【摘要】：田豐是20世紀(jì)我國重要的作曲家之一。田豐一生的創(chuàng)作幾乎涵蓋了所有的音樂體裁,包括交響樂、鋼琴協(xié)奏曲、大提琴、鋼琴、長(zhǎng)笛曲、歌劇、芭蕾舞劇,還為電影、電視劇、話劇和大型歌舞劇編寫音樂,創(chuàng)作各類合唱作品100余首。 本文通過選取田豐有代表性的兩部合唱作品:交響合唱《大涼山之歌》;合唱組曲《云南風(fēng)情》。通過對(duì)田豐的生平以及他創(chuàng)作技法和創(chuàng)作風(fēng)格的研究,以期人們進(jìn)一步了解田豐兩部合唱作品。 論文由四章組成:第一章介紹田豐的生平及創(chuàng)作。第二章是兩首合唱作品的分析,主要從旋律旋法、主題貫穿、人聲的運(yùn)用與配合、調(diào)性、復(fù)調(diào)手法及其運(yùn)用等諸多方面做了較為詳細(xì)的分析。第三章和第四章為本文的重點(diǎn),其中詳細(xì)分析了田豐合唱?jiǎng)?chuàng)作思維的獨(dú)特個(gè)性及其合唱作品的現(xiàn)實(shí)指導(dǎo)意義。結(jié)語中對(duì)田豐創(chuàng)作上的特點(diǎn)進(jìn)行歸納和總結(jié),并對(duì)其音樂創(chuàng)作風(fēng)格提出了一些自己的觀點(diǎn)及看法。從而得出:田豐運(yùn)用自己獨(dú)特的音樂語言,在繼承傳統(tǒng)的同時(shí),又?jǐn)[脫傳統(tǒng)的束縛,創(chuàng)作出一系列既不失時(shí)代特征又有自己獨(dú)特風(fēng)格的合唱作品,從而形成自己獨(dú)具特色、個(gè)性鮮明的音樂風(fēng)格,不僅對(duì)當(dāng)時(shí)的合唱作品甚至對(duì)今天中國的合唱作品走向世界都是具有導(dǎo)向意義的。
[Abstract]:Tian Feng is one of the important composers in China in the 20 th century. Tian Feng's life covers almost all musical genres, including symphonies, piano Concerto, cello, piano, flute, opera, ballet, as well as music for movies, TV dramas, dramas and large-scale musical dramas. Create more than 100 chorus works of all kinds. This paper selects two representative chorus works by Tian Feng: symphonic chorus "Song of Daliangshan" and chorus suite "Yunnan style". Through the study of Tian Feng's life, his creative techniques and style, in order to further understand Tian Feng's two chorus works. The thesis consists of four chapters: the first chapter introduces Tian Feng's life and creation. The second chapter is the analysis of two chorus works, mainly from the melody rotation method, theme penetration, the use and coordination of human voice, tonality, polyphonic techniques and their application and many other aspects of a more detailed analysis. The third chapter and the fourth chapter are the focus of this paper, in which the unique personality of Tian Feng's chorus creative thinking and the practical guiding significance of his chorus works are analyzed in detail. In the conclusion, this paper sums up and summarizes the characteristics of Tian Feng's creation, and puts forward some views and opinions on his music creation style. Thus it is concluded that Tian Feng uses his own unique music language to inherit the tradition and get rid of the shackles of the tradition, and creates a series of chorus works which do not lose the characteristics of the times and have their own unique style, thus forming their own unique characteristics. The distinctive musical style is of guiding significance not only to the chorus works at that time, but also to the world of Chinese chorus works today.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J614

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 帥壘;;混聲合唱曲《憶秦娥·婁山關(guān)》探析[J];歌海;2012年06期

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本文編號(hào)：2496028