從《素衣識聞香》談工筆畫中主體人物與背景表達
發(fā)布時間：2019-03-27 18:47
【摘要】：傳統(tǒng)工筆畫主體人物與背景的關(guān)系表達,主要為自然環(huán)境和“留白”兩種方式。到了近現(xiàn)代,西方繪畫由于發(fā)展歷史,文化背景和審美觀與中國繪畫不同,中國繪畫受到西方繪畫的影響,工筆畫既要繼承成傳統(tǒng),又要吸收外來文化。這樣的轉(zhuǎn)變使得工筆畫主體人物與背景關(guān)系有了新的創(chuàng)作表現(xiàn)空間,呈現(xiàn)出多樣性。由于文化全球性的影響,當今的工筆畫為了更好地表現(xiàn)時代需求。在主體人物與背景關(guān)系的問題處理上,更多的是加強畫面的表達,背景處理的更加豐富和多樣化。本文主要關(guān)注當代工筆畫主體人物與背景關(guān)系的研究,對傳統(tǒng)工筆畫主體人物與背景關(guān)系與當代的個案進行比較、分析,將其置于工筆畫主體人物與背景關(guān)系這一語境之中并結(jié)合自己的創(chuàng)作進行分析,以期在研究理論的同時進一步提升繪畫能力。
[Abstract]:The relationship between the main characters and the background of traditional fine strokes is mainly expressed in two ways: natural environment and "leaving white space". In modern times, Western painting is different from Chinese painting because of its development history, cultural background and aesthetic outlook. Chinese painting is influenced by western painting, and fine brushwork should not only inherit the tradition but also absorb foreign culture. Such a change makes the relationship between the main characters and the background of fine strokes have a new creative expression space, showing diversity. Due to the global impact of culture, today's meticulous painting in order to better represent the needs of the times. In dealing with the problem of the relationship between the subject and the background, it is more important to strengthen the expression of the picture, and to deal with the background more abundant and diversified. This paper focuses on the study of the relationship between the main characters and the background of the contemporary meticulous painting, and makes a comparison and analysis of the relationship between the main character and the background of the traditional meticulous painting and the contemporary case. It is put in the context of the relationship between the main character and the background of fine strokes and analyzed in combination with his own creation in order to further improve the painting ability while studying the theory at the same time.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212
本文編號：2448458
[Abstract]:The relationship between the main characters and the background of traditional fine strokes is mainly expressed in two ways: natural environment and "leaving white space". In modern times, Western painting is different from Chinese painting because of its development history, cultural background and aesthetic outlook. Chinese painting is influenced by western painting, and fine brushwork should not only inherit the tradition but also absorb foreign culture. Such a change makes the relationship between the main characters and the background of fine strokes have a new creative expression space, showing diversity. Due to the global impact of culture, today's meticulous painting in order to better represent the needs of the times. In dealing with the problem of the relationship between the subject and the background, it is more important to strengthen the expression of the picture, and to deal with the background more abundant and diversified. This paper focuses on the study of the relationship between the main characters and the background of the contemporary meticulous painting, and makes a comparison and analysis of the relationship between the main character and the background of the traditional meticulous painting and the contemporary case. It is put in the context of the relationship between the main character and the background of fine strokes and analyzed in combination with his own creation in order to further improve the painting ability while studying the theory at the same time.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212
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，本文編號：2448458
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