本文選題：蔡世賢　切入點(diǎn)：鋼琴曲　出處：《西南大學(xué)》2014年碩士論文

【摘要】：國(guó)外很多著名鋼琴作曲家的創(chuàng)作基礎(chǔ)和創(chuàng)作理念都來(lái)源于對(duì)生活的觀察和深入體會(huì),并大多取材于民間音樂(lè),比如李斯特、肖邦等眾多國(guó)際鋼琴大師在創(chuàng)作作品時(shí)都有這個(gè)特點(diǎn)。最經(jīng)典的音樂(lè)源自生活,音樂(lè)的創(chuàng)作必須建立在對(duì)生活的思考和領(lǐng)悟之上,這是眾多國(guó)際鋼琴家在長(zhǎng)期實(shí)踐的過(guò)程中摸索出來(lái)、并日趨成熟的創(chuàng)作體系。當(dāng)這些國(guó)際性的優(yōu)秀鋼琴作品傳入我國(guó)后,本土音樂(lè)人在學(xué)習(xí)和模仿外來(lái)鋼琴音樂(lè)的同時(shí),也積極而廣泛地起到了推動(dòng)這些優(yōu)秀鋼琴作品迅速傳播的作用。 就音樂(lè)領(lǐng)域而言,我國(guó)音樂(lè)界也希望依據(jù)自身實(shí)際,逐步把具有中國(guó)特色的鋼琴音樂(lè)創(chuàng)作體系逐步建立起來(lái)。同時(shí)大家也深切知道,光靠簡(jiǎn)單模仿和學(xué)習(xí)外國(guó)先進(jìn)鋼琴作品的做法是完全不夠的,我們必須挖掘和傳承中國(guó)民族音樂(lè)的精華,走中西結(jié)合、古為今用的道路,只有這樣中國(guó)鋼琴作曲家們才能開(kāi)創(chuàng)出受大眾喜愛(ài)的鋼琴音樂(lè)作品,才能在推廣和傳播的過(guò)程中把中國(guó)鋼琴音樂(lè)推向世界,讓世界認(rèn)識(shí)并接受中國(guó)鋼琴音樂(lè),并在此基礎(chǔ)上穩(wěn)步建立起獨(dú)具特色及極富生命力的中國(guó)鋼琴音樂(lè)創(chuàng)作體系。 縱觀國(guó)內(nèi)鋼琴音樂(lè)的現(xiàn)狀,我們不得不承認(rèn),與國(guó)外成熟的作品相比,我國(guó)的鋼琴音樂(lè)作品還存在很大的差距,尤其是鋼琴音樂(lè)作品極少,作品的影響力也極其有限。中華民族是一個(gè)擁有悠久歷史的民族,五千年的文明發(fā)展長(zhǎng)河中也閃耀著中國(guó)音樂(lè)文化的光輝,積淀了深厚的內(nèi)涵及豐厚的音樂(lè)文化底蘊(yùn)。我們有理由相信,立足本土努力發(fā)掘中國(guó)眾多民族優(yōu)秀的民間音樂(lè)作品,結(jié)合現(xiàn)代的鋼琴藝術(shù)形式進(jìn)行二度創(chuàng)作,便完全可以將傳統(tǒng)的民間音樂(lè)借助現(xiàn)代鋼琴的形式演繹出來(lái),使其中的民間音樂(lè)大放異彩,讓更多的國(guó)家和喜愛(ài)音樂(lè)的人民欣賞到中國(guó)特色的鋼琴音樂(lè)作品。 筆者只是一個(gè)剛邁入音樂(lè)殿堂的初學(xué)者,不論是理論上還是實(shí)踐上都倍感才疏學(xué)淺,但仍然憑著一顆熱愛(ài)音樂(lè)的誠(chéng)摯之心,希望以自己的方式做一次大膽地嘗試。因此選定《劉三姐主題幻想曲》作為闡述和探討音樂(lè)理論的案例,試圖以淺顯的學(xué)識(shí)來(lái)表達(dá)自己對(duì)音樂(lè)的理解和對(duì)民族音樂(lè)的熱愛(ài)。我們都知道,劉三姐被譽(yù)為“廣西壯族歌仙”,被尊為中國(guó)山歌的鼻祖,作為那個(gè)時(shí)代的“歌后”而留名中國(guó)音樂(lè)史。劉三姐作為廣西八桂山鄉(xiāng)各民族姐妹們心中的敬仰對(duì)象,在全中國(guó)婦女心中也有著不可替代的地位。在中國(guó)民族音樂(lè)上,劉三姐的形象也是熠熠生輝的。 在長(zhǎng)期的流傳和傳唱過(guò)程中,劉三姐現(xiàn)象漸漸形成了一種文化,我們稱其為“劉三姐文化”,在中國(guó)民族文化寶庫(kù)中猶如奇葩一般綻放出了奇異的光彩,是民族文化中極其珍貴的財(cái)富。在“劉三姐文化”的影響下,任教于廣西藝術(shù)學(xué)院的教授蔡世賢先生依據(jù)劉三姐的民間傳說(shuō)及其文獻(xiàn)資料進(jìn)行了再次改編和創(chuàng)造,最終形成了鋼琴曲《劉三姐主題幻想曲》這一作品。蔡世賢先生的《劉三姐主題幻想曲》的問(wèn)世無(wú)疑是大大充實(shí)和推動(dòng)了我國(guó)民族音樂(lè)的發(fā)展,也豐富了中國(guó)民族風(fēng)格鋼琴音樂(lè)的品種,為中國(guó)鋼琴演奏者們提供了更多的選擇機(jī)會(huì),這部作品不但呈現(xiàn)出了原生態(tài)的民間歌調(diào),而且將濃郁的民族色彩完美地展現(xiàn)在了聽(tīng)眾面前。 蔡世賢先生創(chuàng)作的《劉三姐主題幻想曲》的特點(diǎn),主要在于以極其豐富的鋼琴炫技,難度較大的演奏及多層次的彈奏技巧,推開(kāi)了我國(guó)民族音樂(lè)嶄新的局面。如果放在音樂(lè)會(huì)上演奏觀賞,是能夠積極影響并促進(jìn)民族音樂(lè)的創(chuàng)新發(fā)展的�？上У氖�,當(dāng)前研究《劉三姐主題幻想曲》的文獻(xiàn)資料極少,僅有為數(shù)不多的幾篇文獻(xiàn),也只是在這首曲目的民族風(fēng)格和音樂(lè)表演方面進(jìn)行粗淺的論述和闡述。但不可否認(rèn)的是,即便是初略的闡述也可看出這首曲目對(duì)于中國(guó)鋼琴音樂(lè)不容小覷的影響力。筆者希望通過(guò)自己對(duì)《劉三姐主題幻想曲》這一曲目的剖析,來(lái)與同行及音樂(lè)愛(ài)好者們一起,探究關(guān)于民族音樂(lè)創(chuàng)新及鋼琴作品推陳出新的問(wèn)題。
[Abstract]:Many foreign famous piano composers foundation and creative ideas are derived from the observation of life and in-depth experience, and are based on folk music, such as Lester, Chopin International Piano Masters all have this feature in the creation of works. The most classical music comes from life, music creation must be based on thinking and understanding of life, this is one of many international pianists developed in the long course of practice, and the increasing maturity of the system. When the creation of excellent piano works in the international spread in China, local musicians in learning and imitating foreign piano music at the same time, also actively and extensively to promote the excellent piano works quickly spread.
On the field of music, Chinese music industry also hope that according to their own actual, gradually the system has characteristics of piano music creation China gradually set up. At the same time we also deeply know, just a simple imitation and learning foreign advanced piano practice is not enough, we must dig and inherit the essence Chinese ethnic music, go the combination of Chinese and western, ancient road, the only way China piano composers to create popular piano music works, in order to process the promotion and dissemination of the China piano music to the world, let the world know and accept Chinese piano music, and on the basis of the steady system was established Chinese piano music creation and unique full of vitality.
