本文選題：鐘耀光 + 二胡協(xié)奏曲《快雪時(shí)晴》　； 參考：《中央音樂(lè)學(xué)院》2011年碩士論文

【摘要】：臺(tái)灣自古以來(lái)是中華人民共和國(guó)不可分割的一部分。由于歷史的原因,導(dǎo)致海峽兩岸文化等各方面的交流形成多年隔斷,因此大陸對(duì)其近代民族音樂(lè)的發(fā)展情況了解得甚少。然而近年來(lái),隨著兩岸的開(kāi)放政策,臺(tái)灣與大陸的音樂(lè)文化往來(lái)也日益密切,通過(guò)兩岸積極推進(jìn)的演出、比賽、學(xué)術(shù)交流活動(dòng),一系列優(yōu)秀的臺(tái)灣作品在大陸備受好評(píng),隨之而來(lái)涌現(xiàn)出了一批當(dāng)代杰出的青年作曲家和演奏家,臺(tái)北市國(guó)立樂(lè)團(tuán)團(tuán)長(zhǎng)鐘耀光,就是其中代表之一。 在本文中,筆者選取具有時(shí)代特征的臺(tái)灣“國(guó)樂(lè)”作品——鐘耀光于2008年創(chuàng)作的二胡協(xié)奏曲《快雪時(shí)晴》作為研究對(duì)象。以大陸地區(qū)音樂(lè)演奏者對(duì)創(chuàng)作特色及演奏藝術(shù)的研究角度出發(fā),在創(chuàng)作背景中闡述了與二胡協(xié)奏曲《快雪時(shí)晴》相關(guān)的臺(tái)灣民族器樂(lè)的發(fā)展現(xiàn)況和二胡在臺(tái)灣發(fā)展的歷程；作曲家鐘耀光的生平簡(jiǎn)介利對(duì)民族音樂(lè)的理念以及此曲的創(chuàng)作歷程；通過(guò)分析二胡協(xié)奏曲《快雪時(shí)晴》主題素材、樂(lè)思衍展、結(jié)構(gòu)邏輯以及演奏藝術(shù)上的理解與心得,揭示了其在臺(tái)灣國(guó)樂(lè)發(fā)展的藝術(shù)價(jià)值與當(dāng)代臺(tái)灣音樂(lè)的重要地位。由此發(fā)現(xiàn)臺(tái)灣音樂(lè)與大陸音樂(lè)存在的各自優(yōu)勢(shì)。希望通過(guò)本文的書寫,更緊密的聯(lián)系兩岸的音樂(lè)創(chuàng)作、音樂(lè)表演及音樂(lè)研究,在更大程度上推動(dòng)海峽兩岸的音樂(lè)文化交流——讓大陸音樂(lè)人士更廣泛地關(guān)注臺(tái)灣國(guó)樂(lè),也讓臺(tái)灣音樂(lè)界更加了解大陸音樂(lè)。
[Abstract]:Taiwan has been an inalienable part of the people's Republic of China since ancient times. As a result of historical reasons, cross-Strait cultural exchanges and other aspects of the formation of many years of separation, so the mainland to its modern folk music development very little understanding. However, in recent years, with the policy of opening up between the two sides of the Taiwan Strait, the music and cultural exchanges between Taiwan and the mainland have become increasingly close. Through the performances, competitions and academic exchanges actively promoted by the two sides of the Taiwan Strait, a series of excellent Taiwan works have received high praise in the mainland. A group of contemporary outstanding young composers and performers emerged, including Taipei State Orchestra Director Zhong Yaoguang. In this paper, the author chooses Taiwan's "National Music" work, Zhong Yaoguang's Erhu Concerto "Fai Xue Shi Qing", which has the characteristics of the times, as the research object in 2008. From the perspective of the mainland musicians' research on the creative characteristics and performance art, this paper expounds the current situation of the development of Taiwan's national instrumental music related to the Erhu Concerto "Fai Xue Shi Qing" and the course of the development of erhu in Taiwan. The life of composer Zhong Yaoguang is a brief introduction to Li's concept of folk music and the creation of this song. Through the analysis of the theme material, music exhibition, structural logic, and understanding and experience of performance art of Erhu Concerto, It reveals its artistic value in the development of Taiwan national music and the important position of contemporary Taiwan music. Therefore, we find the respective advantages of the existence of Taiwan music and mainland music. I hope that through the writing of this article, we will more closely link up with cross-strait music creation, music performance and music research, so as to promote to a greater extent the cross-straits musical and cultural exchanges-to enable mainland musicians to pay more attention to Taiwan's national music. It also makes the Taiwan music industry more aware of mainland music.
【學(xué)位授予單位】：中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J632.21

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本文編號(hào)：1802627