辟斯頓組曲《奇妙的長笛手》“新古典主義”音樂觀念研究
發(fā)布時間：2018-07-18 07:54
【摘要】：沃爾特·辟斯頓(Walter Piston,1894—1976)是20世紀美國杰出的作曲家、音樂理論家和音樂教育家,也是美國新古典主義音樂的代表人物之一。作為音樂理論家,辟斯頓在我國早已聞名久矣。早在1951年,我國就已經出版了辟斯頓的《和聲學》中文譯本,后又出版了該書的修訂本(上海新文藝出版社1951年版和人民音樂出版社1978年版,韋陳寶譯),該書對20世紀后半葉學習西方傳統(tǒng)和聲學體系的人們提供了很大幫助,對我國專業(yè)音樂的發(fā)展也產生重大影響。但是,對于作曲家的辟斯頓,我國的大部分業(yè)余音樂愛好者至今還不太熟悉,他創(chuàng)作的作品在我國流傳的很少,然而這并不能遮掩辟斯頓的音樂成就。辟斯頓一生創(chuàng)作了大量音樂作品,涉及到交響曲、協(xié)奏曲、室內樂等大型音樂體裁。他的作品既有傳統(tǒng)古典主義音樂的痕跡,又蘊含有豐富的地方音樂特色,并運用現(xiàn)代音樂創(chuàng)作技法進行創(chuàng)作,形成了自己獨樹一幟的音樂風格,對美國專業(yè)音樂創(chuàng)作的發(fā)展具有巨大的推動作用。 芭蕾舞組曲《奇妙的長笛手》是辟斯頓所有音樂作品中演奏最多、最流行的精美絕倫之作,也是他個人風格最典型的代表。1940年,這部組曲在美國首演,并引起巨大轟動,它從此成為美國當代不朽的音樂作品之一。雖然這部作品是辟斯頓早期所作,但它卻有著里程碑式的意義,充分體現(xiàn)出辟斯頓傳統(tǒng)與現(xiàn)代緊密結合的創(chuàng)作觀念。本文主要以《奇妙的長笛手》為研究對象,通過分析這部作品的結構、和聲、曲式、旋律、配器等方面的音樂特點,來闡述和揭示辟斯頓的音樂創(chuàng)作理念。 全文主體由引言、三個章節(jié)、結語五個部分組成。 引言部分是關于本課題的學術價值、國內外研究現(xiàn)狀、研究思路和方法的陳述。文中指出筆者選擇此課題的目的和意義,并對目前此課題在國內外已有的研究成果與不足進行了綜述。 第一章為簡要回顧辟斯頓的生平及芭蕾舞組曲的基本概況。首先介紹了辟斯頓的人生經歷、音樂創(chuàng)作方面的成就,而后從創(chuàng)作背景和故事梗概兩個方面論述了芭蕾舞組曲的基本概況。 第二章對芭蕾舞組曲《奇妙的長笛手》進行全面音樂本體分析,辟斯頓早期創(chuàng)作的芭蕾舞組曲《奇妙的長笛手》是一部有標題、有調性且音樂形象鮮明的典范之作。這部作品是詮釋辟斯頓“新古典主義”音樂觀念最具代表性的音樂作品,也是我們理解辟斯頓“新古典主義”音樂觀念的音樂載體。本章論述了作品音樂結構、配器、和聲、旋律、節(jié)奏等各個方面的特點,從而總結出這部作品的創(chuàng)作技法特點。 第三章是對辟斯頓《奇妙的長笛手》的“新古典主義”音樂觀念內涵進行宏觀分析。通過第二章對這部作品的全面音樂分析,本章從古典傳統(tǒng)的回歸、現(xiàn)代音樂語言的運用及音樂觀念的來源三個部分對《奇妙的長笛手》的“新古典主義”音樂觀念進行全面詳細地闡述。 結語部分闡述了辟斯頓“新古典主義”音樂觀念的影響以及辟斯頓承前啟后的歷史地位,指出了辟斯頓新古典主義音樂觀念對美國乃至世界音樂發(fā)展產生的深遠影響。文章充分肯定了辟斯頓在音樂發(fā)展史上承前啟后的歷史地位,并力求對辟斯頓有更為全面和深刻的理論認識。
[Abstract]:Walter Piston (Walter Piston, 1894 - 1976) is an outstanding American composer, music theorist and musical educator in the twentieth Century, and one of the representative figures of American neoclassical music. As a musical theorist, it has long been known in China for a long time. In 1951, China had published the "and acoustics > Chinese" in Chinese. A revised edition of the book was published (the 1951 edition of the Shanghai new literature and Art Publishing House and the 1978 edition of the people's music press, Wei Chen Baoyi), which has provided great help to people studying western tradition and acoustics in the latter half of the twentieth Century and has a great influence on the development of professional music in our country. Most amateur music lovers in our country are not so familiar with them so far. His works are very rare in our country. However, it does not cover the musical achievements of bareston. Bareston created a large number of musical works throughout his life, involving symphonies, Concerto, chamber music and other large musical genres. His works have both traditional classical sounds. The trace of music contains rich local music features, and uses modern music creation techniques to create a unique style of music, which has a great impetus to the development of American professional music.
