建國以來中國手風琴作品風格特征研究
發(fā)布時間：2018-09-14 09:18
【摘要】：手風琴自20世紀初傳入我國至今已百余年歷史,作為一種外來的藝術(shù)形式,使其真正成為一門獨立的學科卻形成于新中國成立之后。中國手風琴音樂經(jīng)歷了大半個世紀的發(fā)展歷程,在老一輩手風琴藝術(shù)家不斷的嘗試探索中,以借鑒西方音樂創(chuàng)作的成功經(jīng)驗,靈活運用科學的作曲技術(shù)且與我國豐富的民族民間音樂的有機結(jié)合,賦予了作品濃郁的民族風韻和清新的藝術(shù)格調(diào)。然而各個時期對中國手風琴作品風格的認識及所體現(xiàn)的具體內(nèi)涵是不同的,卻呈現(xiàn)出一種不斷完善的趨勢。以民族化為主線不斷追求手風琴作品的中國風格,已形成中國手風琴作品風格演進的主要脈絡(luò)。充分理解中國手風琴作品的內(nèi)涵,把握其風格特征是我國教育實踐工作者以及廣大演奏者們需要重視的問題。此外,對中國手風琴作品應(yīng)以高雅音樂與流行音樂相融合,在新的音樂語境中保持自己的民族風格。 全文除緒論和結(jié)語外,共分為三個部分,依次為: 第一部分:建國初中國手風琴作品創(chuàng)作的萌芽期(1949-1966年),通過這一時期中出現(xiàn)的改編與原創(chuàng)代表作品的分析,對其風格特征進行歸納總結(jié); 第二部分:文革中的中國手風琴作品創(chuàng)作形成期(1966-1979年),在這個特殊的時代,手風琴作品的改編創(chuàng)作是這一時期唯一的形式,作品具有強烈的時代性與突出的民族性; 第三部分:改革開放中國手風琴作品創(chuàng)作的探索期(1979-至今),本章以創(chuàng)作題材的多元化、體裁與曲式結(jié)構(gòu)的多樣化及西方元素與中國風格相結(jié)合三方面概括了80年代后中國手風琴作品多樣化并以此來分析新時期作品的多元化、民族化特征。
[Abstract]:It has been more than one hundred years since accordion was introduced into China in the early 20th century. As a foreign art form, accordion music has really become an independent subject but formed after the founding of New China. The successful experience of music creation, the flexible application of scientific composing techniques and the organic combination with the rich folk music of our country endow the works with strong national charm and fresh artistic style. However, the understanding of the style of Chinese accordion works and the concrete connotation embodied in them are different in different periods, but they present a kind of continuous development. The Chinese style of accordion works has formed the main thread of the evolution of the style of Chinese accordion works. Fully understanding the connotation of Chinese accordion works and grasping their style characteristics are the problems that our educators and practitioners should pay attention to. Organ works should be combined with elegant music and popular music to maintain their own national style in the new music context.
In addition to the introduction and conclusion, the article is divided into three parts.
The first part: the embryonic period of Chinese accordion works (1949-1966) in the early days of the founding of the People's Republic of China, through the analysis of the adaptation and original representative works, summarizes its style characteristics;
The second part: the formation of Chinese accordion works in the Cultural Revolution (1966-1979), in this special era, accordion works adaptation and creation is the only form of this period, works with a strong era and outstanding national character;
The third part: the exploring period of Chinese accordion creation in the reform and opening up period (1979-present), this chapter summarizes the diversification of Chinese accordion works after the 1980s from three aspects: diversification of creative themes, diversification of genres and musical structures, and combination of Western elements and Chinese style. Features.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J624.3
本文編號：2242273
[Abstract]:It has been more than one hundred years since accordion was introduced into China in the early 20th century. As a foreign art form, accordion music has really become an independent subject but formed after the founding of New China. The successful experience of music creation, the flexible application of scientific composing techniques and the organic combination with the rich folk music of our country endow the works with strong national charm and fresh artistic style. However, the understanding of the style of Chinese accordion works and the concrete connotation embodied in them are different in different periods, but they present a kind of continuous development. The Chinese style of accordion works has formed the main thread of the evolution of the style of Chinese accordion works. Fully understanding the connotation of Chinese accordion works and grasping their style characteristics are the problems that our educators and practitioners should pay attention to. Organ works should be combined with elegant music and popular music to maintain their own national style in the new music context.
In addition to the introduction and conclusion, the article is divided into three parts.
The first part: the embryonic period of Chinese accordion works (1949-1966) in the early days of the founding of the People's Republic of China, through the analysis of the adaptation and original representative works, summarizes its style characteristics;
The second part: the formation of Chinese accordion works in the Cultural Revolution (1966-1979), in this special era, accordion works adaptation and creation is the only form of this period, works with a strong era and outstanding national character;
The third part: the exploring period of Chinese accordion creation in the reform and opening up period (1979-present), this chapter summarizes the diversification of Chinese accordion works after the 1980s from three aspects: diversification of creative themes, diversification of genres and musical structures, and combination of Western elements and Chinese style. Features.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J624.3
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，本文編號：2242273
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