本文選題：電子　切入點：時代　出處：《武漢音樂學(xué)院》2006年碩士論文　論文類型：學(xué)位論文

【摘要】： 本文主要研究電子時代音樂傳播的手段、方式、方法以及在這種傳播形態(tài)下呈現(xiàn)出的音樂特性,并且從審美的角度來剖析大眾的音樂審美取向及音樂的功能與價值等問題。文章由引論、本論、結(jié)論三部分組成。引論部分主要包括對電子時代音樂傳播研究現(xiàn)狀的綜述,對研究目的、方法、范圍的介紹等內(nèi)容。以往對于電子時代的音樂傳播的研究,大多只是側(cè)重某一方面來分析,或媒介研究或?qū)徝揽疾?因此,筆者在前人研究的基礎(chǔ)上,對電子時代的音樂傳播從機制、特性、理念三個方面進(jìn)行統(tǒng)一考察,并且根據(jù)音樂呈現(xiàn)出的這些現(xiàn)象,提出自己的一些觀點和看法。 本論第一章為“電子時代音樂傳播的機制”。本章主要結(jié)合電子傳媒發(fā)展的歷史過程,根據(jù)不同媒介的傳播機制,進(jìn)而分析它們各自的特點。并且,將現(xiàn)代電子傳播與傳統(tǒng)口頭傳播相比較,剖析在不同時代的傳播機制下,所產(chǎn)生的不同的傳播模式與效果。 本論第二章為“電子時代音樂傳播的特性”。文章結(jié)合有關(guān)數(shù)據(jù)統(tǒng)計資料以及現(xiàn)今音樂現(xiàn)象,深入分析電子時代音樂的商業(yè)屬性、批量化生產(chǎn)的產(chǎn)品結(jié)構(gòu)以及瞬間傳遞音樂的傳播方式,并針對這些現(xiàn)象提出了自己的觀點和看法。 本論第三章為“電子時代音樂傳播的理念”。筆者結(jié)合第二章的研究結(jié)果,從音樂的特性中洞察大眾的音樂審美取向,并且對音樂傳播者們深入研究,分析他們對音樂的認(rèn)識與理解,他們采用怎樣的傳播方法,按照怎樣的原則,達(dá)到怎樣的目的以及所產(chǎn)生的后果與影響。最后,筆者提出應(yīng)以樂觀、積極地態(tài)度去面對電子傳播媒介為音樂帶來的利與弊。結(jié)論部分為本文的研究價值及意義。
[Abstract]:This paper mainly studies the means, methods, methods and musical characteristics of music communication in the electronic age. The article is composed of three parts: introduction, theory and conclusion. The introduction mainly includes a summary of the current situation of music communication in the electronic age. For the purpose, method and scope of the study, most of the previous studies on music communication in the electronic age only focused on one aspect of the analysis, or media research or aesthetic investigation, therefore, the author based on previous studies, This paper makes a unified investigation of the music communication in the electronic age from three aspects: mechanism, characteristic and idea, and puts forward some viewpoints and opinions according to these phenomena of music. The first chapter of this thesis is "the Mechanism of Music Communication in the Electronic Age." this chapter mainly combines the historical process of the development of electronic media, according to the communication mechanism of different media, and then analyzes their respective characteristics. By comparing modern electronic communication with traditional oral communication, this paper analyzes the different modes and effects of communication in different times. The second chapter of this thesis is "the characteristics of music communication in the electronic age". This paper analyzes the commercial attributes of music in the electronic age by combining the relevant statistical data and the current music phenomenon. The product structure of mass production and the transmission mode of instant music are presented, and their own views and opinions are put forward in the light of these phenomena. The third chapter of this thesis is "the idea of music communication in the electronic age". Based on the research results of the second chapter, the author explores the aesthetic orientation of music from the characteristics of music, and deeply studies the music communicators. The author analyzes their understanding and understanding of music, how they spread it, what principles they adopt, what purpose they achieve and the consequences and effects they have. Finally, the author puts forward that they should be optimistic. Positive attitude to face the advantages and disadvantages of electronic media for music. The conclusion is the value and significance of this paper.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J60-05

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 田宏燕;二十世紀(jì)中國音樂傳媒技術(shù)[D];山西大學(xué);2011年

2 龍梅;全球化背景下蒙古民族音樂的傳播[D];內(nèi)蒙古大學(xué);2013年

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本文編號：1580998