本文選題：意境　切入點(diǎn)：詩(shī)　出處：《安徽師范大學(xué)》2005年碩士論文

【摘要】：意境屬中華美學(xué)的獨(dú)有范疇。其理論形成有一個(gè)相當(dāng)長(zhǎng)的歷史過(guò)程,它是在中國(guó)特定的文化背景下產(chǎn)生和發(fā)展形成的。藝術(shù)中對(duì)意境的界定有多種觀點(diǎn)。意境不僅深深地積淀于中華民族的藝術(shù)理念中,而且廣泛滲透于各門藝術(shù)之間�！霸�(shī)”、“樂(lè)”、“畫”作為姊妹藝術(shù),對(duì)意境的追求都符合意境的共同特征。彼此間的相互滲透融合,產(chǎn)生了獨(dú)特的藝術(shù)魅力。中國(guó)藝術(shù)歌曲受其民族文化的影響,形成了“詩(shī)”、“樂(lè)”、“畫”意境相融的特點(diǎn)。本人在演唱中國(guó)藝術(shù)歌曲的實(shí)踐中,深刻體會(huì)到其內(nèi)在特點(diǎn)決定了意境追求是準(zhǔn)確詮釋作品的首要條件,促使中國(guó)藝術(shù)歌曲表演達(dá)到更高的藝術(shù)境界。因此,選擇該課題進(jìn)行研究,對(duì)中國(guó)藝術(shù)歌曲的表演有極強(qiáng)的理論與現(xiàn)實(shí)意義。 全文共分為五大部分。第一部分從論文寫作的可行性提出論題:“探究‘詩(shī)’、‘樂(lè)’、‘畫’意境對(duì)中國(guó)藝術(shù)歌曲表演的意義”。第二部分是從意境產(chǎn)生的文化根源論述意境的產(chǎn)生是中華民族獨(dú)有的美學(xué)范疇,并對(duì)意境的各種界定作了具體分析。第三部分從論述意境創(chuàng)造是中國(guó)藝術(shù)的共同審美追求入手,分述了意境在“詩(shī)”、“樂(lè)”、“畫”姊妹藝術(shù)中的具體體現(xiàn)及各藝術(shù)間的相互滲透、融合。第四部分從兩個(gè)方面論述了“詩(shī)”、“樂(lè)”、“畫”意境探究對(duì)中國(guó)藝術(shù)歌曲表演的意義。文章結(jié)語(yǔ)部分揭示出此項(xiàng)研究工作的價(jià)值。
[Abstract]:Artistic conception is a unique category of Chinese aesthetics.The formation of its theory has a long historical process, it is formed under the specific cultural background of China.There are many views on the definition of artistic conception in art.The artistic conception not only deeply accumulates in the Chinese nation's artistic idea, but also permeates all kinds of art extensively.As sister art, the pursuit of artistic conception accords with the common characteristics of artistic conception.The mutual penetration and fusion between each other has produced the unique artistic charm.Influenced by its national culture, Chinese art songs form the characteristics of "poetry", "music" and "painting".In the practice of singing Chinese art songs, I deeply realize that the pursuit of artistic conception is the most important condition for the accurate interpretation of works, and urges the performance of Chinese art songs to reach a higher artistic level.Therefore, it is of great theoretical and practical significance to choose this subject to study the performance of Chinese art songs.The full text is divided into five parts.The first part puts forward the topic from the feasibility of the thesis writing: "explore the meaning of the artistic conception of 'poetry and music and painting' to the performance of Chinese art songs."The second part discusses that the artistic conception is the unique aesthetic category of the Chinese nation from the cultural origin of artistic conception, and makes a concrete analysis of various definitions of artistic conception.The third part discusses the artistic conception creation is the common aesthetic pursuit of Chinese art, points out the artistic conception in the "poem", "music", "painting" in the sister art of the specific embodiment and the infiltration of each art, integration.The fourth part discusses the significance of "poem", "Music" and "painting" to the performance of Chinese art songs from two aspects.The conclusion of the article reveals the value of this research.
【學(xué)位授予單位】：安徽師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 虞濱鴻;改革開放30年中國(guó)藝術(shù)歌曲的發(fā)展及演唱探究[D];福建師范大學(xué);2008年

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本文編號(hào)：1692350