Looking at the status quo of piano music, we have to admit that, compared with the mature foreign works, there is a big gap between China's piano music works, especially the piano music is few, the influence of the works is extremely limited. The Chinese nation has a long history of the nation, the history of 5000 years civilization also shine a Chinese music culture brilliant, profound connotation and rich music culture. We have reason to believe, based on local efforts to explore Chinese many outstanding Chinese folk music, combining modern piano art creation of two degrees, it can be the traditional folk music with modern piano in the form of interpretation, the folk music shine, let more countries and people enjoy the love of music China characteristics of piano music works.
I just entered the music hall is just a beginner, whether in theory or in practice, but still feel have little talent and less learning, with a sincere heart to love music, hope in their own way to make a bold attempt. Therefore select < Liu Sanjie Fantasia > as a description and discussion of music theory to case. Love to express their understanding of music with simple knowledge and folk music. As we all know, Liu Sanjie is known as the "Guangxi Zhuang Gexian", is regarded as the originator of Chinese folk songs, as the era of "song" and their music history. Liu Sanjie Chinese as Guangxi Bagui ethnic Shan sisters heart the object of admiration, but also plays an irreplaceable role in the whole China women heart. In Chinese folk music, the image of Liu Sanjie is shining.
In the spread and sung in the process of long-term, Liu Sanjie gradually formed a kind of cultural phenomenon, we called it "Liu Sanjie culture" in the treasure house of Chinese national culture like wonderful bloom out of the strange light, is a precious treasure of national culture. In "Liu Sanjie culture", taught at the Guangxi Arts Institute the professor Mr. Cai Shixian on the basis of Liu Sanjie's folklore and literature were adapted and created again, eventually formed a piano "Liu Sanjie Fantasia" this work. Mr. Cai Shixian's "Liu Sanjie theme Fantasia > advent is greatly enriched and promoted the development of our national music, but also enrich the China national piano music variety, provide more choices for China piano players, this work not only presents the original ecological folk song, and The strong national color is perfectly displayed in front of the audience.
The characteristics of Cai Shixian's creation of "Liu Sanjie Fantasia", mainly to the extremely rich piano virtuoso, difficult playing and multi-level playing skill, open the new situation of folk music in China. If placed at the concert to watch, is able to positively influence and promote the innovation of folk music development unfortunately, few current research "Liu Sanjie Fantasia" literature, only a few papers are few, only in this song's national style and musical performances are superficial discussion and elaboration. But it is undeniable that even slightly early this can also be seen this song for Chinese piano music influence should not be underestimated. The author hopes to "Liu Sanjie Fantasia > this song to analysis, together with their peers and music fans, research on folk music New issues of innovation and piano work.

【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J624.1

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本文編號(hào)：1701369