本文選題：西貝柳斯 + 小提琴協(xié)奏曲　； 參考：《中央音樂(lè)學(xué)院》2011年碩士論文

【摘要】：西歐音樂(lè)從19世紀(jì)初開(kāi)始進(jìn)入了浪漫主義時(shí)期,西貝柳斯是晚期浪漫主義的作曲家,更是民族樂(lè)派的代表作曲家,他的音樂(lè)里充滿(mǎn)了民族的音調(diào)與風(fēng)格。西貝柳斯是北歐芬蘭國(guó)家的”精神領(lǐng)袖”,民族英雄。在他的音樂(lè)中,我們可以感受到芬蘭大自然的氣息可以清楚的聽(tīng)到北歐民族的震撼。但是,西貝柳斯畢竟是處在晚期浪漫主義的大環(huán)境中,因此,在音樂(lè)作品的寫(xiě)作手法上又不乏有許多浪漫主義的因素的特點(diǎn)。而在他的作品中運(yùn)用了傳統(tǒng)式的曲式形式,表現(xiàn)了對(duì)傳統(tǒng)曲式的繼承有著古典主義的邏輯思維,布局結(jié)構(gòu)上也做了一定的分析。在音樂(lè)創(chuàng)作上,運(yùn)用的題材、旋律以及音程的特點(diǎn)。在他的眾多音樂(lè)作品中,交響樂(lè)及交響詩(shī)占有極其重要的地位,尤其是在交響曲的成就上被人們譽(yù)為“20世紀(jì)的貝多芬”。而他這首小提琴協(xié)奏曲更是他創(chuàng)作中的杰作,是很多小提琴家的保留曲目。 本文分為三章。第一章是闡述作曲家的生平以及創(chuàng)作背景創(chuàng)作風(fēng)格以及從這首協(xié)奏曲中體現(xiàn)出的民族性,從宏觀上去理解這首小提琴協(xié)奏曲的創(chuàng)作背景。第二章是從微觀上分析各樂(lè)章的演奏技巧、音樂(lè)表現(xiàn)。主要是分析第一樂(lè)章的曲式結(jié)構(gòu)和演奏技巧等方面。第三章是從創(chuàng)作手法的方面去探討包括題材、節(jié)奏、旋律、音程等方面。 本文對(duì)西貝柳斯《d小調(diào)小提琴協(xié)奏曲》的音樂(lè)風(fēng)格和演奏分析進(jìn)行研究,目的是為了在理解作曲家時(shí)代背景的基礎(chǔ)上可以對(duì)樂(lè)曲從音樂(lè)內(nèi)涵的角度上進(jìn)行分析研究,對(duì)小提琴的演奏技巧上有更直接的啟發(fā)。
[Abstract]:Western European music has entered the Romantic period since the beginning of the 19th century. Sibelius is a late Romantic composer and a representative composer of national music. His music is full of national tone and style. Sibelius is the "spiritual leader" of the Nordic countries of Finland, a national hero. In his music, we can feel the natural smell of Finland can clearly hear the shock of the Nordic nation. However, Sibelius is in the environment of late romanticism after all, therefore, there are many romantic factors in the writing techniques of music works. The traditional form of music is used in his works, which shows the classical logic thinking of the inheritance of the traditional form and the analysis of the layout structure. In the music creation, uses the theme, the melody as well as the sound interval characteristic. Among his many musical works, symphonies and symphonic poems play a very important role, especially in the achievements of symphonies, known as Beethoven in the 20th century. His violin concerto is a masterpiece of his creation, and is the reserved track of many violinists. This paper is divided into three chapters. The first chapter expounds the composer's life and writing background, writing style and the nationality reflected in this concerto, and understand the background of the violin concerto from the macro point of view. The second chapter is from the micro-analysis of the performance of each movement skills, music performance. It mainly analyzes the composition of the first movement and performance skills. The third chapter discusses the theme, rhythm, melody, interval and so on. This paper studies the music style and performance of Sibelius' Violin Concerto in d minor, in order to understand the background of composer's time and analyze the music from the angle of musical connotation. There is more direct inspiration for violin playing skills.
【學(xué)位授予單位】：中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J614

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊健;關(guān)于小提琴演奏技巧的幾點(diǎn)新想法[J];音樂(lè)探索(四川音樂(lè)學(xué)院學(xué)報(bào));2003年01期

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本文編號(hào)：2060383