發(fā)布時(shí)間：2018-01-22 02:43

  本文關(guān)鍵詞： 威風(fēng)鑼鼓 民俗活動(dòng) 傳承變異 音樂(lè)產(chǎn)業(yè)　出處：《山西大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：威風(fēng)鑼鼓源遠(yuǎn)流長(zhǎng),歷史悠久,有著豐富的民俗文化傳統(tǒng)和鮮明的地方特色,追溯其歷史發(fā)展淵源,威風(fēng)鑼鼓可能源于堯唐,起于宋而盛于清,它內(nèi)容豐富、形式多樣,溶音樂(lè)、舞蹈、技藝于一體,對(duì)民俗學(xué)、歷史學(xué)、社會(huì)學(xué)、美學(xué)具有很重要的學(xué)術(shù)意義,2006年威風(fēng)鑼鼓被國(guó)家列為第一批非物質(zhì)文化遺產(chǎn)名錄,在二十世紀(jì)八十年代以來(lái),威風(fēng)鑼鼓跨入了一個(gè)新的發(fā)展階段,一批藝術(shù)家和文藝工作者對(duì)威風(fēng)鑼鼓進(jìn)行了大量的搜集整理和研究工作,研究成果也層出不窮,社會(huì)的關(guān)注也在不斷的擴(kuò)大,然而,這幾年對(duì)威風(fēng)鑼鼓的研究領(lǐng)域大體上只停留在對(duì)民間鑼鼓譜的搜集整理和音樂(lè)本體研究,當(dāng)然,對(duì)音樂(lè)本體的研究是一項(xiàng)至關(guān)重要不可或缺的步驟,它為我們擴(kuò)大研究范圍提供了基礎(chǔ)的條件,本文正是在音樂(lè)本體研究的基礎(chǔ)之上,擴(kuò)展到威風(fēng)鑼鼓得以傳承發(fā)展的民俗環(huán)境,在對(duì)當(dāng)?shù)赝L(fēng)鑼鼓生存現(xiàn)狀的實(shí)地調(diào)查后,引發(fā)了對(duì)威風(fēng)鑼鼓進(jìn)行民俗學(xué)和民俗文化產(chǎn)業(yè)化的思考,試圖超越以往對(duì)威風(fēng)鑼鼓的研究?jī)H僅關(guān)注音樂(lè)本體的方法,借助于音樂(lè)人類學(xué)中的音樂(lè)民俗學(xué)和文化產(chǎn)業(yè)學(xué)的理論,將威風(fēng)鑼鼓和民間民俗活動(dòng)作為一個(gè)文化整體來(lái)認(rèn)識(shí),本文對(duì)威風(fēng)鑼鼓所參與的各項(xiàng)民俗活動(dòng)及民俗的變遷做了深度的描述,并對(duì)威風(fēng)鑼鼓在脫離民俗活動(dòng)后產(chǎn)生的變異,最后與市場(chǎng)經(jīng)濟(jì)接軌,做了產(chǎn)業(yè)化的初步研究。
[Abstract]:Magnificent gongs and drums have a long history, have a rich folk culture and distinctive local characteristics, trace back to its historical development origin, majestic gongs and drums may have originated from the Yao and Tang dynasties, from Song to Sheng in the Qing Dynasty, it is rich in content. It is of great academic significance to folklore, history, sociology and aesthetics. In 2006, Weifeng gongs and drums were listed as the first batch of intangible cultural heritage list by the state. Since 1980s, Weifeng gongs and drums have stepped into a new stage of development. A group of artists and literary and art workers have carried out a large number of collection and research work on magnificent gongs and drums, and the research results have also been emerging in endlessly, and the social attention has been constantly expanding, however. In the past few years, the research field of gongs and drums in the past few years has mainly remained in the collection and arrangement of the spectrum of folk gongs and drums and the study of music ontology. Of course, the research on music ontology is a crucial and indispensable step. It provides the basic conditions for us to expand the scope of research, this article is on the basis of the study of music ontology, expand to the development of powerful gongs and drums to inherit and develop the folk environment. After the field investigation on the survival situation of the gongs and drums in the local authorities, it leads to the thinking of folklore and folklore culture industrialization of the gongs and drums in Weifeng, and attempts to transcend the previous researches on the gongs and drums of Weifeng only paying attention to the method of music ontology. With the help of the theories of music folklore and cultural industry in the anthropology of music, we can understand the magnificent gongs and drums and folk folklore activities as a whole of culture. This paper describes deeply the folklore activities and the changes of folklore in which the gongs and drums of Weifeng participate, and the variation of the gongs and drums from the folklore activities, and finally connects with the market economy. The preliminary research of industrialization has been done.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J632.5

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本文編號(hào)：1453383