本文關(guān)鍵詞： 西方大小調(diào)功能和聲 中國早期專業(yè)音樂創(chuàng)作 和聲民族化 嬗變 成因　出處：《湖南師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

【摘要】：20世紀(jì)初，西方音樂迅猛涌入中國，從此“傳而統(tǒng)之”的中國古代音樂史截然中斷，中國近現(xiàn)代專業(yè)音樂成型，并與中國傳統(tǒng)音樂形成隔離。在這一時(shí)代背景下，中國專業(yè)音樂創(chuàng)作開始萌芽。在20世紀(jì)20年代初至40年代末中國早期專業(yè)音樂創(chuàng)作的發(fā)端過程中，第一、二代專業(yè)作曲家們?yōu)槠涓冻隽似D辛的勞動(dòng)并取得了喜人的成績，留下了許多經(jīng)典作品，為中國現(xiàn)當(dāng)代專業(yè)音樂創(chuàng)作之和聲民族化提供了實(shí)踐依據(jù)，為中國和聲學(xué)的進(jìn)一步理論研究提供了豐富的實(shí)例。 文章以聲樂作品為例從中西音樂的曲調(diào)基礎(chǔ)、和弦結(jié)構(gòu)的多樣化、調(diào)式調(diào)性的特殊性、和聲序進(jìn)的演化四個(gè)重要方面，詳細(xì)論述了在中國早期專業(yè)音樂創(chuàng)作中作曲家們從模仿西方傳統(tǒng)和聲體系到和聲民族化的發(fā)展到逐步成熟并豐富的嬗變過程，，探索了西方傳統(tǒng)功能和聲在中國早期的實(shí)踐創(chuàng)作中的嬗變成因，即和聲民族化的實(shí)踐途徑。以上分析研究使我們更加深入地認(rèn)識(shí)到：一、走和聲民族化的道路，必須要充分挖掘中國傳統(tǒng)音樂資源。二、要認(rèn)真學(xué)習(xí)、借鑒西方大小調(diào)功能和聲理論體系及其技法，兼收并蓄。
[Abstract]:At the beginning of 20th century, western music poured into China rapidly. Since then, the history of ancient Chinese music "handed down and unified" has been completely interrupted, and Chinese modern professional music has taken shape. Under this background, the Chinese professional music creation began to sprout. From the beginning of 1920s to the end of 40s, the beginning process of the Chinese early professional music creation. First, the second generation of professional composers for its hard work and achieved gratifying results, leaving behind a lot of classic works, for China's contemporary professional music creation of harmony to provide a practical basis for nationalization. It provides abundant examples for further theoretical study of harmony acoustics in China. This paper takes vocal music works as an example from four important aspects: the basis of Chinese and Western music, the diversification of chord structure, the particularity of modulation, and the evolution of harmony sequence. In the early professional music creation in China composers from the imitation of the Western traditional harmony system to the development of harmony nationalization to gradually mature and rich process of evolution. This paper explores the causes of the evolution of the western traditional functional harmony in the early practical creation of China, that is, the practical approach to the nationalization of harmony. The above analysis and research make us realize more deeply: first, take the road of harmony nationalization. We must fully tap the Chinese traditional music resources. Secondly, we must study carefully and learn from the western system and techniques of functional harmony in major and minor major.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：J613.6

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 李南;建國初期民族調(diào)式和聲探索的成果[D];武漢音樂學(xué)院;2010年

2 王丹;論中國藝術(shù)歌曲鋼琴伴奏的藝術(shù)表現(xiàn)[D];西南交通大學(xué);2012年

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