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民族音樂(lè)學(xué)視野下的樂(lè)種個(gè)案研究范例——《江南絲竹:樂(lè)種文化和樂(lè)種形態(tài)的綜合研究》簡(jiǎn)評(píng)

發(fā)布時(shí)間:2018-10-13 16:55
【摘要】:正伍國(guó)棟教授是當(dāng)代中國(guó)民族音樂(lè)學(xué)界頗具影響力的學(xué)者,多年來(lái)在該學(xué)科領(lǐng)域的研究工作中,辛勤耕耘,勇于探索,努力將外來(lái)學(xué)術(shù)理念與中國(guó)傳統(tǒng)音樂(lè)實(shí)際相結(jié)合,為我國(guó)民族音樂(lè)學(xué)學(xué)科理論建設(shè)的不斷完善作出了自己獨(dú)到的貢獻(xiàn)。尤其是《民族音樂(lè)學(xué)概論》自1997年出版以來(lái),在該學(xué)科領(lǐng)域發(fā)揮了重要作用,不僅在學(xué)科理論、研究方法上建樹頗豐,并且在科研與教學(xué)實(shí)踐中發(fā)揮了積極的指導(dǎo)功能,取得了令人矚目的成果,培養(yǎng)了一批學(xué)科建設(shè)的年青人才。
[Abstract]:Professor Wu Guodong is an influential scholar in the field of contemporary Chinese folk music. Over the years, he has worked hard in the field of this discipline, and has been brave enough to explore and combine foreign academic ideas with the reality of Chinese traditional music. It has made its own unique contribution to the continuous improvement of the theoretical construction of ethnomusicology in China. In particular, the introduction to Ethomusicology has played an important role in this discipline since its publication in 1997. It has not only made great achievements in discipline theory and research methods, but also played an active guiding role in scientific research and teaching practice. Remarkable achievements have been made, and a number of young people have been trained in discipline building.
【作者單位】: 江蘇省文化藝術(shù)研究院;
【分類號(hào)】:J607
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本文編號(hào):2269309

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