【摘要】：哈密木卡姆是新疆維吾爾木卡姆的重要組成部分，同其他各類(lèi)木卡姆一樣，具有悠久的歷史淵源和獨(dú)特的地域特征。本文是在文獻(xiàn)分析與田野調(diào)查的基礎(chǔ)上，將哈密木卡姆這一音樂(lè)現(xiàn)象置入陶家宮鄉(xiāng)這一特定的生存空間，對(duì)其傳承現(xiàn)狀進(jìn)行調(diào)查與研究。以哈密木卡姆在陶家宮鄉(xiāng)的傳承行為為主線(xiàn)，通過(guò)田野調(diào)查工作中所獲取的第一手資料為根據(jù)，運(yùn)用多學(xué)科的理論與研究方法，對(duì)哈密木卡姆的生存背景、哈密木卡姆形成的歷史淵源與形態(tài)特征進(jìn)行整理、分析，并對(duì)哈密陶家宮鄉(xiāng)木卡姆傳承人、木卡姆班社和傳承方式等傳承狀況進(jìn)行初步研究。 全文除了緒論和結(jié)語(yǔ)之外，正文分為四個(gè)部分，其內(nèi)容如下： 第一部分對(duì)哈密木卡姆的地理位置、生態(tài)環(huán)境、民族、宗教、民俗等方面進(jìn)行考察，試圖揭示哈密木卡姆的地域性特點(diǎn)與生存背景之間的關(guān)系。 第二部分從哈密木卡姆的歷史淵源、分布與版本情況、結(jié)構(gòu)與分章、伴奏樂(lè)器現(xiàn)存狀況四個(gè)方面對(duì)哈密木卡姆的形成與形態(tài)特征進(jìn)行簡(jiǎn)要分析。 第三部分對(duì)陶家宮鄉(xiāng)木卡姆的傳承現(xiàn)狀進(jìn)行調(diào)查。這部分內(nèi)容重點(diǎn)介紹了哈密陶家宮鄉(xiāng)的主要木卡姆班社、木卡姆傳承人、傳承形式（即民間自發(fā)的師徒傳承、集中傳授——木卡姆培訓(xùn)班、闊克麥西萊甫文化空間中的哈密木卡姆）。通過(guò)對(duì)陶家宮鄉(xiāng)上莊孜村阿姆提·依米提家舉辦的闊克麥西萊甫活動(dòng)的詳細(xì)描述，，對(duì)麥西萊甫中的木卡姆音樂(lè)、麥西萊甫的生存環(huán)境進(jìn)行論述。 第四部分對(duì)哈密木卡姆當(dāng)代生境的思考。依據(jù)陶家宮鄉(xiāng)木卡姆的傳承現(xiàn)狀引發(fā)的兩點(diǎn)思考，即文化變遷中的哈密木卡姆和“人”在木卡姆傳承中的作用。
[Abstract]:Hami Mukam is an important part of Xinjiang Uygur Mukam. Like other kinds of Mukam, Hami Mukam has a long history and unique regional characteristics. On the basis of literature analysis and field investigation, this paper puts Hami Muqam music phenomenon into the special living space of Tao Jia Gong Township, and investigates and studies the present situation of its inheritance. Taking Hami Muqam's inheritance behavior in Taojiagong Township as the main line, based on the firsthand information obtained in the field investigation, and using the multi-disciplinary theory and research methods, the author analyzes the living background of Hami Muqam. The historical origin and morphological characteristics of Hami Mukam formation are sorted out, analyzed, and the inheritance status of Mukam inheritors, Mukam banshe and inheritance methods in Hami Tao Jia Gong Township is studied. In addition to the introduction and conclusion, the text is divided into four parts. The contents are as follows: in the first part, the geographical location, ecological environment, nationality, religion and folklore of Hami Mukam are investigated. This paper attempts to reveal the relationship between Hami Mukam's regional characteristics and his living background. In the second part, the formation and morphological characteristics of Hami Mukam are briefly analyzed from four aspects: historical origin, distribution and edition, structure and chapter, and the existing situation of accompaniment instruments. The third part investigates the inheritance of Mukam in Tao Jia Gong Township. This part focuses on the main Mukam Banca in Hami Taojiagong Township, the inheritors of Mukam, the form of inheritance (that is, the folk spontaneous inheritance of teachers and disciples, and the centralized teaching of the Mukam training course). Hami Mukam in the Cultural Space of Kwak Macy Lefu Through the detailed description of the activities held by the family of Amti Ymiti in Shangzhuangzi Village of Taojiagong Township, the music of Mukam and the living environment of Maxirefu are discussed. The fourth part is about the contemporary habitat of Hami Mukam. According to the present situation of the inheritance of Mukam in Taojiagong Township, there are two thoughts, that is, the role of Hami Mukam and "Man" in the inheritance of Mukam in the course of cultural change.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J607

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