本文關(guān)鍵詞： 道教儀式音樂(lè) 基督教儀式音樂(lè) 歷史發(fā)展 比較 個(gè)性差異　出處：《南京師范大學(xué)》2006年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：道教儀式音樂(lè)與基督教儀式音樂(lè)不僅體現(xiàn)了它們各自獨(dú)特的宗教特性，還體現(xiàn)出東西方音樂(lè)文化傳統(tǒng)和思維的不同特點(diǎn)。對(duì)兩者進(jìn)行系統(tǒng)的比較研究，在音樂(lè)學(xué)及宗教學(xué)研究領(lǐng)域均具有重要的開(kāi)拓意義。本文選擇整體比較中的歷史發(fā)展這一環(huán)節(jié)進(jìn)行比較研究，一是因?yàn)樽诮桃魳?lè)的一個(gè)引人注目的特點(diǎn)是，它是一種歷史延續(xù)性極強(qiáng)的音樂(lè)現(xiàn)象，故對(duì)其作歷時(shí)性比較往往可作為整體比較研究的一個(gè)首要環(huán)節(jié)；二是整體比較將會(huì)涉及到豐富的內(nèi)容，由于篇幅所限，所以只有側(cè)重某一環(huán)節(jié)才能有所突破。雖然兩教音樂(lè)歷史現(xiàn)象有同有異，有共性也有個(gè)性，這些內(nèi)容一般來(lái)說(shuō)都將納入到本文論述的視野。但由于其間的差異比較明顯，而差異較更容易見(jiàn)出不同民族宗教音樂(lè)及其文化背景的自身價(jià)值觀，使我們更能加深理解中西音樂(lè)為何在形態(tài)風(fēng)格和觀念上會(huì)有那么不同的面貌和神韻。因而，本文在作異同比較的同時(shí)，更將差異的比較和認(rèn)識(shí)作為重點(diǎn)。通過(guò)對(duì)“異”的認(rèn)識(shí)和分析，可以使我們對(duì)兩教音樂(lè)的本質(zhì)有更深層次的理解，還可以使我們加深理解東西方音樂(lè)文化傳統(tǒng)與思維的不同特點(diǎn)。
[Abstract]:Taoist ritual music and Christian ritual music not only reflect their unique religious characteristics, but also reflect the different characteristics of eastern and western musical cultural traditions and thinking. In the field of musicology and religious studies, there is an important pioneering significance. This article chooses the historical development in the overall comparison to carry on the comparative study, first, because of a noticeable characteristic of religious music. It is a kind of musical phenomenon with strong historical continuity, so the diachronic comparison of it can often be regarded as a primary link in the overall comparative study. Second, the overall comparison will involve a rich content, because of the space limit, so only focus on a link in order to make a breakthrough. Although the two religious music historical phenomena have similarities and differences, there are similarities and differences. Generally speaking, these contents will be included in the visual field of this article. However, because of the obvious differences between them, it is easier to see the values of different ethnic and religious music and their cultural background. So that we can better understand why Chinese and Western music in the form of style and concept of such a different face and charm, therefore, this article in the same time to make similarities and differences. Through the understanding and analysis of "difference", we can have a deeper understanding of the nature of the two schools of music. It can also deepen our understanding of the different characteristics of the cultural traditions and thinking of music in the East and West.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：J608

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1 程荔;道教與基督教儀式音樂(lè)歷史發(fā)展差異論[D];南京師范大學(xué);2006年

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