本文選題：胡戈·沃爾夫　切入點：藝術(shù)歌曲　出處：《東北師范大學(xué)》2005年碩士論文　論文類型：學(xué)位論文

【摘要】：胡戈·沃爾夫(Hugo Wolf)(1860-1903)是十九世紀末、二十世紀初德國重要的作曲家,他一生共創(chuàng)作了二百多首藝術(shù)歌曲,開創(chuàng)了現(xiàn)代藝術(shù)歌曲的歷史,是德國藝術(shù)歌曲當(dāng)之無愧的代表人物。在他的藝術(shù)歌曲創(chuàng)作中,既體現(xiàn)了古典浪漫主義的情懷,又具有現(xiàn)代音樂的色彩,并獨樹一幟,始終保持著自己的創(chuàng)作風(fēng)格,追求音樂的內(nèi)在本質(zhì)和自我提升。 他把古典主義、浪漫主義與現(xiàn)代主義色彩完美結(jié)合,賦予藝術(shù)歌曲超凡脫俗的感染力和生命力,同時不受其他偉大藝術(shù)歌曲作曲家的風(fēng)格影響,始終堅持自己的創(chuàng)作原則,為德國藝術(shù)歌曲乃至世界藝術(shù)歌曲的發(fā)展起到了推動的作用。本文從德國藝術(shù)歌曲的發(fā)展脈絡(luò)開始,并通過對沃爾夫生平和其藝術(shù)歌曲創(chuàng)作的不同階段的細致分析,來詳細的闡述沃爾夫藝術(shù)歌曲的特點及其演唱風(fēng)格。 總體說來,沃爾夫的音樂風(fēng)格大致經(jīng)歷了兩個時期的磨礪和提煉。對藝術(shù)歌曲進行大膽的創(chuàng)新,特別是獨創(chuàng)了藝術(shù)歌曲的“音樂詩”形式,發(fā)展了“客觀的抒情”審美傾向和方法,推進了浪漫主義音樂走向理性化的方向,使德國藝術(shù)歌曲傳統(tǒng)有了創(chuàng)新和發(fā)展。他的代表作《莫里克歌曲集》和《意大利歌曲集》等對西方音樂史發(fā)展有重要意義,標(biāo)志著晚期浪漫主義音樂向現(xiàn)代轉(zhuǎn)型,是藝術(shù)歌曲演唱與教學(xué)的范例。 本文除了對沃爾夫藝術(shù)歌曲的風(fēng)格特點進行了比較詳細的分析,也對沃爾夫四首作品進行了詳細的演唱分析,基本對沃爾夫藝術(shù)歌曲的演唱風(fēng)格有了較為全面的把握,對于演唱沃爾夫的聲樂作品具有現(xiàn)實意義,期望能夠?qū)τ谘莩譅柗蛩囆g(shù)歌曲的演唱者提供有益的幫助
[Abstract]:At the end of 19th century and the beginning of 20th century, he wrote more than 200 art songs, creating the history of modern art songs. He is a worthy representative of German art songs. In his creation of art songs, he not only embodies the feelings of classical romanticism, but also has the color of modern music, and is unique and always maintains his own writing style. Pursue the inner essence and self-improvement of music. He perfectly combines classicism, romanticism and modernism, endows art songs with extraordinary appeal and vitality, and is not influenced by the style of other great composers of art songs, and he always adheres to his own creative principles. This article begins with the development of German art songs, and through the careful analysis of Wolff's life and the different stages of his art song creation, To elaborate the characteristics and singing style of Wolfe's art songs in detail. In general, Wolfe's musical style has undergone two periods of sharpening and refining. He has made bold innovations in art songs, especially in the form of "musical poetry", which was originally created for artistic songs. It develops the "objective lyric" aesthetic tendency and method, and promotes the romantic music to the rational direction. The tradition of German art songs has been innovated and developed. His masterpieces, such as the collection of Merrick songs and the collection of Italian songs, are of great significance to the development of the history of western music and mark the transition of late romanticism to modern music. It is an example of singing and teaching art songs. In addition to the detailed analysis of the style and characteristics of Wolfe's art songs, this paper also makes a detailed analysis of the four works of Wolfe, and basically has a more comprehensive grasp of the singing style of Wolfe's art songs. It is of practical significance to sing Wolfe's vocal music, and it is expected to be helpful to the singers who sing Wolfe's art songs.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J605

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 劉明瑜;胡戈·沃爾夫《六首女聲歌曲》的創(chuàng)作與演唱風(fēng)格研究[D];西安音樂學(xué)院;2012年

2 郝穎;論柴科夫斯基藝術(shù)歌曲及演唱特點[D];東北師范大學(xué);2008年

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本文編號：1558881