本文關(guān)鍵詞： 鋼琴組曲《春之旅》 丁善德 特色 教學(xué)　出處：《首都師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：丁善德是我國(guó)當(dāng)代著名的作曲家、鋼琴家、音樂教育家和音樂活動(dòng)家，一生創(chuàng)作了大量的音樂作品，其中鋼琴作品的數(shù)量最多。要寫出具有中國(guó)特色的鋼琴音樂作品，是他音樂創(chuàng)作的基本出發(fā)點(diǎn)和基本目標(biāo)。鋼琴組曲《春之旅》是他正式出版的第一部作品，其中運(yùn)用了歐洲傳統(tǒng)的作曲技法與中國(guó)民族的音樂語(yǔ)匯相結(jié)合，并在此基礎(chǔ)上進(jìn)行了大膽的創(chuàng)新，使其不僅具有鮮明的民族特征，而且也充分顯示了他獨(dú)特的音樂個(gè)性。 本文旨在通過對(duì)鋼琴組曲《春之旅》進(jìn)行的教學(xué)研究，從而為在鋼琴音樂教育中促進(jìn)中國(guó)音樂母語(yǔ)的滲透、拓寬用以訓(xùn)練專項(xiàng)技術(shù)課題的曲目并使學(xué)生領(lǐng)略到多元的音樂文化等方面做出一點(diǎn)貢獻(xiàn)。 鋼琴組曲《春之旅》由四首內(nèi)容相對(duì)獨(dú)立的樂曲組成，，每首作品都自成一格，既可單獨(dú)演奏某一單曲(第一首除外)，也可以以組曲的形式予以全面的展示。這四首小曲的標(biāo)題分別為《待曙》、《舟中》、《楊柳岸》、《曉風(fēng)之舞》。組曲為我們描繪了春天里人們外出旅行的四幅風(fēng)景畫。由于這部組曲創(chuàng)作于1945年抗戰(zhàn)期間，它也是在表達(dá)作者向往光明和樂觀向上的思想感情。這部作品是早期中國(guó)作曲家在鋼琴組曲這一體裁的力作，在當(dāng)時(shí)頗具影響力。它具有濃郁的中國(guó)特色，是一部成功地實(shí)現(xiàn)了藝術(shù)內(nèi)容、民族風(fēng)格與鋼琴技巧相結(jié)合的優(yōu)秀中國(guó)鋼琴作品。 本文站在教學(xué)的角度，從以下幾個(gè)方面對(duì)這部鋼琴組曲進(jìn)行了論述：作者生平、創(chuàng)作背景、作品風(fēng)格、作曲技術(shù)分析、教學(xué)要點(diǎn)、總體演奏要求、練習(xí)方法，以便在演奏和教學(xué)中準(zhǔn)確地理解和把握作品提供一些可供參考的依據(jù)。
[Abstract]:Ding Shande is a famous composer, pianist, music educator and music activist in our country. The number of piano works is the most. To write piano music works with Chinese characteristics is the basic starting point and basic goal of his music creation. Piano Suite "Journey of Spring" is his first published work. Among them, the use of European traditional composition techniques and Chinese national musical vocabulary combined, and on the basis of bold innovation, so that it not only has a distinct national characteristics. It also fully shows his unique musical personality. The purpose of this paper is to promote the penetration of Chinese music mother tongue in piano music education through the teaching and research of piano suite "Journey of Spring". Broaden the repertoire to train specific technical topics and help students appreciate the diversity of musical culture. The Piano Suite "the Journey of Spring" consists of four relatively independent pieces of music, each of which can be played independently of a single (except the first). They can also be shown in the form of suites. The titles of the four songs are "to be in the Shu", "in the Boat", and "the Yangliuan" respectively. Dance of Xiaofeng. The Suite depicts four landscapes that people travel in the spring. Because the suite was written in 1945 during the War of Resistance. It is also an expression of the author's yearning for bright and optimistic thoughts and feelings. This work is a masterpiece of the early Chinese composers in the piano suite, which was influential at that time. It has strong Chinese characteristics. Is a successful realization of the art content, national style and piano skills combined with excellent Chinese piano works. From the perspective of teaching, this paper discusses the piano suite from the following aspects: the author's life, background, style, composition technical analysis, teaching essentials, overall performance requirements. Practice methods in order to accurately understand and grasp works in playing and teaching to provide some reference basis.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J624.1

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 蒿佳杭;試論中國(guó)傳統(tǒng)文化影響下的20世紀(jì)三、四十年代中國(guó)鋼琴藝術(shù)之文化特征[D];江西師范大學(xué);2010年

本文編號(hào)：1466960