發(fā)布時(shí)間：2018-04-14 13:13

  本文選題：道情 + 甘谷道情��； 參考：《西北民族大學(xué)》2013年碩士論文

【摘要】：道情是唐朝以來廣泛流行于中國民間社會(huì)的一種音樂表現(xiàn)形式,起初主要以傳播道教的教義教規(guī)及清靜無為、出世避禍的思想為主。在后世的發(fā)展過程中,逐漸吸收了傳統(tǒng)儒家的孝道思想和忠義思想,其取材既有中國傳統(tǒng)三教(儒釋道)中的教化故事,也有中國古典文學(xué)中的章節(jié)片段。作為一種流行于民間的音樂形式,其發(fā)展與傳播帶有明顯的地域特色,現(xiàn)存地方道情主要有沔陽道情、周至道情、溫州道情、關(guān)中道情、金華道情、長(zhǎng)武道情、甘谷道情等。 作為華夏文明的肇始之地,甘谷自古以來就在在中國文明和文化史中具有重要的地位。據(jù)《史記·秦本紀(jì)》記載：“秦武公十年(公元前688年),伐邦、冀戎,初縣之”,因此甘谷享有“華夏第一縣”的美譽(yù)。唐朝以來,甘谷更是絲綢之路上的重鎮(zhèn),在抵御異族入侵和促進(jìn)民族交流融合的過程中起到了重要的作用,時(shí)至宋朝已是名符其實(shí)的“茶馬大市”。甘谷道情作為流行于甘谷城鄉(xiāng)地區(qū)的民間音樂表現(xiàn)形式,其取材廣泛,曲調(diào)幽婉,從藝術(shù)的層面表現(xiàn)出了在這片土地上所生活人民的價(jià)值取向、情調(diào)意趣以及民俗文化,因此研究甘谷道情對(duì)于把握中國地方音樂與起源地文化之間的關(guān)系,甘肅傳統(tǒng)民間音樂的流行與發(fā)展,以及隴右地區(qū)民俗藝術(shù)形式的建構(gòu)有著重要的意義。 本文在吸收以往研究成果,并且廣泛搜集整理甘谷道情素材的基礎(chǔ)上,試圖從歷史的角度對(duì)甘谷道情的起源、發(fā)展、傳播進(jìn)行梳理與整合,從文化的角度對(duì)甘谷道情中所蘊(yùn)含的傳統(tǒng)文化思想和地域文化特征進(jìn)行發(fā)掘和探討,更從藝術(shù)的角度對(duì)甘谷道情的曲式結(jié)構(gòu)特點(diǎn)、音階調(diào)式特點(diǎn)、節(jié)奏節(jié)拍特點(diǎn)及旋律特點(diǎn)進(jìn)行思考與研究。本文想以此對(duì)甘谷道情的發(fā)掘、整理、保護(hù)盡一份綿薄之力。
[Abstract]:Taoism is a popular form of music in Chinese civil society since the Tang Dynasty.In the development of later generations, the traditional Confucian thought of filial piety and loyalty was gradually absorbed, which was drawn from both the Chinese traditional three religions (Confucianism, Buddhism and Taoism), as well as the chapters and fragments of Chinese classical literature.As a popular folk music form, its development and dissemination have obvious regional characteristics. The existing local Taoism mainly includes Mianyang, Zhou Zhi, Wenzhou, Guanzhong, Jinhua, Changwu, Ganggu, etc.As the beginning of Chinese civilization, Gangu has played an important role in the history of Chinese civilization and culture since ancient times.According to the Historical Records of the Qin period: "Qin Wugong ten years (688 BC, Fabang, Ji Rong, early county", therefore Ganggu enjoy the "first county of China" reputation.Since the Tang Dynasty, Gangu has been an important town on the Silk Road, which has played an important role in the process of resisting foreign invasion and promoting ethnic exchange and fusion. It has been a true "Cha Ma Da Shi" since the Song Dynasty.As a popular form of folk music in the urban and rural areas of Gangu, Ganggu Taoism is a popular folk music form, which has a wide range of materials and a subtle tune. It shows the value orientation, sentiment and folklore culture of the people living on this land from the artistic level.Therefore, the study of Gangu Taoism is of great significance to grasp the relationship between Chinese local music and local culture, the popularity and development of Gansu traditional folk music, and the construction of folk art form in Longyou region.On the basis of absorbing the previous research results and collecting and sorting out the material of Ganggu Taoism, this paper attempts to sort out and integrate the origin, development and dissemination of Ganggu Daoqing from the historical point of view.From the angle of culture, this paper explores and discusses the traditional cultural thought and the regional cultural characteristics contained in Gangu Taoism, and from the artistic point of view, explores the characteristics of the musical structure and the scale modulation of Gangu Taoism.Rhythm and rhythm characteristics and melodic characteristics of thinking and research.This article would like to explore the Ganggu Road, collate, and protect a modest force.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J607

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 魏新民;甘谷道情述要[J];云南藝術(shù)學(xué)院學(xué)報(bào);2000年04期

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本文編號(hào)：1749461