本文選題：論蒂　切入點(diǎn)：皮特　出處：《中央音樂學(xué)院》2003年碩士論文　論文類型：學(xué)位論文

【摘要】：麥克爾·蒂皮特(Michael Tippett，1905-1998) 是英國(guó)20世紀(jì)下半葉與布里 頓(Benjamain Britten，，1913-1976) 齊名的作曲家。創(chuàng)作于第二次世界大戰(zhàn)期的清 唱?jiǎng)　段覀儠r(shí)代的孩子》是他最為著名的作品之一，它體現(xiàn)了音樂家對(duì)音樂和音樂 之外表達(dá)的雙重思考。本文選取這部作品作為研究對(duì)象，一方面是由于筆者個(gè)人對(duì) 于這部清唱?jiǎng)〉南矏�，另一方面，筆者試圖通過本文來改善目前國(guó)內(nèi)音樂領(lǐng)域?qū)@ 部著名的作品僅僅停留在一般介紹性階段的現(xiàn)狀。本文主要從其人其樂的創(chuàng)作背景、 這部清唱?jiǎng)〉母柙~分析及其音樂分析三個(gè)角度著手，對(duì)蒂皮特這部成名作進(jìn)行了較 為詳盡的介紹和分析： 論文的第一章主要集中介紹蒂皮特個(gè)人的成長(zhǎng)經(jīng)歷和這部清唱?jiǎng)〉臅r(shí)代背景。 在書寫蒂皮特個(gè)人成長(zhǎng)經(jīng)歷時(shí)，筆者有意避開作曲家的一生，而選取他自出生到創(chuàng) 作這部作品之間的生活和創(chuàng)作經(jīng)歷。這樣不僅有利于我們了解這位國(guó)內(nèi)相對(duì)陌生的 作曲家，也為有利于為清唱?jiǎng)〉膭?chuàng)作提供一個(gè)個(gè)人和時(shí)代的背景。 論文第二章著重研究《我們時(shí)代的孩子》的歌詞。鑒于詩(shī)人艾略特和心理學(xué)家 榮格的思想在這部清唱?jiǎng)〉母柙~中的重要地位，筆者將這一章分為三節(jié)，前兩節(jié)分 別論述艾略特和榮格思想對(duì)歌詞的影響和體現(xiàn)，第三節(jié)則從宏觀的角度對(duì)整個(gè)清唱 劇的歌詞結(jié)構(gòu)進(jìn)行了簡(jiǎn)要的概述。 論文第三章以音樂本體研究為主，主要從兩個(gè)角度分析了這部清唱?jiǎng)〉囊魳贰?首先，從靈歌的和聲和織體、動(dòng)機(jī)及其連接、調(diào)性布局等方面分析了清唱?jiǎng)〉囊魳?語(yǔ)言特點(diǎn)。然后，筆者對(duì)整個(gè)作品的音樂概貌作了一番歸類和分析研究。 論文的結(jié)語(yǔ)，筆者對(duì)全文進(jìn)行了歸納總結(jié)，論述了蒂皮特的人道主義在作品中 的體現(xiàn)，并將這部清唱?jiǎng)》诺秸麄�(gè)清唱?jiǎng)∈飞线M(jìn)行比較。
[Abstract]:Michael Tippettt, Michael Tippettt, 1905-1998, was the second half of 20th century in England and Bree. Benjamain Brittenn (1913-1976). Written in the Qing Dynasty during the second World War. Singing play "Children of our time" is one of his most famous works, which embodies musicians' views on music and music. This article chooses this work as the object of study, on the one hand, because of the author's personal. On the other hand, the author tries to improve the current domestic music field through this article. The famous works of the Ministry only stay in the current situation of the general introductory stage. The lyric analysis and music analysis of the oratorio are carried out from three angles, and the comparison of Tippet's famous work is made. For detailed presentation and analysis:. The first chapter focuses on Tippet's personal growth experience and the background of the oratorio. In writing about Tippet's personal growth experience, the writer deliberately avoided the composer's life and chose him from birth to creation. Make this work between life and creation experience. This will not only help us to understand this relatively unfamiliar in the country. Composers, also conducive to the creation of oratorio to provide a personal and the background of the times. The second chapter focuses on the lyrics of "Children of our time". Given the poet Eliot and the psychologist. Jung's thought plays an important role in the lyric of this oratorio. The author divides this chapter into three sections and the first two sections. Don't discuss the influence and embodiment of Eliot and Jung's thoughts on the lyrics. The third section is about the whole singing from a macro perspective. The lyric structure of the play is briefly summarized. The third chapter focuses on the study of music Noumenon, mainly analyzes the music of the oratorio from two angles. First of all, this paper analyzes the music of oratorio from the aspects of harmony and texture, motivation and connection, tonal layout and so on. Then, the author classifies and analyzes the music profile of the whole work. The conclusion of the thesis, the author summarized the full text, and discussed Tippet's humanitarianism in the works. This oratorio is compared in the whole history of oratorio.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：J609.1

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 李如春;蒂皮特四部交響曲作曲技術(shù)分析研究[D];中央音樂學(xué)院;2007年

本文編號(hào)：1585919