本文選題：拉赫瑪尼諾夫 + 第一鋼琴協(xié)奏曲　； 參考：《浙江師范大學(xué)》2010年碩士論文

【摘要】： 本論文的分析主要是以拉氏《第一鋼琴協(xié)奏曲》1917年修改版1為研究對(duì)象,在論述的過(guò)程中,為了能更好的理解作曲家的創(chuàng)作意圖,偶爾會(huì)夾雜有拉一初稿版本和1917年修改版的對(duì)比,而集中的對(duì)比研究則專門安排了一章。 論文以創(chuàng)作技法分析為主線,力求深入而全面的分析在拉一中所體現(xiàn)出來(lái)的作曲家獨(dú)特的作曲語(yǔ)言和天才的構(gòu)思。緒論和第一章對(duì)于選題的初衷和作曲家生平及拉一創(chuàng)作過(guò)程進(jìn)行了概要的介紹；第二章至第四章是論文最為主要的部分,分別從不同切入點(diǎn)對(duì)拉一的創(chuàng)作技法進(jìn)行了分析,涵蓋旋律、節(jié)奏節(jié)拍、調(diào)式音階、曲式分析和聲分析等；而第五章則是對(duì)拉一的初稿和1917修改版之間的不同之處進(jìn)行了集中論證,也概要談?wù)摿死怀醺搴透窭锔瘛禷小調(diào)鋼琴協(xié)奏曲》之間的模仿關(guān)系,力求對(duì)于拉一的“前世今生”做到最為透徹的分析。
[Abstract]:The analysis of this thesis mainly takes the first Piano Concerto 1917 as the research object. In the process of discussion, in order to better understand the composer's creative intention, Occasionally, there is a comparison between the first draft and the 1917 revision, and a chapter is devoted to intensive comparative studies. Based on the analysis of creative techniques, this paper tries to make a thorough and comprehensive analysis of the composer's unique composition language and genius's conception. The introduction and the first chapter give a brief introduction to the original intention of the topic, the life of the composer and the creative process of La Yi. The second to fourth chapters are the most important parts of the thesis. It covers melodies, rhythms, tonal scales, musical analysis, and sound analysis. Chapter 5 focuses on the differences between the first draft of La Yi and the 1917 revision. It also briefly discusses the imitation relationship between the first draft of La and Grieg's Piano Concerto in a minor in order to make the most thorough analysis of Raj's past life.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J614

【引證文獻(xiàn)】

中國(guó)碩士學(xué)位論文全文數(shù)據(jù)庫(kù) 前1條

1 張黎;拉赫瑪尼諾夫《音畫練習(xí)曲》OP33和聲研究[D];曲阜師范大學(xué);2012年

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本文編號(hào)：1826382