本文關(guān)鍵詞： 王原平 聲樂(lè)作品 民族性 地域性 鄂西風(fēng)格　出處：《華中師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：百年來(lái)中國(guó)歌曲創(chuàng)作的成就燦爛而輝煌,充滿了生機(jī)和活力。歌曲創(chuàng)作作品層出不窮,二十一世紀(jì)的今天,隨著改革開放的不斷深化,經(jīng)濟(jì)文化的不斷繁榮提高,中國(guó)歌曲的創(chuàng)作更加緊密地配合著、伴隨著社會(huì)變遷和各個(gè)時(shí)期的變化在發(fā)展著、前進(jìn)著。進(jìn)入21世紀(jì)以來(lái),湖北作為創(chuàng)作大省,在歌曲創(chuàng)作方面取得了長(zhǎng)足的進(jìn)步。主要表現(xiàn)在:創(chuàng)作題材更加廣泛,形式探索更加多樣性;新作品,好作品不斷問(wèn)世,創(chuàng)作質(zhì)量日益提高;在全國(guó)權(quán)威性的歌曲評(píng)獎(jiǎng)活動(dòng)中,湖北音歌曲作品均能夠名列前茅。很多優(yōu)秀的歌曲在表現(xiàn)語(yǔ)言上有鮮明的民族性和突出的地域性特征。近年來(lái),隨著三峽工程的升溫,工程本身及其所在地鄂西山區(qū)蘊(yùn)含的神秘的土家文化已成為文藝創(chuàng)作的新熱點(diǎn)。因以三峽及鄂西地區(qū)土家族為主要?jiǎng)?chuàng)作題材而聞名的王原平,以自己獨(dú)特的風(fēng)格成為眾多優(yōu)秀作曲家之中的佼佼者。 王原平的創(chuàng)作歌曲具有濃厚的湖北地域性特點(diǎn)、獨(dú)特的創(chuàng)作個(gè)性,他不僅發(fā)掘了流傳在湖北民間最原汁原味的好作品,捕捉了民間音樂(lè)文化中樸實(shí)的民風(fēng),而且用現(xiàn)代的音樂(lè)理念創(chuàng)作了大量植根于荊楚大地,體現(xiàn)荊楚風(fēng)情和文化神韻的新民歌。本論文以王原平的“具有地域性特點(diǎn)”類聲樂(lè)作品為研究對(duì)象,通過(guò)個(gè)人專訪、搜集整理文本資料和進(jìn)行音樂(lè)分析,對(duì)王原平的歌曲創(chuàng)作進(jìn)行了從題材、內(nèi)容、形式到創(chuàng)作手法的一系列的較為全面的探索。 全文由以下章節(jié)構(gòu)成: 第一章:緒論,對(duì)本論文的研究現(xiàn)狀、選題思路、選題意義及研究方法進(jìn)行闡述和說(shuō)明。 第二章:對(duì)王原平聲樂(lè)創(chuàng)作的背景分析及作品分類。簡(jiǎn)要地介紹了現(xiàn)階段全國(guó)歌曲創(chuàng)作大氣候,湖北省歌曲創(chuàng)作方面所取得的成就。在這種背景下王原平特性創(chuàng)作的形成,并對(duì)他的作品進(jìn)行簡(jiǎn)單的分類。 第三章:對(duì)王原平具有地方特色聲樂(lè)作品的綜合分析,文章從五個(gè)方面對(duì)他的作品進(jìn)行分析,即對(duì)湖北傳統(tǒng)音樂(lè)文化中核心腔格的運(yùn)用和發(fā)展、慣用音列的使用與拓展、調(diào)性調(diào)式轉(zhuǎn)移手法的傳承與發(fā)展、軀體結(jié)構(gòu)的借鑒及地方特色曲調(diào)與地方方言的結(jié)合,并對(duì)他的聲樂(lè)作品進(jìn)行美學(xué)上的分析。
[Abstract]:Over the past hundred years, the achievements of Chinese song creation are brilliant and brilliant, full of vitality and vitality. Song writing works emerge in endlessly. Today, 21th century, with the deepening of reform and opening up. With the increasing prosperity of economy and culture, the creation of Chinese songs is more closely coordinated, along with the social changes and changes in various periods are developing and advancing. Since 21th century, Hubei Province as a creative province. Great progress has been made in the creation of songs. The main manifestations are as follows: the subjects of creation are more extensive and the forms of exploration are more diverse; New works, good works continue to come out, the quality of creation is improving day by day; In the national authoritative song awards activities, Hubei sound song works can be among the top. Many excellent songs in the performance of the language has a distinct national and prominent regional characteristics. In recent years. As the three Gorges Project heats up. The project itself and the mysterious Tujia culture contained in the mountainous area of western Hubei has become a new hot spot in literary creation. Wang Yuanping is famous for his main creative theme in the three Gorges and Western Hubei regions. With his own unique style to become a lot of outstanding composers outstanding. Wang Yuanping's songs have a strong regional characteristics in Hubei, unique creative personality, he not only discovered the most authentic in Hubei folk good works, captured the folk music culture in the simple folk style. And with the modern music concept, I have created a large number of new folk songs rooted in the land of Jingchu, embodying Jingchu customs and cultural charm. This paper takes Wang Yuanping's vocal music works of "regional characteristics" as the research object. Through personal interviews, collection and collation of text data and music analysis, Wang Yuanping's song creation has carried on a series of relatively comprehensive exploration from the subject matter, the content, the form to the creation technique. The full text consists of the following chapters: The first chapter: introduction, the current situation of this paper, the idea of topic selection, the significance of the topic and research methods are described and explained. Chapter two: the background analysis of Wang Yuanping's vocal music creation and the classification of his works. Under this background, Wang Yuanping's characteristic creation is formed, and his works are simply classified. The third chapter: the comprehensive analysis of Wang Yuanping's vocal music works with local characteristics, the article analyzes his works from five aspects, that is, the use and development of the core cavity in Hubei traditional music culture. The use and development of the usual phonetic series, the inheritance and development of the tonality transfer technique, the reference of the body structure and the combination of the local characteristic tunes and the local dialects, and the aesthetic analysis of his vocal music works.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J605

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本文編號(hào)：1485535