本文選題：宋代音樂 + 自然科學思維　； 參考：《山西大學》2014年碩士論文

【摘要】：在音樂藝術的發(fā)展過程中,人們對于音樂的認識可以稱之為音樂觀念。因為青樂藝術自身具備人文科學、自然科學的雙重屬性,故人們對音樂的認識便產(chǎn)生了人文科學思維和自然科學思維兩種方式。前一介歷史時期,國內外的研究主要集中于對音樂進行人文科學的研究。對音樂做自然科學的研究是近期新興起的一個重要課題。因為越來越多的人認識到科學技術的發(fā)展對音樂發(fā)展的重要性。自然思維科學影響下的音樂研究作為新興興起的一項研究項目,突出的顯現(xiàn)于音樂科技史的研究之中。自然音樂觀的研究雖然起步晚,但是可供研究的古代著述豐富,且意義深遠。這些研究的過程和結果都需要我們對之進行整理、總結,使之系統(tǒng)化。宋代是我國科學技術高度發(fā)展的歷史時期,當時人們對于音樂的認識,自然與當時科學技術的發(fā)展密切相關。宋代音樂家的音樂認知和思維模式或多或少的體現(xiàn)在了當時的正史、筆記之中。為了發(fā)展新興的音樂科技研究,本文選取自然科學思維影響下的宋代音樂觀作為研究課題。以期對音樂科技史的研究有所幫助。對于音樂的自然科學思維研究,最早出現(xiàn)在先秦時期,如音樂的自然觀。據(jù)歷史文獻記載,自然科學思維影響下的音樂觀在魏晉、宋代有進一步的發(fā)展。如《夢溪筆談》、《宋史樂志》等等。目前對于宋代自然科學思維影響下的音樂觀研究,主要集中在雅樂上。學者爭論的焦點集中于宋代雅樂是對先秦自然觀的“復興”還是拘泥不化的“復古”。還有一部分學者對于宋代程朱理學的“元理論”中體現(xiàn)的音樂觀有所研究。本篇學術論文不僅僅著眼于宋代的正史之中,還將眼光投向文人筆記,來挖掘宋代自然音樂觀的發(fā)展。在過去的十年中,中國音樂史學界開展了中國音樂科技史的研究。而我校承擔的中國音樂科技史研究項目,在其中具有重要的影響。這其中就包括了自然科學思維影響下的音樂觀研究課題。本篇學術論文的選題和此項科研項目有關。所以在此高度上,本篇學術論文也將有一個更廣闊的研究視野。有關音樂科技的研究,國外學術界有一些研究成果,但并沒有形成有影響的潮流。通過縱向的分析我國自然音樂觀的演變,而不是單純的斷代研究。這種分析方法可以看出我國古代音樂史的發(fā)展脈絡,并且從中梳理出宋代自然音樂觀在整體大的歷史環(huán)境下發(fā)生的流變。本文采用的研究方法為文獻學方法和一般的哲學研究方法。文獻學方法是指,在豐富翔實的史料基礎上,運用分類歸納的分析方法對我國音樂自然科學思維的發(fā)展做出研究。一般哲學研究方法,是指運用縱橫比較的方法對我國宋代出現(xiàn)音樂自然觀進行分析、歸納。簡要分析我國音樂自然科學思維發(fā)展、變化原因。最終文章可以得出這樣一個觀點：宋代的自然音樂觀,雖然與先秦時期的思想相比,在發(fā)展中發(fā)生了很大的轉變。但是自然音樂觀發(fā)展的根源并沒有改變。而且在宋代自然音樂觀的發(fā)展中,隨著科技技術的迅猛發(fā)展,認識世界的能力的提高,對舊有的一些觀點還有了批判性的發(fā)展。可見宋代的自然音樂觀上承魏晉、下接明清。可以說是我國音樂思想史上的第三次高峰。這樣通過全局的角度、全面的分析史料,就可以對我國古代音樂觀有一個全新的認識。
[Abstract]:In the course of the development of music art, people's understanding of music can be called the concept of music. Because the art of green music itself has the dual attributes of human science and natural science, so people's understanding of music has produced two kinds of thinking and thinking of natural science. The previous historical period, the main research at home and abroad It is focused on the study of the humanities of music. The study of the natural science of music is an important issue emerging in the near future. Because more and more people have realized the importance of the development of science and technology to the development of music. The music research under the influence of natural thinking science is a newly emerging research project. In the study of the history of music science and technology, the study of the concept of natural music started late, but the ancient writings which can be studied are rich and far-reaching. The process and results of these studies need to be collated, summed up and systematized. The Song Dynasty was the historical period of the high development of science and technology in China, at that time the people were to music. Understanding, nature is closely related to the development of science and technology at that time. The music cognition and thinking mode of the musicians of the Song Dynasty were more or less reflected in the history of the time. In order to develop the new research of music science and technology, this article selected Song Daiyin Optimism under the influence of natural scientific thinking as a research topic. The study of natural scientific thinking of music was first appeared in the pre Qin period, such as the natural view of music. According to historical documents, the music view under the influence of natural science thought has been further developed in the Wei and Jin Dynasties, and the Song Dynasty, such as "Meng Xi pen talk", "Song Shi Le Zhi >" and so on. The focus of the study of music view is on the music. The focus of the controversy is on the "revival" of the Song Dynasty's "revival" of the natural view of the pre-Qin period or the "restoration of the ancient". Some scholars have studied the music concept embodied in the "Yuan theory" of Cheng Zhu's Neo Confucianism in the Song Dynasty. This thesis is not only focused on the Song Dynasty. In the past ten years, Chinese music historians have carried out the study of the history of Chinese music science and technology in the past ten years. The Chinese music science and technology history research project in China has an important influence. This includes the influence of natural science thinking. The topic of this thesis is related to this research project. So this academic thesis will have a wider field of vision at this height. There are some research achievements in the study of music science and technology in foreign academia, but there are no influential trends. Through the longitudinal analysis of natural music in China This method can see the development of the history of Chinese ancient music, and the evolution of the natural music view of the Song Dynasty in the whole large historical environment. The method used in this paper is a literature method and a kind of philosophical research method. On the basis of abundant and accurate historical materials, this paper makes a study on the development of Chinese music natural science thinking by the method of classification and induction. The general philosophy research method refers to the analysis and induction of the emergence of the natural view of music in the Song Dynasty in China by means of comparison and comparison, and briefly analyzes the development of natural science thinking in our country and the reasons for the change. The final article can draw a view that the view of natural music in the Song Dynasty, although compared with the thought of the pre Qin period, has changed greatly in the development. But the origin of the development of the natural music concept has not changed. And in the development of the natural music view of the Song Dynasty, with the rapid development of science and technology, the ability to know the world is realized. It can be seen that the Song Dynasty's view of natural music inherited the Wei Jin and Ming and Qing Dynasties. It can be said to be the third peak in the history of music thought in our country. So through the overall analysis of historical materials, we can have a new understanding of the optimism of Chinese ancient sound.

【學位授予單位】：山西大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J609.2

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