本文關(guān)鍵詞： 威爾第 小仲馬 歌劇《茶花女》 悲劇藝術(shù) 美感　出處：《西南大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：歌劇《茶花女》是19世紀(jì)偉大的意大利作曲家威爾第的代表作，在世界歌劇歷史上占有重要的一席之地，是一部不朽的藝術(shù)珍品。 《茶花女》這部歌劇是在那個(gè)風(fēng)云變幻的時(shí)代中誕生的，是社會(huì)生活的場景在歌劇藝術(shù)上的反映，同時(shí)也是在西洋歌劇自身發(fā)展與長久的藝術(shù)積淀所生成的積極因素滋養(yǎng)下形成的，但在其中起著決定性作用的還是偉大的威爾第在生活中、藝術(shù)創(chuàng)造中所形成的獨(dú)特的審美洞察力與藝術(shù)創(chuàng)造力，歌劇《茶花女》的藝術(shù)成就是在這些因素綜合作用下形成的。因此，要清楚地認(rèn)識(shí)和把握歌劇《茶花女》的藝術(shù)魅力，充分發(fā)揮其不朽的經(jīng)典的藝術(shù)價(jià)值，借鑒其創(chuàng)作經(jīng)驗(yàn)、傳承其歌劇藝術(shù)，以促進(jìn)我國音樂藝術(shù)的繁榮和發(fā)展，，是需要對它進(jìn)行更為深刻地認(rèn)識(shí)和研究的。 《茶花女》不僅是一部不朽的經(jīng)典歌劇作品，更是一部藝術(shù)悲劇的力作。威爾第憑借著對音樂藝術(shù)的獨(dú)特理解和精湛的音樂創(chuàng)作技法，除了在視聽上給人們營造出所有偉大的藝術(shù)悲劇所必須要具有的“崇高”的審美感召力之外，同時(shí)威爾第堅(jiān)持運(yùn)用意大利歌劇的傳統(tǒng)創(chuàng)作技法與時(shí)代音樂風(fēng)格相結(jié)合，用歌劇的藝術(shù)形式展現(xiàn)了《茶花女》的文本精旨。并對社會(huì)場景的真實(shí)現(xiàn)實(shí)進(jìn)行了深刻地批判和否定，使這部歌劇更具現(xiàn)實(shí)的震撼力，這造就了它在眾多歌劇經(jīng)典大作中、特別是悲劇主題的歌劇中所凸顯出的獨(dú)特藝術(shù)魅力與價(jià)值! 本文力圖從音樂和藝術(shù)哲學(xué)的角度分析歌劇《茶花女》的悲劇性，以及作曲家獨(dú)具匠心的音樂語言背后所蘊(yùn)藏的美學(xué)意義。
[Abstract]:The opera Camellia is the masterpiece of the great Italian composer Verdi in 19th century. It occupies an important place in the history of the world opera and is an immortal art treasure. This opera was born in the changing times and reflected the scene of social life in opera art. At the same time, it was formed by the positive factors created by the development of Western opera itself and the long-term accumulation of art, but it was the great Verdi who played a decisive role in the process of life. The unique aesthetic insight and artistic creativity formed in the artistic creation, the artistic achievement of opera "Camellia woman" is formed under the comprehensive action of these factors. We should clearly understand and grasp the artistic charm of opera "Camellia Girl", give full play to its immortal classical artistic value, draw lessons from its creative experience, and inherit its opera art, so as to promote the prosperity and development of music art in our country. It needs to be more deeply understood and studied. Camellias is not only an immortal classic opera work, but also a tragic masterpiece of art. By virtue of his unique understanding of music art and exquisite music creation techniques. In addition to the audio-visual for people to create all the great artistic tragedy must have the "noble" aesthetic appeal. At the same time Verdi insisted on the use of Italian opera traditional creative techniques and the combination of the music style of the times. With the artistic form of opera to show the essence of the text of "Camellia Girl", and the real reality of the social scene has been deeply criticized and negated, making the opera more realistic shock. This has created its unique artistic charm and value in many classic works of opera, especially in operas with tragic themes. This paper tries to analyze the tragedy of the opera Camellia from the point of view of music and art philosophy, and the aesthetic significance behind the composer's original musical language.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J832;J609.5

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張璐;;歌劇選段《啊,他是我渴望見到的人》音樂分析和演唱提示[J];湖北第二師范學(xué)院學(xué)報(bào);2013年01期

相關(guān)碩士學(xué)位論文 前5條

1 段哲;威爾第歌劇《茶花女》音樂和聲技法分析研究[D];山東師范大學(xué);2011年

2 張劍;威爾第歌劇《西蒙·博卡涅格拉》兩個(gè)男中音角色音樂形象與演唱研究[D];南京藝術(shù)學(xué)院;2011年

3 肖明艷;論威爾第歌劇《茶花女》中薇奧萊塔的藝術(shù)形象塑造[D];西南大學(xué);2011年

4 王冬梅;論歌劇《茶花女》中二重唱的藝術(shù)特征及演唱處理[D];武漢音樂學(xué)院;2007年

5 高娟;論社會(huì)底層女性人物在歌劇中的藝術(shù)表現(xiàn)[D];河南大學(xué);2010年

本文編號(hào)：1461217