The Ballet Suite "marvelous Flute" is one of the most popular and most popular works among all the music works of the ballet, the most typical representative of his personal style,.1940, which was first played in the United States and caused great sensation in the United States and became one of the immortal works of the United States. However, it has a milestone meaning, which fully embodies the creative idea of the combination of the traditional and modern times. This article mainly takes the wonderful flute as the research object, and expounds and reveals the musical creation idea of the work through the analysis of the musical features of the structure, harmony, melody, melody and orchestration of this work.
The full text consists of five parts: introduction, three chapters, and conclusion.
The introduction is about the academic value of the subject, the present situation at home and abroad, and the presentation of the research ideas and methods. The article points out the purpose and significance of the author's choice of the subject, and summarizes the existing research achievements and shortcomings of the subject at home and abroad.
The first chapter is a brief review of the life of Gaston and the basic outline of the Ballet Suite. First, it introduces the life experience of Gaston, the achievements of music creation, and then discusses the basic outline of the ballet group from two aspects of the background of creation and the outline of the story.
The second chapter has an overall musical ontology analysis of the Ballet Suite "wonderful Flute". The early ballet composition of the ballet, "wonderful Flute", is a masterpiece with a title, a tunable and vivid musical image. This work is the most representative of the musical ideas of the "neo classical" of the ballet. We understand the music concept of "neoclassicism". This chapter discusses the characteristics of the structure, orchestration, harmony, melody and rhythm of the works, and summarizes the characteristics of the creative techniques of this work.
The third chapter is a macroscopic analysis of the connotations of the "Neo classicism" of the musical concept of "marvelous Flute". Through the comprehensive analysis of the music in second chapters, this chapter from the return of classical tradition, the use of modern music language and the source of music concept to the "Neo classicism" of "marvelous Flute". The concept of music is elaborated in a comprehensive and detailed manner.
The concluding part expounds the influence of the music concept of "neoclassicism" and the historical position of the new classical music, and points out the profound influence of the new classical music concept on the development of music in the United States and the world. Strive to have a more comprehensive and profound theoretical understanding of Preston.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J605
[Abstract]:Walter Piston (Walter Piston, 1894 - 1976) is an outstanding American composer, music theorist and musical educator in the twentieth Century, and one of the representative figures of American neoclassical music. As a musical theorist, it has long been known in China for a long time. In 1951, China had published the "and acoustics > Chinese" in Chinese. A revised edition of the book was published (the 1951 edition of the Shanghai new literature and Art Publishing House and the 1978 edition of the people's music press, Wei Chen Baoyi), which has provided great help to people studying western tradition and acoustics in the latter half of the twentieth Century and has a great influence on the development of professional music in our country. Most amateur music lovers in our country are not so familiar with them so far. His works are very rare in our country. However, it does not cover the musical achievements of bareston. Bareston created a large number of musical works throughout his life, involving symphonies, Concerto, chamber music and other large musical genres. His works have both traditional classical sounds. The trace of music contains rich local music features, and uses modern music creation techniques to create a unique style of music, which has a great impetus to the development of American professional music.
The Ballet Suite "marvelous Flute" is one of the most popular and most popular works among all the music works of the ballet, the most typical representative of his personal style,.1940, which was first played in the United States and caused great sensation in the United States and became one of the immortal works of the United States. However, it has a milestone meaning, which fully embodies the creative idea of the combination of the traditional and modern times. This article mainly takes the wonderful flute as the research object, and expounds and reveals the musical creation idea of the work through the analysis of the musical features of the structure, harmony, melody, melody and orchestration of this work.
The full text consists of five parts: introduction, three chapters, and conclusion.
The introduction is about the academic value of the subject, the present situation at home and abroad, and the presentation of the research ideas and methods. The article points out the purpose and significance of the author's choice of the subject, and summarizes the existing research achievements and shortcomings of the subject at home and abroad.
