發(fā)布時(shí)間：2018-03-10 01:20

  本文選題：黃自　切入點(diǎn)：藝術(shù)歌曲　出處：《河南大學(xué)》2003年碩士論文　論文類型：學(xué)位論文

【摘要】： 黃自是我國(guó)近現(xiàn)代音樂(lè)史上一位極為重要的作曲家、音樂(lè)理論家和音樂(lè)教育家。在黃自短暫的一生中，創(chuàng)作數(shù)量最多的是聲樂(lè)作品，而其中尤以藝術(shù)歌曲影響最大。本文是對(duì)黃自藝術(shù)歌曲及其演唱風(fēng)格的研究。全文分為上下兩篇 上篇 ： 黃自生平及其音樂(lè)創(chuàng)作 第一節(jié)，黃自生平簡(jiǎn)介及其音樂(lè)創(chuàng)作概覽 本節(jié)通過(guò)對(duì)黃自家庭背景、生活環(huán)境和各時(shí)期學(xué)習(xí)經(jīng)歷的簡(jiǎn)單介紹，以及對(duì)其回國(guó)前后音樂(lè)創(chuàng)作形式與風(fēng)格的分析論述，從中略窺出黃自音樂(lè)創(chuàng)作中的儒雅風(fēng)格與其所崇尚的兼具主觀與客觀美的審美理想是相輔相成的。 第二節(jié)，黃自藝術(shù)歌曲的總體風(fēng)格特征簡(jiǎn)析 本節(jié)簡(jiǎn)要分析、梳理了黃自藝術(shù)歌曲創(chuàng)作的總體風(fēng)格特征，，并對(duì)體現(xiàn)其寫作風(fēng)格的選詞、旋律、伴奏等諸方面進(jìn)行了具體的分析論述。 下篇 ：黃自藝術(shù)歌曲演唱風(fēng)格研究。 本篇以具體作品為線索，分析了黃自藝術(shù)歌曲中所蘊(yùn)涵的音樂(lè)精神和思想內(nèi)容，并通過(guò)筆者對(duì)作品音色、力度、語(yǔ)言、句法、速度等演唱的切身體會(huì)和其他演唱家對(duì)其富有個(gè)性的闡釋，分析論述了黃自藝術(shù)歌曲演唱的具體風(fēng)格特征。
[Abstract]:Huang Zi is an extremely important composer, music theorist and music educator in the modern music history of our country. This paper is a study of Huang Zi's art songs and their singing style. The full text is divided into two parts. The first part: Huang Zi's Life and his Music creation. Section one: a brief introduction to Huang Zi's life and an overview of his music creation. This section briefly introduces Huang Zi's family background, living environment and learning experience in various periods, as well as an analysis of his music creation form and style before and after his return to China. From this, we can see that the elegant style of Huang Zi's music creation and his aesthetic ideal of both subjective and objective beauty complement each other. Section two: a brief Analysis of the overall style characteristics of Huang Zi's Art songs. This section briefly analyzes and combs the overall style characteristics of Huang Zi's art song writing, and makes a concrete analysis and discussion on the choice of ci, melody, accompaniment and so on, which embody his writing style. The second part: a study on the singing style of Huang Zi's art songs. This article takes the concrete work as the clue, analyzes the music spirit and the thought content which the Huang Zi art song contains, and through the author to the work timbre, the strength, the language, the syntax, The personal experience of singing such as speed and other singers' interpretation of their individuality are analyzed and discussed the specific style characteristics of Huang Zi's art song singing.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：J605

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王陽(yáng);;中外藝術(shù)歌曲風(fēng)格對(duì)比——以舒伯特和黃自藝術(shù)歌曲為例[J];北方音樂(lè);2010年10期

相關(guān)碩士學(xué)位論文 前3條

1 秦青;聲樂(lè)鋼琴伴奏中“歌唱性思維”的應(yīng)用研究[D];湖南師范大學(xué);2011年

2 王慧英;黃自古詩(shī)詞藝術(shù)歌曲的分析及演繹[D];西安音樂(lè)學(xué)院;2010年

3 臧杰;20世紀(jì)上半葉中國(guó)藝術(shù)歌曲的發(fā)展歷程及風(fēng)格特點(diǎn)[D];天津師范大學(xué);2012年

本文編號(hào)：1591137