發(fā)布時(shí)間：2018-08-23 19:41

【摘要】："即興演唱"(Improvvisazione di canto)這種技巧從文藝復(fù)興時(shí)期以來(lái)在意大利、西班牙和法國(guó)流傳并盛行,貫穿整個(gè)歐洲的歌唱時(shí)代,按照慣例傳承下來(lái)。這種技巧之所以有它的重要性,關(guān)鍵是在它對(duì)于歷代美聲歌唱家在表演中處理和演繹聲樂(lè)作品的實(shí)際運(yùn)用價(jià)值及指導(dǎo)意義。本文大量選用音樂(lè)實(shí)例來(lái)闡述相關(guān)音樂(lè)理論。另外,本文的相關(guān)理論對(duì)于器樂(lè)演奏也有同樣的指導(dǎo)意義。
[Abstract]:The technique of "improvisation" (Improvvisazione di canto) has spread and flourished in Italy, Spain, and France since the Renaissance, throughout Europe's singing age, and has traditionally been passed down. The key to this technique lies in its practical application value and guiding significance in dealing with and deducing vocal music works. In this paper, a large number of music examples to illustrate the relevant music theory. In addition, the relevant theories of this paper also have the same guiding significance for instrumental music playing.
【作者單位】： 意大利國(guó)立尼科羅·皮契尼音樂(lè)學(xué)院研究院;
【分類(lèi)號(hào)】：J616.2
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本文編號(hào)：2199719