The first chapter is a brief review of the life of Gaston and the basic outline of the Ballet Suite. First, it introduces the life experience of Gaston, the achievements of music creation, and then discusses the basic outline of the ballet group from two aspects of the background of creation and the outline of the story.
The second chapter has an overall musical ontology analysis of the Ballet Suite "wonderful Flute". The early ballet composition of the ballet, "wonderful Flute", is a masterpiece with a title, a tunable and vivid musical image. This work is the most representative of the musical ideas of the "neo classical" of the ballet. We understand the music concept of "neoclassicism". This chapter discusses the characteristics of the structure, orchestration, harmony, melody and rhythm of the works, and summarizes the characteristics of the creative techniques of this work.
The third chapter is a macroscopic analysis of the connotations of the "Neo classicism" of the musical concept of "marvelous Flute". Through the comprehensive analysis of the music in second chapters, this chapter from the return of classical tradition, the use of modern music language and the source of music concept to the "Neo classicism" of "marvelous Flute". The concept of music is elaborated in a comprehensive and detailed manner.
The concluding part expounds the influence of the music concept of "neoclassicism" and the historical position of the new classical music, and points out the profound influence of the new classical music concept on the development of music in the United States and the world. Strive to have a more comprehensive and profound theoretical understanding of Preston.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J605
【共引文獻】
相關期刊論文 前10條
1 馬達;許冰;;美國學校音樂教育發(fā)展脈絡及其特點[J];福建教育學院學報;2007年07期
2 龔妮麗;20世紀中國音樂文化兩次轉換的美學思考[J];貴州大學學報(藝術版);2002年01期
3 倪軍;喬治·克拉姆鋼琴獨奏作品的音樂特征[J];黃鐘-武漢音樂學院學報;1999年03期
4 楊青知;印象主義音樂與德彪西的鋼琴作品[J];黃鐘-武漢音樂學院學報;2003年S1期
5 彭永啟,董蓉;閱讀與思考——關于新版格勞特《西方音樂史》及其歷史寫作[J];黃鐘-武漢音樂學院學報;2004年02期
6 盧廣瑞;朱踐耳《第八交響曲“求索”》的民族特征[J];黃鐘-武漢音樂學院學報;1998年02期
7 張楠;勛伯格自由無調性創(chuàng)作技術風格特征的傳統(tǒng)性審視[J];音樂研究;2002年03期
8 屠艷;;在機遇與奮發(fā)中繁榮——中國當代西方音樂史研究述論(1978—)[J];南京藝術學院學報(音樂與表演版);2005年04期
9 胥麗;試論小學、中學教學中的音樂教育[J];內蒙古師范大學學報(教育科學版);2005年02期
10 田文;;從全息角度探究《土樓回響》和聲運用的規(guī)律[J];齊魯藝苑;2005年04期
相關博士學位論文 前10條
1 李小諾;論拱形結構[D];上海音樂學院;2004年
2 王瑞;羅忠昒十二音作品技法研究[D];上海音樂學院;2004年
3 劉彤昊;建造研究批判[D];清華大學;2004年
4 覺嘎;西藏傳統(tǒng)音樂的結構形態(tài)研究[D];上海音樂學院;2005年
5 曲致正;雷格爾的復調技法探索[D];上海音樂學院;2005年
6 婁文利;中國現(xiàn)代室內歌劇《命若琴弦》、《夜宴》音樂特色研究[D];中央音樂學院;2006年
7 田藝苗;潘德列茨基早期作品中的復調技法[D];上海音樂學院;2006年
8 黃志鵬;我國音樂科技學科建設的理論研究[D];首都師范大學;2007年
9 王婷婷;勛伯格的宗教思想對其音樂創(chuàng)作的影響[D];中央音樂學院;2007年
10 李宏峰;禮樂張力下的音樂體認[D];中國藝術研究院;2007年
相關碩士學位論文 前10條
1 曹揚;一幅傳神的音樂肖像——科普蘭《林肯肖像》的音樂分析[D];首都師范大學;2000年
2 徐晶;羅忠昒藝術歌曲的和聲應用[D];河南大學;2001年
3 班麗霞;艾夫斯《新英格蘭三地》中的傳統(tǒng)回響[D];中國藝術研究院;2003年
4 洪江|;從《諾爾瑪》看貝利尼歌劇的藝術特點[D];首都師范大學;2004年
5 張s，
本文編號：2131244
本文鏈接：http://www.sikaile.net/wenyilunwen/musictheory/2131244.html
