本文選題：國(guó)統(tǒng)區(qū) + 諷刺歌曲��； 參考：《寧夏大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版)》2009年05期

【摘要】：20世紀(jì)40年代國(guó)統(tǒng)區(qū)的諷刺歌曲,是在艱苦的抗日戰(zhàn)爭(zhēng)和解放戰(zhàn)爭(zhēng)期間涌現(xiàn)出的一種歌曲題材�？疾靽�(guó)統(tǒng)區(qū)諷刺歌曲的時(shí)代背景和藝術(shù)特點(diǎn),不僅能發(fā)現(xiàn)國(guó)統(tǒng)區(qū)歌曲創(chuàng)作不同于解放區(qū)的藝術(shù)特點(diǎn),而且能看出它在自身發(fā)展過(guò)程中對(duì)民族音樂(lè)的繼承和對(duì)革命戰(zhàn)爭(zhēng)的配合和推動(dòng),具有重要的意義。
[Abstract]:The satirical songs in the 1940s in the Kuomintang-controlled areas were a kind of song theme which emerged during the arduous War of Resistance against Japan and the War of Liberation. By investigating the background and artistic characteristics of satirical songs in the Guo-controlled areas, we can not only find that the creation of songs in the Kuo-controlled areas is different from the artistic characteristics in the liberated areas. Moreover, it is of great significance to inherit the folk music and coordinate and promote the revolutionary war in the process of its own development.
【作者單位】： 河南省周口職業(yè)技術(shù)學(xué)院體藝系;
【分類(lèi)號(hào)】：J609.2

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