中提琴在19世紀(jì)初德奧浪漫派室內(nèi)樂中的作用
[Abstract]:This paper focuses on the role and application of viola in the chamber music works of Weber and Schubert, two of the most important musicians of German and Austrian romantic schools in the early 19th century. Weber Carl Maria von Weber, (1786-1826) had a great influence on the new romantic orchestral style and was one of the pioneers of romantic music style. In 1809, he completed the viola and piano works "Andante and Hungarian Echos". Franz Schubert,1797-1828 Austrian composer who was a representative of early Romantic music and was considered the last great master of classical music. Therefore, he was an important musician in classicism and romanticism, and his Sonata in A minor Apejoni was famous all over the world. This paper analyzes the role of viola in the traditional and breaking through the traditional harmony in the two works, and the application of the viola in the rich tonality migration; In Weber's works, the playing characteristics of viola and small band, the role of viola in Hungarian dance melody, the function of Hungarian dance style and rhythm; And in the early 19th century romantic school how to use the viola to express personal inclination: through the rhythm and intensity of the change of individual tendency, how to use the viola skillful performance skills to show the individual interpretation of the work. As an object of study for the reference of viola playing in this paper, the violinist Yuri Bashmett is chosen, because he is a very influential figure in modern Russian music, and has an irreplaceable viola skill. His timbre is simple, subtle, sweet, full-grained notes, a rich variety of kneading string, known as the viola "Paganini."
【學(xué)位授予單位】:華南理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J622.2
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