本文選題：樣板戲 + 《紅燈記》��； 參考：《天津音樂(lè)學(xué)院》2006年碩士論文

【摘要】： 樣板戲鋼琴伴唱《紅燈記》,作為京劇現(xiàn)代戲《紅燈記》的改編版,因高度的藝術(shù)性與觀(guān)賞性以及符合政治宣傳的需要,在文革期間紅遍中國(guó)大江南北。但伴隨著文革結(jié)束,該作品與其他“文革藝術(shù)”一起退出了中國(guó)演出舞臺(tái)。幾十年后,在政治、文化環(huán)境寬松的新世紀(jì),鋼琴伴唱《紅燈記》的多次復(fù)演均取得巨大成功。本論文通過(guò)對(duì)鋼琴伴唱《紅燈記》譜例、唱片、書(shū)刊、音像資料進(jìn)行分析,還原作品創(chuàng)作的歷史環(huán)境、創(chuàng)作背景,具體分析音樂(lè)唱腔,評(píng)判該作品的藝術(shù)價(jià)值。另外還在如何利用外國(guó)樂(lè)器為中國(guó)民族音樂(lè)服務(wù)方面做一些初步的探索。
[Abstract]:Model opera piano accompaniment "Red Lantern Chronicles", as an adaptation of Beijing Opera Modern Opera "Red Lantern Chronicles", was popular throughout China during the Cultural Revolution due to its high artistic quality and appreciation, as well as in line with the needs of political propaganda. But with the end of the Cultural Revolution, the work, along with other Cultural Revolution art, withdrew from the Chinese stage. A few decades later, in the new century with a relaxed political and cultural environment, the repeated performances of the piano accompaniment "Red Lantern" have achieved great success. Through the analysis of the piano accompaniment "Red Lantern", records, books, audio and video materials, this paper restores the historical environment and background of the creation of the works, analyzes the music singing, and judges the artistic value of the works. In addition, the use of foreign instruments for the Chinese folk music service to do some preliminary exploration.
【學(xué)位授予單位】：天津音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：J821.8;J624.1

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 王寅;京劇元素在中國(guó)鋼琴作品中的應(yīng)用[D];內(nèi)蒙古師范大學(xué);2013年

2 方璀;中國(guó)鋼琴獨(dú)奏樂(lè)曲中京劇元素的運(yùn)用探究[D];華中師范大學(xué);2013年

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本文編號(hào)：1842433