本文關(guān)鍵詞： 中國(guó)藝術(shù)歌曲 形成 發(fā)展 特征　出處：《西北師范大學(xué)》2003年碩士論文　論文類型：學(xué)位論文

【摘要】： 二十世紀(jì)20—40年代是中國(guó)藝術(shù)歌曲形成和發(fā)展的重要時(shí)期。它誕生于五四新文化運(yùn)動(dòng)時(shí)期，發(fā)展于20—40年代，并通過(guò)蕭友梅、黃自為代表的作曲家們的創(chuàng)作與探索，使其形成了中國(guó)藝術(shù)歌曲創(chuàng)作的繁榮時(shí)期。中國(guó)藝術(shù)歌曲在內(nèi)容、題材上的多形態(tài)和在形式上的繼承與創(chuàng)新，標(biāo)志著這一時(shí)期中國(guó)藝術(shù)歌曲的高起點(diǎn)和高水準(zhǔn)，并且表現(xiàn)出這一形式在20世紀(jì)中國(guó)音樂(lè)文化中所起的重要作用。 本文主要從“縱”、“橫”兩方面進(jìn)行論述：縱的方面，包括中國(guó)藝術(shù)歌曲的產(chǎn)生與發(fā)展，并對(duì)其原因做分析和解釋；橫的方面，對(duì)中國(guó)藝術(shù)歌曲的內(nèi)容和音樂(lè)進(jìn)行分析，，認(rèn)為中國(guó)的作曲家們?cè)趦?nèi)容的選材上并不象歐洲浪漫主義時(shí)期的作曲家那樣帶有明顯的個(gè)人痕跡或自我的因素，而是通過(guò)這一音樂(lè)形式來(lái)表達(dá)對(duì)社會(huì)與生活的關(guān)注和責(zé)任感。音樂(lè)創(chuàng)作中，在高度吸收了德奧藝術(shù)歌曲的優(yōu)秀成就同時(shí)，將其與中國(guó)傳統(tǒng)文化進(jìn)行有機(jī)結(jié)合，從而使中國(guó)的藝術(shù)歌曲在藝術(shù)形式上充分體現(xiàn)了東、西方音樂(lè)文化的融合，并具鮮明的中國(guó)特色。
[Abstract]:In 20th century, the 1940s was an important period for the formation and development of Chinese art songs. It was born during the May 4th New Cultural Movement and developed in the 1940s, and through the creation and exploration of the composers represented by Xiao Youmei and Huang Ziwei, It formed the prosperous period of Chinese art song creation. The various forms of Chinese art songs in content, subject matter, inheritance and innovation in form marked the high starting point and high standard of Chinese art songs in this period. This form played an important role in Chinese music culture in 20th century. This article mainly discusses from the "vertical", "horizontal" two aspects: vertical, including the emergence and development of Chinese art songs, and its causes are analyzed and explained; horizontal, the content and music of Chinese art songs are analyzed. It is believed that Chinese composers do not carry obvious personal traces or self-factors in content selection as they did in the European Romantic period. It is through this form of music to express concern and responsibility for society and life. In music creation, the outstanding achievements of German and Austrian art songs are highly absorbed, and at the same time, they are organically integrated with Chinese traditional culture. Thus, Chinese art songs fully embody the integration of eastern and western music and culture in their artistic forms, and have distinct Chinese characteristics.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：J609.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 余文博;“新音樂(lè)運(yùn)動(dòng)”之研究[D];武漢音樂(lè)學(xué)院;2007年

2 范霞;三十年（1979-2009）中國(guó)藝術(shù)歌曲研究綜述[D];西南大學(xué);2010年

本文編號(hào)：1527035