本文選題：宛梆　切入點(diǎn)：大本嗓　出處：《河南大學(xué)》2005年碩士論文

【摘要】：本文從宛梆劇種的淵源與流變、唱腔藝術(shù)特色、演唱風(fēng)格特點(diǎn)三方面初步探索了宛梆的唱腔風(fēng)格。全文除了序言與結(jié)語外,共分為四個(gè)部分。 第一部分為宛梆聲腔的來源形成及劇目特色。從諸多可考文章以及藝人所述,論證了宛梆的淵源及其主要?jiǎng)∧俊?在這一章里,筆者綜合相關(guān)史料和藝人相傳的口碑深入分析研究,清楚地證明:宛梆是明末清初由陜西東路秦腔(同州梆子)流入南陽,融以當(dāng)?shù)氐拿窀栊≌{(diào)、鄉(xiāng)音俚語,逐漸形成的一個(gè)地方劇種,南陽特有的文化積淀,孕育了它獨(dú)一無二的藝術(shù)風(fēng)格,流傳演繹,至今已有三百余年的歷史。 第二部分比較詳細(xì)地梳理了宛梆的唱腔結(jié)構(gòu)與特點(diǎn),總結(jié)歸納為“九腔十八調(diào)”,并分別舉例加以分析說明。 第三部分研究了宛梆的演唱風(fēng)格。宛梆的正宗唱法是大本腔帶“拉嗓”(即花腔),強(qiáng)調(diào)丹田支持、注重吐字發(fā)音、表演逼真,這一部分,分別從吐字呼吸、行腔表演幾方面闡述了宛梆的演唱方法和技巧。 第四部分將宛梆的代表人物分為三個(gè)時(shí)期,分別介紹其演唱風(fēng)格。
[Abstract]:This paper explores Wan Bang's singing style from three aspects: the origin and evolution of Wan Bang opera, the artistic characteristics of singing and the characteristics of singing style. In addition to the preface and the conclusion, the full text is divided into four parts. The first part is the origin of Wan Bang and the characteristics of its repertoire. It demonstrates the origin of Wan Bang and its main repertoire from many examinable articles and artists. In this chapter, the author synthesizes the related historical data and the word-of-mouth word of mouth handed down by the artists, and clearly proves that Wan Bang is flowing into Nanyang from Qin Opera (Tongzhou Bangzi) in the late Ming and early Qing dynasties, and melts with the local folk song minor and local sound slang. Gradually formed a local drama, Nanyang unique cultural accumulation, gave birth to its unique artistic style, spread and deduce, has been more than 300 years of history. The second part combs the singing structure and characteristics of Wan Bang in detail, summarizes it as "Nine tune Eighteen tones", and analyzes and explains it with examples. The third part studies Wan Bang's singing style. Wan Bang's authentic singing method is that the original singing method of Wan Bang is to bring a "pull throat" (that is, a flower cavity) with a "throat" (that is, a flower cavity), emphasizing the support of Dantian, paying attention to pronunciation of words, performing lifelike, this part, breathing from spelling, respectively. This paper expounds the singing methods and techniques of Wan Bang in several aspects. In the fourth part, the representative characters of Wan bang are divided into three periods and their singing styles are introduced respectively.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J617.5

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蘇全有;劉振興;;建國以來河南近代戲曲史研究述評(píng)[J];周口師范學(xué)院學(xué)報(bào);2013年01期

相關(guān)碩士學(xué)位論文 前1條

1 郝愛芳;河南越調(diào)的唱腔藝術(shù)研究[D];新疆師范大學(xué);2010年

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本文編號(hào)：1653640