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從非物質(zhì)文化遺產(chǎn)看淤泥河彝族民歌的傳承與保護(hù)

發(fā)布時間:2018-09-04 18:31
【摘要】:非物質(zhì)文化遺產(chǎn)越來越受到人們的關(guān)注,非物質(zhì)文化遺產(chǎn)的保護(hù)也越來越受到人類的重視,淤泥河彝族民歌,作為一項正在被年輕人淘汰的非物質(zhì)文化遺產(chǎn),它的傳承和保護(hù)應(yīng)該受到大家的關(guān)注。由于淤泥鄉(xiāng)是一個以彝族為主的民族聚集鄉(xiāng),在那里保存著較為完整的彝族民歌文化,所以,筆者選擇盤縣淤泥鄉(xiāng)作為田野調(diào)查的地點。 在淤泥鄉(xiāng)彝族同胞的生活中,歌舞是十分受到推崇的,是人們用來交流溝通、抒發(fā)感情、進(jìn)行儀式等各種情感表達(dá)的一種最直接的表現(xiàn)方式。是人們歷史文化的一個重要組成部分,發(fā)展至今對于當(dāng)?shù)氐慕?jīng)濟(jì)、文化的發(fā)展起到了很大的推動作用。因為有了歌舞,才使彝族同胞的生產(chǎn)生活更加的豐富多彩,使人們的精神文化更加充實。 在70年代以前,人們的社會生產(chǎn)力水平低下,從事的生產(chǎn)勞動十分繁重,體力消耗很大,為了調(diào)適和放松自己的心情,提高勞動生產(chǎn)力,于是產(chǎn)生了民間歌曲,俗話說“男女搭配干活不累”,所以很多生產(chǎn)勞動歌里都添加了男女愛情的內(nèi)容,隨著社會生產(chǎn)發(fā)展的進(jìn)一步提高,人們的生活內(nèi)容也逐漸豐富,所以民歌的內(nèi)容也越來越多,發(fā)展出了專門唱男女戀情的情歌,敘述彝區(qū)人民美好生活的敘事歌,一般意義的山歌,在席間演唱的酒禮歌,而為娛神或悼念亡魂的喪禮歌則早就存在。 淤泥河彝族民歌文化只是盤縣非物質(zhì)文化遺產(chǎn)的一部分,也只是彝族民歌文化的一部分,不同地區(qū)的民歌,由于地理環(huán)境、社會條件、審美情趣等差異,就會出現(xiàn)不同的風(fēng)格特點,有鮮明的地方色彩,通過對淤泥鄉(xiāng)的地理環(huán)境、歷史族群淵源的研究,來探索淤泥河彝族民歌的藝術(shù)特點和地域文化特色。并了解當(dāng)?shù)孛窀栉幕膫鞒鞋F(xiàn)狀,分別對歌俗、歌者、歌作品的傳承現(xiàn)狀進(jìn)行探索,從非物質(zhì)文化遺產(chǎn)保護(hù)的角度來探討淤泥河彝族民歌的保護(hù)措施是本文的主要寫作目的。
[Abstract]:People pay more and more attention to the intangible cultural heritage, and the protection of the intangible cultural heritage is paid more and more attention to by mankind. Its inheritance and protection should be paid attention to. Because the silt town is a gathering village with Yi nationality as the main ethnic group, where the Yi folk song culture is preserved, the author chooses the silt village of Panxian County as the site of field investigation. In the life of Yi people in silt village, singing and dancing are highly respected, and they are the most direct expression for people to communicate, express their feelings, perform rituals and so on. As an important part of people's history and culture, the development has played a great role in promoting the development of local economy and culture. Because of the singing and dancing, the production and life of Yi people are more colorful, and people's spiritual culture is more enriched. Before the 1970s, people had a low level of social productive forces, heavy production and heavy physical exertion. In order to adjust and relax their mood and improve their labor productivity, folk songs were produced. As the saying goes, "Men and women work together are not tired", so many production songs have added the content of love between men and women. With the further development of social production, people's life content is gradually enriched, so the content of folk songs is also more and more. The development of a special love song for men and women, narration of the people's beautiful life in Yi area, folk songs in general, wine salute songs sung during the banquet, and funeral songs for amusing gods or mourning for the dead have long existed. The Yi folk song culture of the Tunihe River is only a part of the intangible cultural heritage of Panxian, and it is also a part of the folk song culture of the Yi nationality. Due to the differences in geographical environment, social conditions, aesthetic taste and so on, the folk songs in different regions, There will be different styles and distinct local colors. Through the study of the geographical environment and historical ethnic origin of silt villages, this paper explores the artistic characteristics and regional cultural characteristics of the Yi folk songs in the silt river. The main purpose of this paper is to understand the present situation of local folk song culture, to explore the inheritance of folk songs, singers and songs, and to discuss the protection measures of Yi folk songs from the perspective of the protection of intangible cultural heritage.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J607

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