Canto, which depends on opera creation to a great extent, has also been greatly developed, and there has been another prosperous period after the "Golden Age of Bel Canto" initiated by eunuchs. Tenor in particular, in this period as the main role in opera really developed. In the meantime, Italian playwright Donizetti made outstanding contribution to the development of Bel Canto with his great works. However, most of the current academic research focused on realistic opera writers such as Wildi, Puccini, Wagner and so on. To a great extent, Donizetti's operas contributed to the development of Bel Canto, especially tenor. This article starts with the tenor role in Donizetti's opera creation, through the analysis of the tenor's creation style and the singing skill request in Donizetti's opera creation, Then summed up Donizetti's opera creation to the Bel canto tenor development. This paper is divided into three parts. The first part introduces Donicetti's life and creation with the political and cultural forms of the 19th century. The second part summarizes the artistic style and characteristics of Donizetti's opera creation through the introduction and analysis of the tenor role and its representative choir in the creation of Donizetti's opera. The third part analyzes the technical requirements of Donizetti's opera tenor from the technical level and summarizes the contribution of Donizetti's opera creation to the Bel Canto. Through the introduction and analysis of this paper, the author hopes to be able to use the superficial strokes, for the tenor learners like me to suggest a kind of Wildi, Puccini, natural, simple, Closer to the singing style of the Pure Technical requirements of Bel Canto. At the same time, it is hoped that the academic circles will pay more attention to Donizetti and his opera creation in the same period, and further improve and develop our understanding and application of the canto.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J616.2

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